Australian Feminist Art Timeline
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Australian Feminist Art Timeline
Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by Daine Singer for ''The View From Here: 19 Perspectives on Feminism'', an exhibition and publishing project held at West Space as part of the 2010 Next Wave Festival. 1960s 1967 Exhibition: Vivienne Binns, Watters Gallery, Sydney. The exhibition of paintings and sculptures showing symbolic representations of genitalia was considered outrageous at the time. 1967 Artwork: Vivienne Binns, ''Vag dens'', synthetic polymer paint and enamel on composition board. Collection of the National Gallery of Australia, Canberra. 1967 Performance: Yoko Ono and Juno Gemes, ''The Scream'', Ono covered seated Gemes in bandages from ankle to crown while Ono performed a crescendo of screams. This performance was sabotaged by male owners ...
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Feminist Art
Feminist art is a category of art associated with the late 1960s and 1970s feminist movement. Feminist art highlights the societal and political differences women experience within their lives. The hopeful gain from this form of art is to bring a positive and understanding change to the world, in hope to lead to equality or liberation. Media used range from traditional art forms such as painting to more unorthodox methods such as performance art, conceptual art, body art, craftivism, video, film, and fiber art. Feminist art has served as an innovative driving force towards expanding the definition of art through the incorporation of new media and a new perspective. History Historically speaking, women artists, when they existed, have largely faded into obscurity: there is no female Michelangelo or Da Vinci equivalent. In ''Why Have There Been No Great Women Artists'' Linda Nochlin wrote, "The fault lies not in our stars, our hormones, our menstrual cycles, or our empty int ...
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Janine Burke
Janine Burke is an Australian author, art historian, biographer, photographer and novelist. She also curates exhibitions of historical and contemporary art. She is Honorary Senior Fellow, Faculty of Fine Arts and Music, University of Melbourne. She was born in Melbourne in 1952. Education Burke attended Catholic Ladies College, East Melbourne (1965-1967) before being expelled. She then attended Malvern Girls High School (1967-1970). She won a Commonwealth Government Scholarship which enabled her to attend the University of Melbourne. She graduated in 1974 with a Bachelor of Arts (Hons), majoring in art history. In 1986 she was awarded a Master of Arts at La Trobe University, and a PhD from Deakin University in 2002. Career 1970s-1980s In 1973, Burke began to publish art reviews and essays. The following year, she co-curated ''A Room of One's Own: Three Women Artists'', perhaps Australia's first feminist group exhibition with Lynne Cook and Kiffy Rubbo, director of the George ...
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Newcastle Art Gallery
The Newcastle Art Gallery (formerly the Newcastle City Art Gallery, Newcastle Region Art Gallery) is a large, public art museum in Newcastle, New South Wales, Australia. History Founded in 1945 with an art collection consisting of 123 works donated by Roland Pope which was conditional on the construction of a gallery to hold it, the museum opened its doors in 1957 and moved to a new, purpose-built museum building in 1977. As a Sydneysider, Pope's collection reflect was Sydney centric. Under the directorships of the gallery's first two directors Gil Docking and David Thomas, both from Melbourne, saw the collection expand to include artists from Melbourne and Adelaide. A purpose built building was completed in the 1970s and officially opened by Queen Elizabeth II on Friday 11 March 1977. This building stands today as an example of 1970s geometric architecture in the brutalist tradition. Collection The Newcastle Art Gallery collection represents an overview of Australian art ...
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Art Gallery Of New South Wales
The Art Gallery of New South Wales (AGNSW), founded as the New South Wales Academy of Art in 1872 and known as the National Art Gallery of New South Wales between 1883 and 1958, is located in The Domain, Sydney, Australia. It is the most important public gallery in Sydney and one of the largest in Australia. The gallery's first public exhibition opened in 1874. Admission is free to the general exhibition space, which displays Australian art (including Indigenous Australian art), European and Asian art. A dedicated Asian Gallery was opened in 2003. History 19th century On 24 April 1871, a public meeting was convened in Sydney to establish an Academy of Art "for the purpose of promoting the fine arts through lectures, art classes and regular exhibitions." Eliezer Levi Montefiore (brother of Jacob Levi Montefiore and nephew of Jacob and Joseph Barrow Montefiore) co-founded the New South Wales Academy of Art (also referred to as simply the Academy of Art)Published online 2014 an ...
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Royal South Australian Society Of Arts
The South Australian Society of Arts was a society for artists in South Australia, later with a royal warrant renamed The Royal South Australian Society of Arts in 1935. History A meeting of persons interested in the formation of a society for the promotion of the fine arts was held on Monday evening 13 October 1856 at the Adelaide School of Arts, in Pulteney Street. Owing to the inclemency of the weather very few persons were present. Mr James MacGeorge took the chair. Letters were read from Mr. Fisher, M.L.C., Mr. Tomkinson, Mr. J. Howard Clark, Mr. C. A. Wilson, expressing regret at being unable to attend, but expressing approval of the objects sought to be attained by that meeting. The following resolutions were passed unanimously:— That a Society, to be called the South Australian Society of Arts, be now formed, 'The annual payment of one guinea shall entitle the subscriber to all the benefits of membership, consisting in free admission to all lectures, meetings, and exhibit ...
