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Ayumi Hamasaki Arena Tour 2003–2004 A
Ayumi Hamasaki Arena Tour 2003–2004 A was released on September 29, 2004 Track listing Opening # Ourselves # Real Me # Angel's Song # Fly High # Teddy Bear # Memorial Address # Because of You # Surreal, Evolution, Surreal # No Way to Say # Grateful Days # Boys & Girls # Unite! Encore # Moments # Trauma # Independent # Flower Garden # Who... Ayumi Hamasaki video albums 2004 video albums Live video albums 2004 live albums {{Japan-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ayumi Hamasaki
is a Japanese singer, songwriter, record producer, actress, model, spokesperson, and entrepreneur. By 2002, Hamasaki had earned the nickname "Empress of J-pop" due to her popularity in Japan and throughout Asia. Due to her success and relevance throughout her career, she is considered one of the top solo female artists of the Heisei era, both for her influence on various fashion trends and the music industry. Born and raised in Fukuoka, Fukuoka Prefecture, Hamasaki moved to Tokyo at 14 in 1993 to pursue a career in singing and acting. In 1998, under the tutelage of Avex CEO Max Matsuura, Hamasaki released her debut single " Poker Face"Oricon does not count '' Nothing from Nothing'', released by Nippon Columbia, among Hamasaki's albums. and debut major-label album '' A Song for XX''. The album debuted at the top of the Oricon charts and remained there for five weeks, selling over a million copies. This rapid rise to fame is typically attributed, among other factors, to her un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
30th Single Collection Live
3 (three) is a number, numeral (linguistics), numeral and numerical digit, digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic numerals, Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
