Auvergnat (language)
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Auvergnat (language)
or (endonym: ) is a northern dialect of Occitan spoken in central and southern France, in particular in the former administrative region of Auvergne. Currently, research shows that there is not really a true Auvergnat dialect but rather a vast northern Occitan linguistic area. The word "Auvergnat" is above all a local historiographical creation. According to linguist Jean Roux, "It is by simplification that we use this term, because in no case Auvergnat can be considered as an autonomous linguistic entity". With around 80,000 speakers in the Auvergne region at the beginning of the 21st century, it is considered to be severely endangered. Classification Auvergnat falls under the following categories and subcategories: Indo-European, Italic, Romance, Italo-Western, Gallo-Iberian, Gallo-Romance, Occitan. History Several troubadours were from the Auvergne, including Castelloza, Dalfi d'Alvernhe, the Monje de Montaudon, the Vesques de Clarmon, Peire d'Alvernhe, Peire Rogier ...
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France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pacific and Indian Oceans. Its Metropolitan France, metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Kingdom of the Netherlands, Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin (island), ...
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Assimil
Assimil (often stylised as ASSiMiL) is a French company, founded by Alphonse Chérel in 1929. It creates and publishes foreign language courses, which began with their first book ''Anglais Sans Peine'' ("English Without Toil"). Since then, the company has expanded into numerous other languages and continues to publish today. Their method for teaching foreign languages is through listening to recordings, and the reading of a book with the text that you are listening to: one side native language, one side foreign language. This method is focused on learning whole sentences, for an organic learning of the grammar. It begins with a long passive phase of only reading and listening, and eventually adds active exercises. Most books contain around 100 lessons, with the active phase starting on Lesson 50. The word "Assimil" comes from '' assimilate'' "incorporate or absorb knowledge into the mind". The company publishes several different series: *"Learn" series, which teach to an A2 ...
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Old Occitan
Old Occitan ( oc, occitan ancian, label=Occitan language, Modern Occitan, ca, occità antic), also called Old Provençal, was the earliest form of the Occitano-Romance languages, as attested in writings dating from the eighth through the fourteenth centuries. Old Occitan generally includes Early and Old Occitan. Middle Occitan is sometimes included in Old Occitan, sometimes in Modern Occitan. As the term ' appeared around the year 1300, Old Occitan is referred to as "Romance" (Occitan: ') or "Provençal" (Occitan: ') in medieval texts. History Among the earliest records of Occitan are the ''Tomida femina'', the ''Boecis'' and the ''Cançó de Santa Fe''. Old Occitan, the language used by the troubadours, was the first Romance language with a literary corpus and had an enormous influence on the development of lyric poetry in other European languages. The interpunct was a feature of its orthography and survives today in Catalan and Gascon language, Gascon. The official language of ...
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Pons De Capduelh
Pons de Capduelh ( fl. 1160–1220Chambers 1978, 140. or 1190–1237Aubrey 1996, 19–20.) was a troubadour from the Auvergne, probably from Chapteuil. His songs were known for their great gaiety. He was a popular poet and 27 of his songs are preserved, some in as many as 15 manuscripts. Four of his ''cansos'' survive with musical notation. Biography ''Vida'' and ''razo'' There survives a ''vida'', or short biography, of Pons written by a contemporary and fellow troubadour, Uc de Saint Circ. According to Uc, Pons and troubadour Guillem de Saint Leidier were both from the diocese of Le Puy, and while Guillem was "generous with money" (''larcs donaire d'aver''), Pons was very stingy (''fort escars d'aver''). He reportedly loved Azalais, daughter of Bernard VII of Anduze and wife of Oisil de Mercoeur (or Mercuor). (Bernard of Anduze was a patron of many troubadours.) The ''vida'' states that " onsloved zalaisdearly and praised her and made many good songs about her; and as long as ...
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Peire Rogier
Peire Rogier (born c. 1145) was a twelfth-century Auvergnat troubadour ( fl. 1160 – 1180) and cathedral canon from Clermont. He left his cathedral to become a travelling minstrel before settling down for a time in Narbonne at the court of the Viscountess Ermengard. His life and career are known because his late thirteenth-century ''vida'' survives, as well as some of his works. The reliability of his ''vida'', upon which all the details of his goings and comings are known, however, is not complete. According to it, he left the religious life to become a jongleur. He fell in love with his hostess and patron and wrote many songs in her honour, giving Ermengard the nickname ''Tort-n'avetz'' ("You are wrong"), but for what reasons is unknown.Cheyette, 8. Eventually the people of the Narbonnaise believed that he was in a sexual relationship with the viscountess and so she asked him to leave. He moved on to the court of Raimbaut d'Aurenga, where he also remained for a long time. F ...
