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Baby Love (Regina Song)
"Baby Love" is a song by American singer Regina. The single hit number one on the dance charts for two weeks in mid-1986. The single crossed over to the pop singles chart, where it peaked at number 10 on US ''Billboard'' Hot 100 and at number 30 on the ''Billboard'' Soul Singles chart. "Baby Love" would be her only single to chart on both the Pop and Soul Singles charts, but several follow up singles charted on the dance chart. The song was written by Stephen Bray, Regina Richards & Mary Kessler. Bray had written several hits for Madonna, and "Baby Love" was actually intended for her to record. After she declined, Regina recorded the vocal herself in late 1985, though with Bray's production it sounded similar to Madonna's other recordings of the time and was sometimes mistaken for one. Although recorded the same year, the first released version of the song was by Dutch girl group The Star Sisters, who released it on their 1985 album ''Danger''. A music video for "Baby Love" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Supremes
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, vocal band, with List of Billboard Hot 100 chart achievements and milestones#Most number-one singles, 12 number-one singles on the Billboard Hot 100, ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American Rhythm and blues, R&B and soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson (singer), Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass Housing Projects, Brewster-Douglass public housing proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Black Singles
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolidated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Jack Swing
New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley and Bernard Belle, new jack swing was most popular from the late-1980s to early-1990s. Its influence, along with hip hop, seeped into pop culture. Merriam-Webster's online dictionary defines new jack swing as "pop music usually performed by black musicians that combines elements of jazz, funk, rap, and rhythm and blues." New jack swing took up the trend of using sampled beats and tunes, and created beats using electronic drum machines such as the then-new SP-1200 sampler and the Roland TR-808 to lay an "insistent beat under light melody lines and clearly enunciated vocals." The Roland TR-808 was sampled to create distinctive, syncopated, swung rhythms, with its snare sound being especially prominent. Two examples would be "Groove Me" by Guy which samples "Funky President ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Don't Wanna Take This Pain
"I Don't Wanna Take This Pain" is a single by Australian singer Dannii Minogue from her debut album, ''Love and Kisses'' (1991). A personal favourite of Minogue's, its original mix was released as the third single in Australia, where it peaked at number 92 on the ARIA Singles CHart December 1990. A re-recorded and remixed version of the song (by L.A. Mix) was released in the United Kingdom as the fifth and final single in December 1991 and received mostly positive reviews from music critics. "I Don't Wanna Take This Pain" reached number 40 in the UK. Critical reception In their review of the ''Love and Kisses'' album, ''Billboard'' wrote that songs like "I Don't Wanna Take This Pain" "surround her chirpy voice with contagious beats and melodies that should sound just dandy on top 40 radio." Rozalla Miller reviewed the song for ''Smash Hits'', adding "...her voice sounds much better on this record than it does on her other ones. It's pretty good, but it's not as catchy as Baby Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Show You The Way To Go
"Show You the Way to Go" is a song written by Gamble and Huff and recorded by the Jacksons for their 1976 CBS debut album, ''The Jacksons''. Released as a single in early 1977, it was the only number-one song for the group in the UK. It was later covered by Dannii Minogue in 1992. The Jacksons version "Show You the Way to Go" became a hit for the Jacksons, (formerly known as "The Jackson 5") after their departure from Motown nearly two years prior. The move made it easy for the brothers to write and produce their own material. They spent a couple of years under the production and direction of Gamble and Huff and were signed to Philadelphia International Records. This was one of the songs that the producers wrote for the brothers. This song was released after " Enjoy Yourself," released a year earlier. Michael sang lead and background vocals. Marlon Jackson, and the rest of the brothers (Randy having replaced Jermaine) had backup parts. The song reached No. 6 US ''Billboard'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump To The Beat
"Jump to the Beat" is a song written by Narada Michael Walden and Lisa Walden. It was originally released by American singer Stacy Lattisaw in 1980 when it became a big hit in the UK, peaking at No.3. It was later covered by Australian singer Dannii Minogue on her debut album, '' Love and Kisses'' in 1991. Release Stacy Lattisaw was only 13 years old when "Jump to the Beat" was released in May 1980. Although it was not released as a North American single, therefore did not chart on the ''Billboard'' Hot 100, it reached No.1 (along with another song " Dynamite!") on the ''Billboard'' dance charts. Released in edited form as a single internationally, it became a big hit during the summer of 1980 in the UK, where it peaked at No.3 in July. It was to be her only major hit there although she continued to achieve success in the US with later singles. The song also performed well in Europe, hitting the charts in a number of countries. The song was included on Lattsaw's second album, ''Let ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mushroom Records
Mushroom Records was an Australian flagship record label, founded in 1972 in Melbourne. It published and distributed many successful Australian artists and expanded internationally, until it was merged with Festival Records in 1998. Festival Mushroom Records was later acquired by Warner Bros. Records, which operated the label from 2005 to 2010 until it folded to Warner Bros. Records. Founder Michael Gudinski went on to become the leader of the Mushroom Group, the largest independent music and entertainment company in Australia, with divisions such as Frontier Touring. History Mushroom Records was an Australian record label formed by Michael Gudinski and Ray Evans in Melbourne in 1972. After its sale in 1998 along with Mushroom Distribution Services, they merged into Festival Mushroom Records. From 2005 to 2009, it was operated by Warner Bros. Records. Gudinski subsequently expanded a pre-existing label, Liberation Music, to release material by former Mushroom artists.McFarlane ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universal Records
Universal Music Group N.V. (often abbreviated as UMG and referred to as just Universal Music) is a Dutch–American multinational music corporation under Dutch law. UMG's corporate headquarters are located in Hilversum, Netherlands and its operational headquarters are located in Santa Monica, California. The biggest music company in the world, it is one of the " Big Three" record labels, along with Sony Music and Warner Music Group. Tencent acquired ten percent of Universal Music Group in March 2020 for €3 billion and acquired an additional ten percent stake in January 2021. Pershing Square Holdings later acquired ten percent of UMG prior to its IPO on the Euronext Amsterdam stock exchange. The company went public on September 21, 2021, at a valuation of €46 billion. In 2019, '' Fast Company'' named Universal Music Group the most innovative music company and listed UMG among the Top 50 most innovative companies in the world and "amid the music industry's digital tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Corporation Of America
MCA Inc. (originally an initialism for Music Corporation of America) was an American media conglomerate founded in 1924. Originally a talent agency with artists in the music business as clients, the company became a major force in the film industry, and later expanded into television production. MCA published music, booked acts, ran a record company, represented film, television, and radio stars, and eventually produced and sold television programs to the three major television networks, especially NBC. MCA was the legal predecessor of Vivendi, Vivendi Universal and thereby NBCUniversal. Its other legal successor (business), legal successor is Universal Music Group Holding Corp, a holding company owned by Universal Music Group (which has absorbed PolyGram). History Early years MCA was formed in 1924 by Jules Stein and William R. Goodheart, Jr., as Music Corporation of America, a music booking agency based in Chicago, Illinois. MCA helped pioneer modern practices of touring ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
