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Azure-Té
''Azure-Té'' is the third studio album by American jazz singer Karrin Allyson. The album was recorded in the Soundtrek Studios of Kansas City, Missouri and was released on March 21, 1995 by Concord Jazz label. Reception Chuck Berg writing for ''JazzTimes'' commented, "Karrin Allyson's alluring ''Azure-Té'' is a gem. Here she takes the action back to her adopted home town with a cross-section of Kansas City's best and brightest." Scott Yanow of AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ... noted that the album is "highly recommended." Track listing Personnel *Karrin Allyson – vocals, piano (tracks: 7) *Rod Fleeman – acoustic guitar (tracks: 2 4 7 9 11 12) *Kim Park – alto saxophone (tracks: 3 6), tenor saxophone (tracks: 3 8) *Bob Bowman – bass (tracks: 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azure-Te (Paris Blues)
Azure-Te (Paris Blues) is a blues ballad written in 1952 by lyricist Donald E. Wolf for a Wild Bill Davis tune that reached number 30 on the Billboard Hot 100 chart in September 1952 when covered by Frank Sinatra. The first release was by Louis Jordan's band, subsequent covers having been made by Nat King Cole with George Shearing, John Pizzarelli and others, and the Davis instrumental was also covered both in the 1950's and recently. Composition and recording Music publisher Gale and Gayles had song-writer Donald E. Wolf write lyrics for the Wild Bill Davis instrumental composition ''Azure 'Te'', released 29 February 1952, when they took on the tune from Crestwood Music. The Frank Sinatra recording was made for Columbia on 3 June 1952 in Hollywood, in the same session as "The Birth of the Blues", "Bim Bam Baby", and two other songs. It was conducted by Axel Stordahl. The personnel included: * Frank Sinatra — vocals * Bill_Miller - piano * Allan Reuss — guitar * Jack Ry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernie's Tune
"Bernie's Tune" is a 1952 jazz standard. The music was written by Bernie Miller, with lyrics added later by Jerry Leiber and Mike Stoller. It was popularised with a recording by the quartet of the American saxophonist and composer Gerry Mulligan, on the 1952 album of the same name, which also featured Chet Baker on trumpet. Despite this association, the piece was actually composed, as aforementioned, by a slightly unsung composer Bernie Miller, who also wrote the tune "Loaded" which was also covered by Chet Baker and saxophonist Stan Getz (to name a few). The tune was a popular choice for musicians jamming at the time, though information about the composer ("Bernie" Miller) himself is scarce, all that people really know of him is that he was a piano player from Washington DC. Mulligan speculated that by the time he had discovered any of Bernie's tunes, Bernie was dead. Later on in Mulligan's life, he took the same changes but invented a new melody to fit over the piece, entitl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night And Day (song)
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical ''Gay Divorce''. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. Fred Astaire introduced "Night and Day" on stage. His studio recording of the song with the Leo Reisman orchestra was released on Victor Records on January 13, 1933, and it became a No. 1 hit, topping the charts of the day for ten weeks. In December, it beat " The Last Round-Up" by George Olsen (nine weeks) and " Stormy Weather" by Harold Arlen and Ted Koehler (eight weeks) to become the Number 1 record for the year 1933. Astaire performed it again in the 1934 film version of the show, renamed ''The Gay Divorcee'', and it became one of his signature songs. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blame It On My Youth
"Blame It on My Youth" is a jazz standard written by Oscar Levant (music) and Edward Heyman (lyrics) in 1934. Recorded versions *1934: The Dorsey Brothers Orchestra (vocal by Bob Crosby) - recorded for Decca Records (catalog 320) on November 15, 1934. *1935: Bing Crosby - first broadcast by Crosby on his radio show ''Bing Crosby Entertains'' on February 5, 1935. *1935: Jan Garber and His Orchestra (vocal by Lee Bennett) - a popular record on the Victor label. *1952: Gordon MacRae - a single release for Capitol Records. *1955: Rosemary Clooney - for her album ''While We're Young''. *1957: Nat King Cole - ''After Midnight (Nat King Cole album), After Midnight'' *1956: Chris Connor - ''This Is Chris'' *1956: Mabel Mercer - ''Midnight at Mabel Mercer's'' *1957: Frank Sinatra - ''Close to You (Frank Sinatra album), Close to You'' *1958: André Previn and David Rose (songwriter), David Rose – ''Secret Songs for Young Lovers'' *1958: George Shearing - ''Burnished Brass'' (instrumenta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yardbird Suite
