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BWV 142
(Unto us a child is born), , is a Christmas cantata by an unknown composer. In the ''Bach-Werke-Verzeichnis'' it is listed among the works with a doubtful attribution to Johann Sebastian Bach. The text is based on a libretto by Erdmann Neumeister first published in 1711. Although attributed to Bach by the Bach-Gesellschaft when they first published it in the late nineteenth century, that attribution was questioned within thirty years and is no longer accepted. Johann Kuhnau, Bach's predecessor as Thomaskantor in Leipzig, has been suggested as the probable composer, but without any certainty. The cantata is in eight movements, and is scored for vocal soloists, choir, recorders, oboes, strings and continuo. History, authenticity and attribution The biblical text, chorale and free verse come from the 1711 collection of librettos of the writer, theologian, pastor and theorist, Erdmann Neumeister. A libretto, based on Neumeister's text, survives in the Stadtgeschichtliches Museu ...
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Nikolaikirche, Leipzig
The St. Nicholas Church (german: Nikolaikirche) is one of the major churches of central Leipzig, Germany (in Leipzig`s district Mitte). Construction started in Romanesque style in 1165, but in the 16th century, the church was turned into a Gothic hall church. Baroque elements like the tower were added in the 18th century. In the 18th century, several works by Johann Sebastian Bach, who was as Thomaskantor the music director of Thomaskirche and Nikolaikirche from 1723 to 1750, premiered here. The Neoclassical interior dates to the late 18th century. The church rose to national fame in 1989 with the Monday Demonstrations when it became the centre of peaceful revolt against communist rule. By capacity, it is one of the largest churches in Saxony. History Construction of the church began about 1165. It is named after St. Nicholas, patron of travelers and merchants. It was built originally in the Romanesque style (with twin towers) but was extended and enlarged in the early 16th ...
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Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ...
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Weimar
Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouring cities of Erfurt and Jena, it forms the central metropolitan area of Thuringia, with approximately 500,000 inhabitants. The city itself has a population of 65,000. Weimar is well known because of its large cultural heritage and its importance in German history. The city was a focal point of the German Enlightenment and home of the leading figures of the literary genre of Weimar Classicism, writers Johann Wolfgang von Goethe and Friedrich Schiller. In the 19th century, noted composers such as Franz Liszt made Weimar a music centre. Later, artists and architects such as Henry van de Velde, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Walter Gropius came to the city and founded the Bauhaus movement, the most important German de ...
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Alfred Dürr
Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Classical philology at the Georg-August-Universität Göttingen from 1945 to 1950. He wrote his thesis about Bach's early Bach cantata, cantatas. From 1951 until his retirement in 1983 he was an employee of the Johann Sebastian Bach Institute in Göttingen, West Germany, from 1962 to 1981 its deputy director. His work involved collaboration with colleagues in East Germany. He was a principal editor of the Neue Bach-Ausgabe, a project which was divided between the Johann Sebastian Bach Institute and the Bach-Archiv Leipzig in East Germany. From 1953 to 1974 Dürr was editor of the ''Bach-Jahrbuch'' (Bach almanach), together with Werner Neumann, the founder and director of the Bach-Archiv Leipzig. Dürr received honorary doctorates of music fro ...
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Arnold Schering
Arnold Schering (2 April 1877 in Breslau, German Empire – 7 March 1941 in Berlin) was a German musicologist. He grew up in Dresden as the son of an art publisher. He learned violin at the from which he graduated in 1896. Thereafter he studied violin at the Berlin School of Music under Joseph Joachim. From 1898 until 1902 he studied music in Berlin and Leipzig and wrote his dissertation on the instrumental concertos of Antonio Vivaldi (in German, ''Geschichte des Instrumentalkonzertes bei Antonio Vivaldi'') and this work was influential in resurrecting the music of this composer. Fred K. Prieberg: ''Handbuch Deutsche Musiker 1933–1945'', CD-Rom-Lexikon, Kiel 2004, pages 6.084–6.086. In 1907 he made his habilitation and was made a professor of music in 1915. In 1920 Schering gathered evidence that composer Johann Sebastian Bach usually used 12 singers in his cantatas and other vocal works. This insight eventually became influential in the early music movement. From 1928 onward ...
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Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ...
