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Ave Maria (Bruckner)
' (Hail Mary), WAB 6, is a sacred motet by Anton Bruckner, a setting of the Latin prayer Ave Maria. He composed it in Linz in 1861 and scored the short work in F major for seven unaccompanied voices. The piece, sometimes named an '' Offertorium'', was published in Vienna in 1867. Before, Bruckner composed the same prayer in 1856 for soprano, alto, a four-part mixed choir, organ and cello, WAB 5. Later, he set the text in 1882 for a solo voice (alto) and keyboard (organ, piano or harmonium), WAB 7. History Bruckner composed the motet, also known as Ave Maria II, in 1861. He did this after completing five years of studies with Simon Sechter. The motet was first performed on 12 May 1861 as Offertorium of a mass in the Linz Cathedral (now the Old Cathedral).C. van Zwol, p.704 Bruckner was their organist and was also from 1860 director of the ''Liedertafel'' (choral society) "Frohsinn" who performed the motet to celebrate the anniversary of its founding. Bruckner wrote in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a '' cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal ( counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Middle Ages, Renaissance, and Baroque—that is, through the early 18th century—any kind of imitative musical counterpoints were called fugues, with the strict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth (biblical Person)
Elizabeth (also spelled Elisabeth; Hebrew: אֱלִישֶׁבַע / אֱלִישָׁבַע "My God has sworn", Standard Hebrew: ''Elisheba, Elišévaʿ'' / ''Elišávaʿ'', Tiberian Hebrew: ''ʾĔlîšéḇaʿ'' / ''ʾĔlîšāḇaʿ''; Koine Greek, Greek: Ἐλισάβετ ''Elisabet'' / ''Elisavet'') was the mother of John the Baptist and the wife of Zechariah (priest), Zechariah, according to the Gospel of Luke. She was past normal child-bearing age when she conceived and gave birth to John. Biblical narrative According to the Gospel of Luke Luke 1, chapter 1, Elizabeth was "of the daughters of Aaron". She and her husband Zechariah/Zachariah were "righteous before God, walking in all the commandments and ordinances of the Lord blameless" (), but childless. While he was in the Temple in Jerusalem, temple of the Lord (), Zachariah was visited by the angel Gabriel: Zachariah doubted whereby he could know this since both he and his wife were old. The angel identified himself as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visitation (Christianity)
In Christianity, the Visitation is the visit of Mary, who was pregnant with Jesus, to Elizabeth, who was pregnant with John the Baptist, in the Gospel of Luke, . It is also the name of a Christian feast day commemorating this visit, celebrated on 31 May in the feast-celebrating branches of Western Christianity (most and mainstream calendars of Catholics and High Church Anglicans (or as 2 July in calendars of 1263–1969, retained in the modern calendar of some countries whose bishops' conferences wanted to retain this, notably Germany and Slovakia) and 30 March in Eastern Christianity. The episode is one of the standard scenes shown in cycles of the Life of the Virgin in art, and sometimes in larger cycles of the Life of Christ in art. Biblical narrative Mary visits her relative Elizabeth; they are both pregnant: Mary with Jesus, and Elizabeth with John the Baptist. Mary left Nazareth immediately after the Annunciation and went "into the hill country ... into a cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel The Archangel
In Abrahamic religions (Judaism, Christianity and Islam), Gabriel (); Greek language, Greek: grc, Γαβριήλ, translit=Gabriḗl, label=none; Latin language, Latin: ''Gabriel''; Coptic language, Coptic: cop, Ⲅⲁⲃⲣⲓⲏⲗ, translit=Gabriêl, label=none; Amharic: am, ገብርኤል, translit=Gabrəʾel, label=none; arc, ܓ݁ܰܒ݂ܪܺܝܐܝܶܠ, translit=Gaḇrīʾēl; ar, جِبْرِيل, Jibrīl, also ar, جبرائيل, Jibrāʾīl or ''Jabrāʾīl'', group="N" is an archangel with power to announce God's will to men. He is mentioned in the Hebrew Bible, the New Testament, and the Quran. Many Christian traditions — including Anglicanism, Eastern Orthodoxy, and Roman Catholicism — revere Gabriel as a saint. In the Hebrew Bible, Gabriel appears to the prophet Daniel (biblical figure), Daniel to explain his visions (Daniel 8:15–26, Daniel 9, 9:21–27). The archangel also appears in the Book of Enoch and other ancient Jewish writings not preserved in Heb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annunciation