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term " suite" (in a manner similar to such jazz titles as Lester Young's "Midnight Symphony" and Duke Ellington's "Ebony Rhapsody"). The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers." Three Charlie Parker recordings Although, as Bob Dorough wrote in the liner notes to the re-release of his album ''Yardbird Suite'', fans used to follow Parker everywhere he played and often taped his performances, there are only three known commercial recordings of Parker himself playing the tune. The first two were recorded with a septet at Radio Recorders in Hollywood on March 28, 1946. The session was supervised and produced by Ross Russell for his Dial Records label. Besides Parker on alto saxophone was Miles Davis on trump ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karrin Allyson
Karrin Allyson (pronounced ''KAR-in''; born Karrin Allyson Schoonover on July 27, 1963) is an American jazz vocalist. She has been nominated for five Grammy Awards and has received positive reviews from several prominent sources, including the ''New York Times'', which has called her a "singer with a feline touch and impeccable intonation." Early life and education Karrin Allyson was born in Great Bend, Kansas; her father was a Lutheran minister and her mother was a psychotherapist, teacher, and classical music, classical pianist.McNally, Owe"Karrin Allyson Performs Feb. 20 at West Hartford Town Hall."''Hartford Courant''. February 16, 2010. She grew up in Omaha, Nebraska, and spent her last year of high school in San Francisco. In her youth, she studied classical piano, sang at her local church and in musical theatre, and also began songwriting. Allyson attended the University of Nebraska at Omaha on a classical piano scholarship; she majored in classical piano and minored in F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stompin' At The Savoy
"Stompin' at the Savoy" is a 1933 jazz standard composed by Edgar Sampson. It is named after the famed Harlem nightspot the Savoy Ballroom in New York City. History and composition Although the song is credited to Benny Goodman, Chick Webb, Edgar Sampson, and Andy Razaf, it was written and arranged by Sampson, Rex Stewart's alto saxophonist. Sampson wrote the song when he was with Stewart's orchestra at the Empire Ballroom in 1933. It was used as the band's theme song until the band broke up, after which Sampson joined Webb's band, taking the song with him. Both Webb and Goodman recorded it as an instrumental, Goodman's being the bigger hit. Lyrics were added by lyricist Andy Razaf. Goodman's 1936 version is written in 32-bar song form with four 8-bar phrases arranged AABA. The A sections use a Db6, Ab9, Db6, Ddim, Ebm7, Ab7, Db, Db chord sequence. The B section phrases use a Gb9/G9, Gb9, B13/F#m6, B13, E9/F9, E9, A13, Ab13 chord sequence. The tempo is medium fast. Chick Webb’ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collage (Karrin Allyson Album)
''Collage'' is the fourth studio album by the American jazz singer Karrin Allyson. The album was recorded in the Soundtrek Studios of Kansas City, Missouri, and was released on June 30, 1996, by the Concord Jazz label. Reception Owen Curdle of ''JazzTimes'' mentioned: "Allyson, who lives in Kansas City, is a hard-working singer who is good at a lot of things. On ' It Could Happen To You'/'Fried Bananas,' she is cool and seductive. Later, she sings ' Autumn Leaves' in French and 'Faltando Um Pedaco' in Portuguese. On Jay Leonhart's 'Robert Frost' and Billy Joel's 'And So It Goes,' there's a bit of the Elizabethan folk-singer in her presentation. Her versions of Clifford Brown's ' Joy Spring' and Ray Noble's 'Cherokee' are fine bebop displays. She also demonstrates a flair for the blues, on Bonnie Raitt's 'Give It Up Or Let Me Go.' Then there's Monk's ' Ask Me Now.' The album includes an almost all-K.C. cast." AllMusic AllMusic (previously known as All Music Guide and AMG) i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Home Cookin'
