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Ave Maria, WAB 5
' (Hail Mary), Werkverzeichnis Anton Bruckners, WAB 5, is a setting of the Latin prayer Ave Maria by Anton Bruckner. History Bruckner composed this Motets (Bruckner), motet on 24 July 1856, five years before his Ave Maria (Bruckner), more famous motet,C. van Zwol, p. 704 as a present for the name-day of Ignaz Traumihler, choirmaster of St. Florian Monastery, St. Florian Abbey. The first performance occurred on 7 October 1856 for the ''Rosenkranzfest'' (Our Lady of the Rosary, Feast of the Holy Rosary) in Sankt Florian. The original manuscript is lost, but the score dedicated to Traumihler is stored in the archive of the St. Florian Abbey. Copies are also stored in the Kremsmünster Abbey and the Österreichische Nationalbibliothek. The motet was edited first by Johann Groß, Innsbruck in 1893. It is put in volume XXI/19 of the '. Music The 52-Bar (music), bar long motet in F major is scored SATB, choir and SATB, soloists, organ and cello (Figured bass, continuo). It begin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis; chord letters, sometimes used in modern musicology; the Nashville Number System; and various chord names and symbols used in jazz and popular music (e.g., C Major or simply C; D minor, Dm, or D−; G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg Chor
The Arnold Schoenberg Choir (german: Arnold Schoenberg Chor) is a Viennese/Austrian choir which was founded 1972 by Erwin Ortner, who is still its artistic director. The choir has a high reputation both among conductors and among critics and the musical scene in general. All members of the choir have broad experience and expertise in vocal music; most of them have graduated from or are currently studying at the Vienna University of Music and Performing Arts. The choir is named after Viennese composer Arnold Schoenberg. Repertoire The choir's repertoire covers a wide range from Renaissance to contemporary music, from '' a cappella'' works to large orchestral pieces and operas. The choir has worked with famous conductors such as Claudio Abbado, Riccardo Muti and Lorin Maazel – to name only a few. Moreover, it has performed in opera productions such as Schubert's ''Fierrabras'' at the Vienna State Opera, Messiaen's ''Saint François d'Assise'' and Berio's Cronaca del luogo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwin Ortner
Erwin Ortner (born 15 December 1947, in Vienna) is an Austrian conductor, especially of vocal music. He is the founder and artistic director of the Arnold Schoenberg Chor. References External links * * Erwin OrtnerArnold Schoenberg Chor The Arnold Schoenberg Choir (german: Arnold Schoenberg Chor) is a Viennese/Austrian choir which was founded 1972 by Erwin Ortner, who is still its artistic director. The choir has a high reputation both among conductors and among critics and the ... Erwin Ortner (Choral Conductor)bach-cantatas.com wien.gv.at 2010 Male conductors (music) 1947 births Living people Musicians from Vienna 21st-century Austrian conductors (music) 21st-century male musicians {{Austria-conductor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan-Olof Stenlund
Dan-Olof Bertil Stenlund (born 25 October 1937 in Skellefteå) is a Swedish university professor and choir conductor. Life and work Dan-Olof Stenlund, was born in 1937 in Skellefteå, the son of the cantor Bertil Stenlund and his wife Esther Vikström. He studied at the Royal Swedish Academy of Music in Stockholm, piano, organ, cello and vocals and graduated as a church musician, accompanist and music educator, followed by studies in conducting with Eric Ericson, Leonard Bernstein and Sergiu Celibidache. Stenlund took the position of professor of choral conducting at the Royal Danish Academy of Music in Copenhagen at the age of 36 years. He is also a teacher of choral conducting at the Music Academy in Malmö, and a member of the Royal Academy of Music. From 1961 to 1974 he was active as a church musician at Engelbrekt Church in Stockholm. As an internationally sought-after conductor and choirmaster taught Dan-Olof Stenlund at the State Academy of Music in Malmö and directs th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latvian Radio Choir
The Latvian Radio Choir (Latvijas Radio koris) is the professional chamber choir of Latvian Radio which was founded in 1940 by the Latvian conductor Teodors Kalnins. Following the musical direction by Edgars Račevskis (1963–1986) and Juris Kļaviņš (1987 – 1992). The choir has had two conductors ever since 1992 - musical director and principal conductor. The choir is currently of 24 singers under the leadership of Sigvards Kļava and Kaspars Putniņš. Selected discography *Paradisus vocis, 2018. Composer Andrejs Selickis conducted by Sigvards Kļava. *Sacred Love, 2014. Composers Yuri Falik, Arturs Maskats, Georgy Sviridov conducted by Sigvards Kļava. *Mythes étoilés, 2014. Composers Lasse Thorersen, György Ligeti, Mārtiņš Viļums, John Cage, Anders Hillborg, Toivo Tulev conducted by Sigvards Kļava, Kaspars Putniņš. *Adam's Lament (ECM), 2012. Composed by Arvo Pärt conducted by Tõnu Kaljuste. Winner of Grammy Award The Grammy Awards (stylized as GRAMMY), o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prague Chamber Choir
The Prague Chamber Choir (''Pražský komorní sbor'') is a Czech choir founded in Prague in 1990 by singers of the Prague Philharmonic Choir. It has performed concerts in Australia, Brazil, Israel, Japan, Lebanon and many European countries (e.g. Wexford Festival Opera, Rossini Opera Festival The Rossini Opera Festival (ROF) is an international music festival held in August of each year in Pesaro, Italy, the birthplace of the opera composer Gioachino Rossini. Its aim, in addition to studying the musical heritage of the composer, is to r ...). External links * Czech choirs Chamber choirs Musical groups established in 1990 1990 establishments in Czechoslovakia {{czechRepublic-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Flämig
Martin Flämig (19 August 1913, in Aue – 13 January 1998, in Dresden) was a German church musician, and the cantor of the Dresdner Kreuzchor from 1971 to 1991. Biography Martin Flämig studied since 1934 in Dresden with Alfred Stier and in Leipzig at the ''Kirchenmusikalisches Institut des Leipziger Konservatoriums'' with Karl Straube, Günther Ramin, and Johann Nepomuk David. He was since 1948 cantor at the Versöhnungskirche in Dresden and premiered there Willy Burkhard's oratorio ''Das Gesicht des Jesaja'' (The Vision of Isaiah), Ernst Krenek's ''Lamentationes Jeremiae Prophetae'' and Johannes Drießler's ''Dein Reich komme''.Martin Flämig Sächsische Biographie (Saxonian Biography, in German) In 1953 he was appointed professor of the |
Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
