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Autour De L'Argent
''L'Argent'' ("money") is a French silent film directed in 1928 by Marcel L'Herbier. The film was adapted from the 1891 novel '' L'Argent'' by Émile Zola, and it portrays the world of banking and the stock market in Paris in the 1920s. Background Marcel L'Herbier had become one of the most prominent French film-makers during the 1920s, but even after he had sought greater creative independence by establishing his own production company, Cinégraphic, he experienced continual frustration over the financial arrangements under which he had to work. He said that after ten years of making films, he became "obsessed by a single idea: to film at any cost, even (what a paradox) at great cost, a fierce denunciation of money". He chose as the basis of his story Zola's novel '' L'Argent'' about the corrupting power of money throughout society, but he insisted that it should be updated from the 1860s to present-day Paris. He envisaged a film on a large scale (having been impressed by Ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel L'Herbier
Marcel L'Herbier (; 23 April 1888 – 26 November 1979) was a French filmmaker who achieved prominence as an avant-garde theorist and imaginative practitioner with a series of silent films in the 1920s. His career as a director continued until the 1950s and he made more than 40 feature films in total. During the 1950s and 1960s, he worked on cultural programmes for French television. He also fulfilled many administrative roles in the French film industry, and he was the founder and the first President of the French film school Institut des hautes études cinématographiques (IDHEC). Early life Marcel L'Herbier was born in Paris on 23 April 1888 into a professional and intellectual family, and as he grew up he demonstrated a multi-talented disposition for sports, dancing, debating and the arts. He attended a Society of Mary (Marists), Marist school and then the Lycée Voltaire (Paris), Lycée Voltaire, followed by the École des Hautes Études Sociales in Paris. He worked hard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Victor
Henry Victor (2 October 1892 – 15 March 1945) was an English-born character actor who had his highest profile in the film silent era, he appeared in numerous film roles in Britain, before emigrating to the US in 1939 where he continued his career. Biography Victor was born in London, England, but was raised in Germany, he made his film debut as Prince Andreas in '' The King's Romance'' (1914). He appeared in literary interpreted pieces such as ''The Picture of Dorian Gray'' (1916) and the Graham Cutts-directed '' The White Shadow'' (1923). Victor is probably best remembered for his portrayal of the circus strongman Hercules in Tod Browning's film ''Freaks'' (1932). The role was originally considered for Victor McLaglen, with whom Browning had worked previously. Victor emigrated to America in 1939. Never a leading man in sound films mainly due to his difficult to interpret accent, he established later in his career, and with the advent of talkies, many character roles, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1928 Films
The following is an overview of 1928 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top ten 1928 released films by box office gross in North America are as follows: Events *January 6 – The long-awaited Charlie Chaplin comedy '' The Circus'' premieres at the Strand Theatre in New York City. *April 21 – ''The Passion of Joan of Arc'' is released. * July 6 – '' Lights of New York'' (starring Helene Costello) is released by Warner Bros. It is the first "100% Talkie" feature film, in that dialog is spoken throughout the film. Previous releases ''Don Juan'' and ''The Jazz Singer'' had used a synchronized soundtrack with sound effects and music, with ''The Jazz Singer'' having a few incidental lines spoken by Al Jolson. * September 19 – ''The Singing Fool'', Warner Bros' follow-up to ''The Jazz Singer'', is released. While still only a partial-talkie (sequences still feature intertitles), 66 minute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Dréville
Jean Dréville (20 September 1906 – 5 March 1997) was a French film director. He directed more than 40 films between 1928 and 1969. Selected filmography * '' Autour de L'Argent'' (1928) * ''A Man of Gold'' (1934) * ''The Chess Player'' (1938) * ''His Uncle from Normandy'' (1939) * ''President Haudecoeur'' (1940) * '' Annette and the Blonde Woman'' (1942) * ''A Cage of Nightingales'' (1945) * ''Return to Life'' (1949) * ''The Girl with the Whip'' (1952) * ''The Secret of the Mountain Lake'' (1952) * '' Endless Horizons'' (1953) * '' Queen Margot'' (1954) * ''Stopover in Orly'' (1955) * '' A Dog, a Mouse, and a Sputnik'' (1958) * ''Nights of Farewell'' (1965) * ''The Last of the Mohicans ''The Last of the Mohicans: A Narrative of 1757'' is a historical romance written by James Fenimore Cooper in 1826. It is the second book of the ''Leatherstocking Tales'' pentalogy and the best known to contemporary audiences. '' The Pathfinder ...'' (1968) References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noël Burch
Noël Burch (born 1932) is an American film theorist and movie maker who moved to France at a young age. Burch is known for his contribution to terms commonly used by film scholars (such as institutional mode of representation (IMR)) and for his theories compiled in books such as ''Theory of Film Practice'' or ''La lucarne de L'Infini''. Work Burch's major contribution to the history of film theory is not his definition of classical Hollywood film tropes, which had already been done, but rather his focus on early cinema. There, he identified a set of film styles that he would identify as the primitive mode of representation (PMR). In doing so, he found what he thought was a "purer" cinema, one untainted by what he considered bourgeois ideology. Whether his ideology informed his understanding of film style, or vice versa, his ''Theory of Film Practice'' is one of the key works in the canon of Western film theory. In the foreword to the 1980 edition of ''Theory Of Film Practice'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jazz Singer
''The Jazz Singer'' is a 1927 American musical drama film directed by Alan Crosland. It is the first feature-length motion picture with both synchronized recorded music score as well as lip-synchronous singing and speech (in several isolated sequences). Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era. It was produced by Warner Bros. with the Vitaphone sound-on-disc system and features six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement". The film depicts the fictional story of Jakie Rabinowitz, a young man who defies the traditions of his devout Jewish family. After singing popular tunes in a beer garden, he is punished by his father, a hazzan (cantor), prompting Jakie to run away from home. Some years later, now calling himself Jack Robin, he has become a talented jazz singer, performing in blackfa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Bourse