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Telemann-Werke-Verzeichnis
The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a genre number, a letter indicating the key (in some cases), and a work number. The genre number indicates the general type or medium of the work. A major key is in upper case, a minor key in lower case. The second number is the work's number within the genre. For example, Telemann's ''Concerto polonois in B flat major for strings and basso continuo'' is TWV 43:B3. His ''Orchestral suite in D major'' is TWV 55:D18, and his ''Overture in G minor'' is TWV 55:g4. Vocal works were catalogued in a similar way by Werner Menke in the Telemann-Vokalwerke-Verzeichnis (Telemann Vocal Works Catalogue), abbreviated TVWV. For example, Telemann's ''Johannes-Passion'' is TVWV 5:42. His ''Times of the Day'' cantata is TVWV 20:39. Genre numbering Genres of vocal wor ...
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Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach. Life He was born in , near Hoya, and his father, also called Philipp Spitta, was a theologian and wrote the Protestant collection of hymns entitled ''Psalter und Harfe''. As a child, the younger Spitta learnt the piano, pipe organ, and musical composition. He studied theology and classical philology at the University of Göttingen from 1860, graduating in 1864 with a Ph.D. for a dissertation on Tacitus (''Der Satzbau bei Tacitus'', 1866). While at university, he composed, wrote a biography of Robert Schumann, and became friends with Johannes Brahms. He became a teacher of Ancient Greek and Latin language in, successively, Reval, Sondershausen, and Leipzig, while pursuing his interest in and lecturing on music history in general and Johann Sebastian Bach in particular. His Bach study began to be publi ...
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Reginald Lane Poole
Reginald Lane Poole, FBA (1857–1939) was a British historian. He was Keeper of the Archives and a lecturer in diplomatics at the University of Oxford, where he gave the Ford Lectures in 1912 on the subject of "The Exchequer in the Twelfth Century". Son of Edward Stanley Poole, the "Lane" in his surname comes from his paternal grandmother Sophia Lane Poole, author of ''An Englishwoman in Egypt'' (1844). He was the father of Austin Lane Poole (1889–1963), also a historian and Ford's Lecturer; the brother of the orientalist Stanley Lane-Poole; the nephew of Reginald Stuart Poole; and the great-nephew of Edward William Lane Edward William Lane (17 September 1801 – 10 August 1876) was a British orientalist, translator and lexicographer. He is known for his ''Manners and Customs of the Modern Egyptians'' and the '' Arabic-English Lexicon,'' as well as his translati .... He edited, among other works, with W. Hunt, ''Political History of England'' (twelve volumes, 1905–10). ...
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Spitta's Johann Sebastian Bach
''Johann Sebastian Bach'' is a 19th-century biography of Johann Sebastian Bach by Philipp Spitta. The work was published in German in two volumes, in 1873 and 1880 respectively. The English translation by Clara Bell and J. A. Fuller Maitland, ''Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750'', was published by Novello & Co in three volumes. Content and style Spitta's Bach biography gives a chronological account. This includes the discussion of Bach's compositions: these are discussed within the chronological account at the time they were composed. Only for the sixth and last part, covering the last decennia of the Leipzig period, some compositions are grouped by type in subsections. Spitta writes in long paragraphs and very few divisions in subsections. Coming from a Protestant background himself, he is able, like Albert Schweitzer after him, to give insight in the religious context of Bach's time. Significance for Bach studies Spitt ...
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Karl Hermann Bitter
Karl Hermann Bitter (27 February 1813 – 12 September 1885) was a Prussian statesman and writer on music. Biography He was born at Schwedt, Province of Brandenburg, and studied law and cameralistics at Berlin and Bonn. He served as the plenipotentiary of Prussia on the Danube Commission from 1856 to 1860, was prefect of the Department of Vosges during the Franco-Prussian War. He later became minister of finance (1879), an office in which he displayed exceptional ability. He increased the indirect duties derived from the so-called tobacco monopoly and the tax on spirits and malt, and introduced the “Börsensteuer” (tax on the bourse). He concluded the commercial treaty with the city of Hamburg by which that city entered the German Customs Union The (), or German Customs Union, was a coalition of German states formed to manage tariffs and economic policies within their territories. Organized by the 1833 treaties, it formally started on 1 January 1834. However, its f ...
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