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Peire D'Alvernhe
Peire d'Alvernhe or d'Alvernha (''Pèire'' in modern Occitan; b. c. 1130) was an Auvergnat troubadour (active 1149–1170) with twenty-oneGaunt and Kay, 287. or twenty-fourEgan, 72.Aubrey, ''The Music of the Troubadours'', 8. surviving works. He composed in an "esoteric" and "formally complex" style known as the ''trobar clus''. He stands out as the earliest troubadour mentioned by name in Dante's ''Divine Comedy''. Life According to his ''vida'', Peire was a burgher's son from the Diocese of Clermont.Egan, 71. As testified to by his ''vida'', his popularity was great within his lifetime and afterwards. Said to be handsome, charming, wise, and learned, he was "the first good inventor of poetry to go beyond the mountains" (i.e. the Pyrenees) and travel in Spain. He passed his time in Spain at the court of Alfonso VII of Castile and that of his son Sancho III in 1157–1158. It is possible that he was present at a meeting between Sancho of Castile, Sancho VI of Navarre and R ...
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Vesques De Clarmon
Robert of Auvergne, also called Robert de la Tour (died 7 January 1234), was a French nobleman, prelate and poet from the Auvergne. He served as bishop of Clermont from 1195 until 1227 and thereafter as archbishop of Lyon until his death. He was also a troubadour, composing poetry in Occitan. Robert was involved in several feudal conflicts between 1195 and 1211. Twice imprisoned (1199, 1207) and accused of murder and rapine, his disputes with family and vassals drew intervention from both king and pope. He emerged victorious and in control of the city of Clermont itself. He also added lands and castles to his diocese and took part in the Albigensian Crusade (1209). After his election as archbishop, he was imprisoned a third time for interfering with the marriage politics of the count of Champagne, but was soon liberated by his friends. He was less successful in Lyon, where his pontificate is marked by disputes with the rising merchant class. His health declined in his fina ...
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Monje De Montaudon
The (Lo) Monge de Montaudon (meaning "monk of Montaudon") (fl. 1193–1210Gaunt and Kay, Appendix I, 287.), born Pèire de Vic, was a nobleman, monk, and troubadour from the Auvergne, born at the castle of Vic-sur-Cère near Aurillac, where he became a Benedictine monk around 1180.Aubrey, 17. According to his ''vida'', he composed "couplets while he was in the monastery and '' sirventes'' on subjects that were popular in the region."Egan, 70. Life The Monge requested and received the priory of Montaudon from the abbot of Aurillac. Montaudon may be identified with Montauban or perhaps with a ''Mons Odonis'' southeast of Clermont. He became so popular with local nobility that he was taken from his monastery to serve them, receiving honours and gifts in return. In this way he greatly improved the state of his priorate and, upon his request, was released from his monastic vocation by his abbot to follow Alfonso II of Aragon, whose vassal the viscount of Carlat and lord of V ...
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Dalfi D'Alvernhe
Dalfi d'Alvernha (french: Dauphin d'Auvergne) was the Count of Clermont and Montferrand, a troubadour and a patron of troubadours. He was born around 1150 and died in 1234 or 1235. He is sometimes called Robert IV, but there is no solid evidence for the name Robert, and the name can cause confusion, since his first cousin once removed was Robert IV, Count of Auvergne, who died in 1194. Dalfi d'Alvernha was the son of William VII the Young of Auvergne, Count of Clermont, and of Jeanne de . He married Guillemette de Comborn, Countess of Montferrand, daughter of Archambaud, Viscount of Comborn, and Jourdaine of Périgord. Their children were Aélis, Guillaume (William, later Count of Clermont), Blanche, and Alix. Troubadours who worked with Dalfi or sang at his court include Peirol, Perdigon, Peire de Maensac, Gaucelm Faidit, and Uc de Saint Circ; his cousin, bishop Robert of Clermont, exchanged satirical and erotic verses with him, as did Richard Coeur de Lion. One '' pa ...
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Castelloza
Na Castelloza (fl. early 13th century) was a noblewoman and trobairitz from Auvergne. Life According to her later ''vida'', Castelloza was the wife of Turc de Mairona, probably the lord of Meyronne.''Vidas'', p. 26. Turc's ancestors had participated in a Crusade around 1210 or 1220, which was the origin of his name (meaning " Turk"). She was reputed to have been in love with Arman de Brion, a member of the house of Bréon and of greater social rank than her, about whom she wrote several songs. Her ''vida'' records her to have been "very gay", "very learned", and "very beautiful". Only three—perhaps four if recent scholarship is accepted—of her songs (all ''cansos'') survive, all without music. This, however, makes her at least the second most prolific of trobairitz in terms of surviving works: only Beatriz de Dia certainly has more, with four ''cansos'' to her name. The subject of all her poems is courtly love. Compared with Beatriz de Dia, Castelloza is a more conse ...
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Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ...
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