Azalais De Porcairagues
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Azalais De Porcairagues
Azalais de Porcairagues (also ''Azalaïs'') or Alasais de Porcaragues was a trobairitz (woman troubadour), composing in Occitan in the late 12th century. The sole source for her life is her ''vida'', which tells us that she came from the country around Montpellier; she was educated and a gentlewoman; she loved Gui Guerrejat, the brother of William VII of Montpellier, and ''made many good songs about him''; meaning, probably, that the one poem of hers known to the compiler had been addressed to Gui. Gui was perhaps born around 1135; he fell ill early in 1178, became a monk, and died later in that year. Nothing is known of the dates of Azalais's birth and death. From her name, and from the statement in the ''Biographies'' cited above, it can be concluded that she came from the village of Portiragnes, just east of Béziers and about ten kilometers south of Montpellier, close to the territories that belonged to Gui and to his brothers. Aimo Sakari argues that she is the mysterious ''j ...
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Jeu Parti
''Jeu'' is a 2006 animated short by Georges Schwizgebel. Described as a film about the frenetic pace of modern life, ''Jeu'' is set to the scherzo of Prokofiev's Concerto for Piano No. 2, Opus 16. The film has received 12 international awards, including the Silver Dove Award from the international jury for animated film at the International Leipzig Festival for Documentary and Animated Film, the award for best experimental/abstract animation under 35 minutes at the Ottawa International Animation Festival, and a Special International Jury Prize at the Hiroshima International Animation Festival. ''Jeu'' is co-produced by the National Film Board of Canada and Studio GDS A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, .... References External links Watch ''Jeu'' at NFB.ca Abstract ani ...
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People From Hérault
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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Trobairitz
The ''trobairitz'' () were Occitan female troubadours of the 12th and 13th centuries, active from around 1170 to approximately 1260. ''Trobairitz'' is both singular and plural. The word ''trobairitz'' is first attested in the 13th-century romance '' Flamenca''. It comes from the Provençal word ''trobar'', the literal meaning of which is "to find", and the technical meaning of which is "to compose". The word ''trobairitz'' is used very rarely in medieval Occitan, as it does not occur in lyrical poetry, grammatical treatises or in the biographies (''vidas'') of the ''trobairitz'' or troubadours.Paden It does occur in the treatise ''Doctrina d'acort'' by Terramagnino da Pisa, written between 1282 and 1296. He uses it as an example of a word the plural and singular of which are the same.Elizabeth W. Poe, "Cantairitz e Trobairitz: A Forgotten Attestation of Old Provençal »Trobairitz«," ''Romanische Forschungen'', 114, 2 (2002), pp. 206–215, at 207: "which are correctly used on ...
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12th-century French Women Writers
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit (measurement), unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest Positive number, positive integer. It is also sometimes considered the first of the sequence (mathematics), infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally ac ...
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12th-century French Troubadours
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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French Women Poets
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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Alfonso II Of Aragon
Alfonso II (1–25 March 1157Benito Vicente de Cuéllar (1995)«Los "condes-reyes" de Barcelona y la "adquisición" del reino de Aragón por la dinastía bellónida» p. 630-631; in ''Hidalguía''. XLIII (252) pp. 619–632."Alfonso II el Casto, hijo de Petronila y Ramón Berenguer IV, nació en Huesca en 1157;". ''Cfr''. Josefina Mateu Ibars, María Dolores Mateu Ibars (1980)''Colectánea paleográfica de la Corona de Aragon: Siglo IX-XVIII'' Universitat Barcelona, p. 546. , .Antonio Ubieto Arteta (1987)''Historia de Aragón. Creación y desarrollo de la Corona de Aragón'' Zaragoza: Anúbarpp. 177–184§ "El nacimiento y nombre de Alfonso II de Aragón". . – 25 April 1196), called the Chaste or the Troubadour, was the King of Aragon and, as Alfons I, the Count of Barcelona from 1164 until his death. The eldest son of Count Ramon Berenguer IV of Barcelona and Queen Petronilla of Aragon, he was the first King of Aragon who was also Count of Barcelona. He was also Count of Provence ...
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Guiraut De Bornelh
Giraut de Bornelh (; c. 1138 – 1215), whose first name is also spelled Guiraut and whose toponym is de Borneil or de Borneyll, was a troubadour connected to the castle of the viscount of Limoges. He is credited with the formalisation, if not the invention, of the "light" style, or ''trobar leu''. Biography Giraut was born to a lower-class family in the Limousin, probably in Bourney, near Excideuil in modern-day France. Guiraut might have accompanied Richard I of England and Aimar V of Limoges on the Third Crusade and stayed a while with the "good prince of Antioch", Bohemond III. He certainly made a pilgrimage to the Holy Land, but perhaps before the Crusade. Works About ninety of Giraut's poems and four of his melodies survive; these were held in high esteem in the 13th century: Petrarch called him "master of the troubadours", while Dante, who preferred Arnaut Daniel, mentions that many considered him superior. Notable pieces include: * S'anc jorn aqui joi e solaz', a ''planh'' ...
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Tensó
A ''tenso'' (; french: tençon) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Gui de Cavalhon) or his cloak (Bertran Carbonel). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or '' cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. *Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two ...
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Perdigon
Perdigon or Perdigo ( fl. 1190–1220Aubrey, p. 18.) was a troubadour from Lespéron in the Gévaudan.Egan, p. 83. Fourteen of his works survive, including three ''cansos'' with melodies.Aubrey, p. 19. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours. Though his biography is made confounding by contradicting statements in his ''vida'' and allusions in his and others' poems, Perdigon's status as a jongleur from youth and an accomplished fiddler is well-attested in contemporary works (by him and others) and manuscript illustrations depicting him with his fiddle. Perdigon travelled widely and was patronised by Dalfi d'Alvernha, the House of Baux, Peter II of Aragon, and Barral of Marseille. His service to the latter provides an early definite date for his career, as Barral died in 1192 and Perdigon composed a ''canso''—which survives with music—for him. According to h ...
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Dalfi D'Alvernha
Dalfi d'Alvernha (french: Dauphin d'Auvergne) was the Count of Clermont and Montferrand, a troubadour and a patron of troubadours. He was born around 1150 and died in 1234 or 1235. He is sometimes called Robert IV, but there is no solid evidence for the name Robert, and the name can cause confusion, since his first cousin once removed was Robert IV, Count of Auvergne, who died in 1194. Dalfi d'Alvernha was the son of William VII the Young of Auvergne, Count of Clermont, and of Jeanne de . He married Guillemette de Comborn, Countess of Montferrand, daughter of Archambaud, Viscount of Comborn, and Jourdaine of Périgord. Their children were Aélis, Guillaume (William, later Count of Clermont), Blanche, and Alix. Troubadours who worked with Dalfi or sang at his court include Peirol, Perdigon, Peire de Maensac, Gaucelm Faidit, and Uc de Saint Circ; his cousin, bishop Robert of Clermont, exchanged satirical and erotic verses with him, as did Richard Coeur de Lion. One ''partimen'' ...
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