The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the angel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Christian Messiah and Son of God, marking the Incarnation. Gabriel told Mary to name her son Jesus, meaning " YHWH is salvation". According to , the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, the ceremonial birthday of Jesus. The Annunciation is a key topic in Christian art in general, as well as in Marian art in the Catholic Church, having been especially prominent during the Middle Ages and Ren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lauds
Lauds is a canonical hour of the Divine office. In the Roman Rite Liturgy of the Hours it is one of the major hours, usually held after Matins, in the early morning hours. Name The name is derived from the three last psalms of the psalter (148, 149, 150), the Laudate psalms, which in former versions of the Lauds of the Roman Rite occurred every day, and in all of which the word ''laudate'' is repeated frequently. At first, the word ''Lauds'' designated only the end, that is to say, these three psalms. Little by little the ''Lauds'' was applied to the whole office. History Lauds, or the Morning Office or Office of Aurora, is one of the most ancient Offices and can be traced back to Apostolic times. The earliest evidence of Lauds appears in the second and third centuries in the Canons of Hippolytus and in writings by St. Cyprian, and the Apostolic Fathers. Descriptions during the fourth and fifth centuries appear in writings by John Cassian, St. Melania the Younger, St. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tota Pulchra Es (Bruckner)
''Tota pulchra es'', WAB 46, is a sacred motet by the Austrian composer Anton Bruckner. History The work, which was composed on 30 March 1878 between symphonies 5 and 6, is scoring the Latin antiphon Tota pulchra es. It was performed on 4 June 1878 in the Votive Chapel of the new cathedral of the Immaculate Conception to commemorate the 25th anniversary of Franz-Josef Rudigier as bishop of Linz. The manuscript is archived at the ''Österreichische Nationalbibliothek''. The ' (dedicated copy) is stored in the archive of the new cathedral. The motet was edited, together with the ''Ave Maria'' WAB 6, by Emil Wetzler, Vienna in 1887. It is put in Band XXI/27 of the '. Music The 80- bars piece, scored for solo tenor, choir and organ, is primarily in the Phrygian mode, with some remote enharmonic modulation. In the first part (bars 1-16) the soloist and the choir are dialoguing ''a cappella''. In the second part (bars 17-36), which begins ''fortissimo'' by the soloist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Österreichische Nationalbibliothek
The Austrian National Library (german: Österreichische Nationalbibliothek) is the largest library in Austria, with more than 12 million items in its various collections. The library is located in the Neue Burg Wing of the Hofburg in center of Vienna. Since 2005, some of the collections have been relocated within the Baroque structure of the Palais Mollard-Clary. Founded by the Habsburgs, the library was originally called the Imperial Court Library (german: Kaiserliche Hofbibliothek); the change to the current name occurred in 1920, following the end of the Habsburg Monarchy and the proclamation of the Austrian Republic. The library complex includes four museums, as well as multiple special collections and archives. Middle Ages The institution has its origin in the imperial library of the Middle Ages. During the Medieval period, the Austrian Duke Albert III (1349–1395) moved the books of the Viennese vaults into a library. Albert also arranged for important works from Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Sechter
Simon Sechter (11 October 1788 – 10 September 1867) was an Austrian music theorist, teacher, organist, conductor and composer. He was one of the most prolific composers who ever lived, although his music is largely forgotten and he is now mainly remembered as a strict music teacher, most notably of Anton Bruckner. Carl Christian Müller (18311914) compiled and adapted Sechter's ''Die richtige Folge der Grundharmonien'' as ''The Correct Order of Fundamental Harmonies: A Treatise on Fundamental Basses, and their Inversions and Substitutes'' (Wm. A. Pond, 1871; G. Schirmer, 1898). Biography Sechter was born in Friedberg (Frymburk), Bohemia, then part of the Austrian Empire, and moved to Vienna in 1804, succeeding Jan Václav Voříšek as court organist there in 1824. In 1810 he began teaching piano and voice at an academy for blind students. In 1828 the ailing Franz Schubert had one counterpoint lesson with him. In 1851 Sechter was appointed professor of composition at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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