Autobiographical Sketch (Haydn)
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Autobiographical Sketch (Haydn)
The Autobiographical sketch (1776) of Joseph Haydn is the only autobiographical document that was ever prepared by this composer. Haydn wrote the sketch, which is about two pages long, when he was 44 at the request, relayed to him by a chain of two mutual acquaintances, of Ignaz de Luca, who was preparing a volume of brief biographies of Austrian luminaries, ''Das gelehrte Oesterreich'' ("Learned Austria"). The sketch was published in 1778, in Volume 1, Part 3 of that work. Content The sketch begins with a brief account of the first 29 years of Haydn's life. He mentions his early home life in Rohrau, his early education in Hainburg, his subsequent career as a choirboy in Vienna, his struggles during eight years of freelance work and his appointments as Kapellmeister, first with Count Morzin and then with the hugely wealthy Esterházy family. Having related his rise to career success, Haydn says nothing at all of the years 1761 to 1776 that spent working in the Esterházy court, but ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section ( violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound ...
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Cambridge Companions To Music
The Cambridge Companions to Music form a book series A book series is a sequence of books having certain characteristics in common that are formally identified together as a group. Book series can be organized in different ways, such as written by the same author, or marketed as a group by their pu ... published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher."Cambridge Companions to Music"
on Cambridge University Press website, accessed 21 September 2015.


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Rhetoric
Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, ...
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Elaine Sisman
Elaine Rochelle Sisman (born January 20, 1952) is an American musicologist. The Anne Parsons Bender Professor of Music at Columbia University, Sisman specializes in music, rhetoric, and aesthetics of the 18th and 19th centuries, and has written on such topics as memory and invention in late Beethoven, ideas of pathétique and fantasia around 1800, Haydn's theater symphonies, the sublime in Mozart's music, and Brahms's slow movements. She is the author of ''Haydn and the Classical Variation'' and ''Mozart: The 'Jupiter' Symphony'' and editor of ''Haydn and His World''. Her monograph-length article on "variations" appears in the revised ''New Grove Dictionary of Music and Musicians'', and she is at work on studies of music and melancholy, of Don Giovanni, and of the opus-concept in the eighteenth century. Education Sisman studied piano at the Juilliard pre-college division. She graduated from Cornell University in 1972, studying with Malcolm Bilson and received her doctorate in ...
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Berlin
Berlin ( , ) is the capital and List of cities in Germany by population, largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's List of cities in the European Union by population within city limits, most populous city, according to population within city limits. One of Germany's States of Germany, sixteen constituent states, Berlin is surrounded by the Brandenburg, State of Brandenburg and contiguous with Potsdam, Brandenburg's capital. Berlin's urban area, which has a population of around 4.5 million, is the second most populous urban area in Germany after the Ruhr. The Berlin/Brandenburg Metropolitan Region, Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Metropolitan regions in Germany, Germany's third-largest metropolitan region after the Rhine-Ruhr and Frankfurt Rhine-Main, Rhine-Main regions. Berlin straddles the banks of the Spree (river), Spree, which flows into the Havel (a tributary of ...
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Gottfried Van Swieten
Gottfried Freiherr van Swieten (29 October 1733 – 29 March 1803) was a Dutch-born Austrian diplomat, librarian, and government official who served the Holy Roman Empire during the 18th century. He was an enthusiastic amateur musician and is best remembered today as the patron of several great composers of the Classical era, including Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. Life and career Van Swieten was born Godefridus Bernardus "Godfried" van Swieten in Leiden and grew up in the Dutch Republic to the age of 11. His father, Gerard van Swieten, was a physician who achieved a high reputation for raising standards of scientific research and instruction in the field of medicine. In 1745, the elder Van Swieten agreed to become personal physician to the Holy Roman Empress Maria Theresa and moved with his family to Vienna, where he also became the director of the court library and served in other government posts. The young Van Swieten was educated ...
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Carl Ditters Von Dittersdorf
Carl Ditters von Dittersdorf (2 November 1739 – 24 October 1799) was an Austrian composer, violinist, and silvologist. He was a friend of both Haydn and Mozart. (webpage has a translation button) Life 1739–1764 Dittersdorf was born in the Laimgrube (now Mariahilf) district of Vienna, Austria, as Johann Carl Ditters. His father was a military tailor in the Austrian Imperial Army of Charles VI, for a number of German-speaking regiments. After retiring honorably from his military obligation, he was provided with royal letters of reference and a sinecure with the Imperial Theatre. In 1745, the six-year-old August Carl was introduced to the violin and his father's moderate financial position allowed him not only a good general education at a Jesuit school, but private tutelage in music, violin, French and religion. After leaving his first teacher, Carl studied violin with J. Ziegler, who by 1750, through his influence, secured his pupil's appointment as a violinist in the ...
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Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or sev ...
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David Schroeder (musicologist)
David Schroeder or Schröder may refer to: *David Schroeder (American football) (born 1937), American football coach *David Schröder David Schröder (also spelled Schroeder, born 28 April 1985 in Leipzig) is a German slalom canoeist who has competed at the international level since 2000. He won two medals in the C2 team event at the ICF Canoe Slalom World Championships with ... (born 1985), German slalom canoer *David E. Schroeder, president of Pillar College {{Hndis, Schroeder, David ...
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String Quartets, Op
String or strings may refer to: * String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, musical ...
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Stabat Mater (Haydn)
Joseph Haydn's Stabat Mater Hob. XXa:1 was written in 1767, for soprano, alto, tenor and bass soloists, mixed choir, 2 oboes both doubling English horn in the sections in E-flat major, strings and organ continuo. The first performance is believed to have taken place March 25, 1768 in Vienna with soloists Anna Maria Scheffstoss and Carl Friberth, with Haydn conducting from the harpsichord. Conductor Jonathan Green suggests adding a bassoon to double the bass line and perhaps just one player to each string part. Haydn divides the setting into 13 movements: # "Stabat Mater dolorosa" Largo, G minor, common time # "O quam tristis et afflicta" Larghetto Affettuoso E-flat major, 3/8 # "Quis est homo qui non fleret" Lento, C minor, common time #"Quis non posset contristari" Moderato, F major, common time # "Pro peccatis suae gentis" Allegro ma non troppo, B-flat major, common time # "Vidit suum dulcem natum" Lento e mesto, F minor, common time # "Eja Mater, fons amoris" Allegretto, D minor ...
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