Euronext Paris is France's securities market, formerly known as the Paris Bourse, which merged with the Amsterdam, Lisbon, and Brussels exchanges in September 2000 to form Euronext NV. As of 2022, the 795 companies listed had a combined market capitalization of over US$4.5 trillion. Euronext Paris, the French branch of Euronext, is Europe's second-largest stock exchange market, behind the London Stock Exchange. History In the early 19th century, the Paris Bourse's activities found a stable location at the ''Palais Brongniart'', or ''Palais de la Bourse'', built to the designs of architect Alexandre-Théodore Brongniart from 1808 to 1813 and completed by Éloi Labarre from 1813 to 1826.Ayers 2004, pp. 61–62. Brongniart had spontaneously submitted his project, which was a rectangular neoclassical Roman temple with a giant Corinthian colonnade enclosing a vaulted and arcaded central chamber. His designs were greatly admired by Napoleon and won Brongniart a major public comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazare Meerson
Lazare Meerson (1900–1938) was a Russian-born cinema art director. After emigrating to France in the early 1920s, he worked on French films of the late silent cinema and the early 1930s, particularly those directed by René Clair and Jacques Feyder. He worked in England during the last two years of his life. He had great influence on film set design in France in the years before World War II. Career Early life Lazare Meerson was born in Warsaw, which in 1900 was part of the Russian Empire. He may have begun studying painting and architecture in Russia, but after the revolution of 1917 he moved to Germany and by 1919 he had registered as an art student in Berlin. While in Berlin, he gained some experience of designing for the theatre, before leaving for Paris in 1923 or 1924.Tim Bergfelder, Sue Harris, Sarah Street. ''Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema''. Amsterdam: Amsterdam University Press, 2007. pp. 62-63. In France His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Barsacq
André Barsacq (24 January 1909 – 8 July 1973) was a French theatre director, producer, scenic designer, and playwright. From 1940 to 1973 he was the director of the Théâtre de l'Atelier. He was the brother of Russian production designer Léon Barsacq and the uncle of film actor Yves Barsacq. Life and career Barsacq was born in the city of Feodosiya in Crimea. His father was French and his mother was Russian. At the age of 15 he traveled to Paris to study at the School of Decorative Arts and lived in France from then on. In 1928 he was at the Théâtre de l'Atelier working with its director, Charles Dullin on productions which included Jules Romains's 1923 play '' Knock''. As director of the Théâtre de l'Atelier he introduced Parisian audiences to the plays of Ugo Betti, Félicien Marceau, Marcel Ayme ('' The Moon Birds''), Françoise Sagan, René de Obaldia, and Friedrich Dürrenmatt. He successfully adapted the works of Chekhov, Dostoevsky, and Turgenev for the French sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joinville Studios
The Joinville Studios were a film studio in Paris which operated between 1910 and 1987. They were one of the leading French studios, with major companies such as Pathé and Gaumont making films there. A second studio was added to the original in 1923. This was located less than a kilometre away, and together the two served as a major filmmaking hub. After the Second World War the studio was merged into the Franstudio network in 1947 along with other major Paris studios including the Saint-Maurice Studios and Francoeur Studios. In the early 1930s, the American company Paramount Pictures took over the studios and made French-language versions of their hit films. In total, films were made in fourteen different languages as Joinville became a hub of such multi-language versions. While many were remakes of English-language hits, some were original stories. This practice declined as dubbing Dubbing (re-recording and mixing) is a post-production process used in filmmaking and v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Antoine (actor)
André Antoine (31 January 185823 October 1943) was a French actor, theatre manager, film director, author, and critic who is considered the father of modern mise en scène in France. Biography André Antoine was a clerk at the Paris Gas Utility and worked in the Archer Theatre when he asked to produce a dramatization of a novel by Émile Zola. The amateur group refused it, so he decided to create his own theatre to realize his vision of the proper development of dramatic art. Antoine founded the Théâtre Libre in Paris in 1887. This was a ''théâtre d'essai'', a workshop theatre, where plays were produced whether they would perform at the box office or not. It was also a stage for new writing whose subject matter or form had been rejected in other theatres. Over a seven-year period, until 1894, the Théâtre Libre staged some 111 plays. His work had enormous influence on the French stage, as well as on similar companies elsewhere in Europe, such as the Independent Theatre So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Rouleau
Raymond Rouleau (4 June 1904 – 11 December 1981) was a Belgian actor and film director. He appeared in more than 40 films between 1928 and 1979. He also directed 22 films between 1932 and 1981. Rouleau studied at the Royal Conservatory of Brussels, where he met Tania Balachova. They emigrated to Paris together and collaborated with a variety of directors at the cutting edge of French theatre, including Charles Dullin and Gaston Baty. They married in France and separated in 1940. He subsequently married the actress Françoise Lugagne. Partial filmography * ''L'Argent'' (1928) - Jantrou * ''The Nude Woman'' (1932) - Pierre Bernier * '' Suzanne'' (1932) * ''Le jugement de minuit'' (1933) - L'inspecteur Berry * ''Une vie perdue'' (1933) * '' Volga in Flames'' (1934) - Schalin * ''Vers l'abîme'' (1934) - Rist * ''Les beaux jours'' (1935) - Boris - le deuxième amoureux de Sylvie * ''Donogoo'' (1936) - Pierre * ''Le coeur dispose'' (1937) - Robert Levaltier * '' The Messenger'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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