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Autobiography (Abdullah Ibrahim Album)
''Autobiography'' is a live recording by pianist and flautist Abdullah Ibrahim (also known as Dollar Brand), taken from a June 18, 1978, concert in Switzerland. On the recording, Ibrahim recalls his childhood in South Africa through the songs he learned then, progressing to his own compositions in adulthood. Originally released as a two-disc LP set, the album has since been reissued on CD. Track listing #"What Really Happened in the Cornfields is that the Birds Made Musical all the Day and so I Let a Song Go Out of my Heart at Duke’s Place" – "Anthem For the New Nations" #"Biral" #"Gwidza" – "Yukio-Kahlifa" – "Intro Liberation Dance" #"African Marketplace" – "Tokai" – "Llanga" – "African Sun" #"The Dream" #"Liberation Dance" #"Did You Hear That Sound ?" – "Our Son Tsakwe" – "The Wedding" – "I Surrender Dear" – "One Day When We Were Young" #"Drop Me Off in Harlem" #"Take the "A" Train" – "Coming on the Hudson" – "Moniebah" #"Little Boy" #"Cherry" #"Ishmae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penguin Books
Penguin Books is a British publishing, publishing house. It was co-founded in 1935 by Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year."About Penguin – company history" , Penguin Books. Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths Group (United Kingdom), Woolworths and other stores for Sixpence (British coin), sixpence, bringing high-quality fiction and non-fiction to the mass market. Its success showed that large audiences existed for serious books. It also affected modern British popular culture significantly through its books concerning politics, the arts, and science. Penguin Books is now an imprint (trade name), imprint of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdullah Ibrahim Albums
{{disambiguation, geo ...
Abdullah may refer to: * Abdullah (name), a list of people with the given name or surname * Abdullah, Kargı, Turkey, a village * ''Abdullah'' (film), a 1980 Bollywood film directed by Sanjay Khan * '' Abdullah: The Final Witness'', a 2015 Pakistani drama film * Abdullah (band), an American metal band * Abdullah (horse) (1970–2000), a horse that competed in the sport of show jumping See also * Abdalla people, an ethnic group in Kenya * Abdollah (other) Abdollah may refer to: People * Abdollah Jassbi, Iranian academic * Abdollah Mojtabavi, Iranian sport wrestler * Abdollah Hedayat, Iranian army general * Abdollah Movahed, Iranian sport wrestler * Abdollah Nouri, Iranian reformist politician * A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannenberg
"Mannenberg" is a Cape jazz song by South African musician Abdullah Ibrahim, first recorded in 1974. Driven into exile by the apartheid government, Ibrahim had been living in Europe and the United States during the 1960s and '70s, making brief visits to South Africa to record music. After a successful 1974 collaboration with producer Rashid Vally and a band that included Basil Coetzee and Robbie Jansen, Ibrahim began to record another album with these three collaborators and a backing band assembled by Coetzee. The song was recorded during a session of improvisation, and includes a saxophone solo by Coetzee, which led to him receiving the sobriquet "Manenberg". The piece incorporates elements of several other musical styles, including '' marabi'', '' ticky-draai'', and '' langarm'', and became a landmark in the development of the genre of Cape jazz. The song has been described as having a beautiful melody and catchy beat, conveying themes of "freedom and cultural identity." It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take The "A" Train
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. History The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers, Authors and Publishers (ASCAP). When ASCAP raised its licensing fees for broadcast use, many ASCAP members, including Ellington, could no longer play their compositions over radio, as most music was played live on radio at the time. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP's competitor BMI, to "write a whole new book for the band," Mercer recalled. "'A' Train" was one of many tunes written by Strayhorn, and was picked to replace "Sepia Panorama" as the band's signature song. Mercer recalled that he found the composition in a trash can after Strayhorn discarded a draft of it because it sounded too much like a Fletcher Henderson arrangement. The song was first recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drop Me Off In Harlem
"Drop Me Off in Harlem" is a 1933 song composed during the Harlem Renaissance composed by Duke Ellington, with lyrics written by Nick Kenny. A.H. Lawrence writes that the song originated from an off the cuff remark from Ellington. Nick Kenny had hailed a taxi, and offered to share it with Ellington. Kenny asked "Where to, Duke?", and Ellington replied "Drop me off at Harlem". Kenny then fashioned lyrics from Ellington's remark and presented him with them a few days later at the Cotton Club.Lawrence, A.H. ''Duke Ellington and His World'' (New York: Routledge, 2003), 189. Notable recordings *Duke Ellington and his Orchestra, February 17, 1933 *Ella Fitzgerald - ''Ella Fitzgerald Sings the Duke Ellington Songbook'' (1958) *Duke Ellington and Louis Armstrong on ''The Great Summit'' (1961, re released 2001) This recording appeared in the 1989 film ''Harlem Nights''. *Richie Kamuca - ''Drop Me Off at Harlem'' (1975) *Ran Blake - ''Duke Dreams'' (1981) *Sun Ra - ''Nuclear War'' (1982) * G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Surrender Dear
"I Surrender Dear" (sometimes written as "I Surrender, Dear") is a song composed by Harry Barris with lyrics by Gordon Clifford, first performed by Gus Arnheim and His Cocoanut Grove Orchestra with Bing Crosby in 1931, which became his first solo hit.I Surrender Dear at ''jazzstandards.com'' - retrieved on 27 April 2009 This is the song that caught the attention of William Paley, president of CBS, who signed him for $600 a week in the fall of 1931. In 1931, it was performed by , as well as , under the pseudonym "Mickie Alpert". It has been covered by many arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdullah Ibrahim
Abdullah Ibrahim (born Adolph Johannes Brand on 9 October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and Ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre of Cape jazz. Within jazz, his music particularly reflects the influence of Thelonious Monk and Duke Ellington. He is known especially for "Mannenberg", a jazz piece that became a notable anti-apartheid anthem. During the apartheid era in the 1960s Ibrahim moved to New York City and, apart from a brief return to South Africa in the 1970s, remained in exile until the early '90s. Over the decades he has toured the world extensively, appearing at major venues either as a solo artist or playing with other renowned musicians, including Max Roach, Carlos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-bop
Post-bop is a genre of small-combo jazz that evolved in the early to mid 1960s in the United States. Pioneers of the genre, such as Miles Davis, Charles Mingus, Wayne Shorter, Herbie Hancock, John Coltrane and Jackie McLean, crafted syntheses of hard bop with contemporaneous developments in avant-garde jazz, modal jazz and free jazz that resulted in music with a complex and experimental flavor though still rooted in bop tradition, featuring less of the blues and soul leanings predominant in hard bop. The movement had a significant impact on subsequent generations of both acoustic jazz and fusion musicians. Definition Post-bop refers to a body of music that emerged in the late 1950s and 60s that combined principles of bebop, hard bop, modal jazz, avant-garde and free jazz, but also departed from earlier traditions in jazz. Post-bop can refer to a variety of Jazz music that is post-bebop chronologically but in the common understanding post-bop music reflects these influences: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