''Sweet Home Cookin is the second studio album by American jazz singer Karrin Allyson. The album was recorded at Sage & Sound Recording, Hollywood, California on June 9–10, 1993, and at Soundtrek, Kansas City, Missouri, on September 9, 1993. The record was released on March 1, 1994, via Concord Jazz label. Reception Scott Yanow of AllMusic stated: "Karrin Allyson has a small and sometimes hoarse voice but she does so much with it that her bop session is easily recommended. Her all-star sextet ... has plenty of short solos on colorful charts by Alan Broadbent. Allyson sounds perfectly at ease, whether scatting on 'No Moon at All,' finding fresh melodic variations on 'I Cover the Waterfront,' or singing her original blues 'Sweet Home Cookin' Man.' She always swings." Doug Ramsey in his review for ''JazzTimes'' commented: "Although there is no evidence of strain or intonation problems in her voice, it loses body on some low notes, probably a consequence of aiming below her true rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irene Higginbotham
Irene Higginbotham (June 11, 1918 – August 27, 1988) was an American songwriter and concert pianist. She is best known for co-writing the Billie Holiday song "Good Morning Heartache" (1946). Biography Higginbotham was born on June 11, 1918, in Worcester, Massachusetts. While her closest connection in the popular music of the 1930s and 1940s was Billie Holiday, the prolific songwriter was niece of the classic African-American jazz trombonist J. C. Higginbotham. She was a music student of choral conductor Kemper Harreld, of Morehouse College fame, and Frederic Hall. She was also a concert pianist at the age of 15 and joined the American Society of Composers, Authors and Publishers (ASCAP) in 1944 when she was about 26. She was a composer of nearly 50 ''published'' songs. However, because she was an African-American woman who worked as a composer on Tin Pan Alley during a period when composers there were overwhelmingly white and male, some scholars and musicologists have speculated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Morning Heartache
"Good Morning Heartache" is a song written by Irene Higginbotham, Ervin Drake, and Dan Fisher. It was recorded by jazz singer Billie Holiday on January 22, 1946. Bill Stegmeyer and his Orchestra (Decca Session No. 54) New York City, January 22, 1946: with Chris Griffin (trumpet), Joe Guy (trumpet), Bill Stegmeyer (alto saxophone), Hank Ross (tenor saxophone), Bernie Kaufman (tenor saxophone), Armand Camgros (tenor saxophone), Joe Springer (piano), Tiny Grimes (guitar), John Simmons (bass), Sidney Catlett (drums), Billie Holiday (vocal) + 4 strings. The song has subsequently been recorded by numerous artists. Chart recordings *The song was recorded by singer Diana Ross, when she portrayed Holiday in the movie '' Lady Sings the Blues'', in 1972. Ross brought jazz back to the pop and R&B audiences, sending it to numbers 20 and 34 on the US ''Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Levant
Oscar Levant (December 27, 1906August 14, 1972) was an American concert pianist, composer, conductor, author, radio game show panelist, television talk show host, comedian and actor. He was awarded a star on the Hollywood Walk of Fame for recordings featuring his piano performances. He was equally famous for his mordant character and witticisms, on the radio and later in movies and television, as for his music. Early life Levant was born in Pittsburgh, Pennsylvania, United States, in 1906, to Orthodox Jewish parents who had emigrated from Russia. His father, Max, was a watchmaker who wanted his four sons to become either dentists or doctors. His mother Annie was a highly religious woman whose father was a Rabbi who presided over his daughter's wedding to Max Levant. Oscar Levant moved to New York in 1922, following the death of his father. He began studying under Zygmunt Stojowski, a well-established piano pedagogue. In 1925, aged 18, he appeared with Ben Bernie in a short fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