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Lucy R
Lucy is an English feminine given name derived from the Latin masculine given name Lucius with the meaning ''as of light'' (''born at dawn or daylight'', maybe also ''shiny'', or ''of light complexion''). Alternative spellings are Luci, Luce, Lucie, Lucia, and Luzia. The English Lucy surname is taken from the Norman language that was Latin-based and derives from place names in Normandy based on Latin male personal name Lucius. It was transmitted to England after the Norman Conquest in the 11th century (see also De Lucy). Feminine name variants *Luiseach (Irish) *Lusine, Լուսինե, Լուսինէ (Armenian) *Lučija, Лучија ( Serbian) *Lucy, Люси (Bulgarian) *Lutsi, Луци ( Macedonian) *Lutsija, Луција ( Macedonian) *Liùsaidh (Scottish Gaelic) *Liucija ( Lithuanian) *Liucilė ( Lithuanian) *Lūcija, Lūsija ( Latvian) *Lleucu (Welsh) *Llúcia (Catalan) *Loukia, Λουκία (Greek) *Luca ( Hungarian) *Luce ( French, Italian) *Lucetta (English) *Lucett ...
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Erica McGilchrist
Erica McGilchrist (10 February 1926 – 9 May 2014) was an Australian artist and co-founder of the Women's Art Register. She participated in more than 40 solo exhibitions and many group exhibitions. She is represented in institutional and public galleries as well as private collections in Australia, UK, Israel and USA. Her contributions to women's art were recognised in 1992 when she was awarded the Medal of the Order of Australia. Biography McGilchrist was born in Mt Gambier, South Australia and took classes and danced with Les Ballets Contemporains in Adelaide and later with the Modern Dance Company in Melbourne. Paralleling this interest were the Saturday art classes which she began at the age of ten and continued for ten years at the SA School of Arts and Crafts. In 1946 she graduated from Adelaide Teachers College, but within two years had given up teaching to go to Melbourne to dance. Soon art won out over dance and she held her first of many exhibitions in 1951. ...
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George Paton Gallery
The George Paton Gallery, formerly the Ewing and George Paton Gallery, was founded in Melbourne in the mid 1970s at the University of Melbourne Student Union. History and exhibitions The George Paton Gallery was the central hub for experimental art in Australia in the 1970s and early 1980s. As well as presenting diverse and challenging exhibitions, it fostered a strong community of creative discourse through film screenings, poetry readings, performance events and hosting meetings by marginalised groups of artists and activists. Early influential exhibitions that cement the radical nature of the gallery's first decade include Janine Burke's "Australian women artists: One hundred years, 1840–1940" presented in 1975, and "The Letter Show", presented in 1974, curated by founding Directors Kiffy Rubbo and Meredith Rogers. Later Directors developed their reputations as influential curators in the gallery, including Judy Annear (1980–1982), who went on to be the founding Directo ...
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Women's Art Register
The Women’s Art Register is Australia's living archive of women's art practice (cis and trans inclusive or gender diverse). It is a national artist-run, not-for-profit community and resource in Melbourne, Australia. Foundation The Women's Art Register was established in 1975 as an inclusive, grass-roots and independent platform for research, education, advocacy and celebration of Australian women artists. It was formed by artists Lesley Dumbrell and Erica McGilchrist, with the then directors of the Ewing and George Paton Gallery at Melbourne University, Kiffy Carter and Meredith Rogers. It began with one hundred contemporary women artists contributing slides of their work and was housed and administered at the Ewing Gallery. In 1977 the Women's Art Register obtained funding from the Victorian Schools Commission for historical research. Artists Anna Sande and Bonita Ely commenced this projectn, known as the Women's Art Register Extension Project (WAREP), in their homes, prepar ...
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International Women's Year
International Women's Year (IWY) was the name given to 1975 by the United Nations. Since that year March 8 has been celebrated as International Women's Day, and the United Nations Decade for Women, from 1976 to 1985, was also established. History After years of work by the United Nations Commission on the Status of Women (CSW) to adopt a declaration to eliminate discrimination against women, in 1965, CSW began working in earnest to obtain passage of a declaration to secure women's human rights. Collating responses covering education, employment, inheritance, penal reform, and other issues, from government actors, NGO representatives and UN staff, CSW delegates drafted the Declaration on the Elimination of Discrimination Against Women (DEDAW), which was passed by the General Assembly on 7 November 1967. Once support had been garnered for the declaration, the next step was to prepare it to become a Convention. Though there were delays, by 1972, when the United States Congress pas ...
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Bondi Pavilion
The Bondi Surf Pavilion in Sydney, New South Wales (NSW), Australia, is an outstanding beach cultural icon of Australia, together with the beach, park and surf lifesaving club. The structure is listed on the NSW State Heritage Register 01786 as well as by Waverley Council. The building has also been listed by the Heritage Council. According to the National Trust it "has come to represent the Australian culture of beach bathing and outdoors living". The pavilion was constructed in 1928–29, and is managed by Waverley Council. It includes the Bondi Pavilion Theatre, opened in 1974. Background Sea bathing gradually changed from a restricted dangerous activity in NSW to a popular pastime in the later 19th century. Bondi Beach was opened to the public as a pleasure grounds for picnicking in 1855. The beach was dedicated as a public reserve in 1882, and Waverley Council built and opened ocean baths there in 1889 and a bathing shed in 1903. Bondi Surf Lifesaving Club was establis ...
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Ponch Hawkes
Ponch Hawkes (born 1946) is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories. Early life and education Hawkes was born in Abbotsford, Victoria, in 1946 and educated at University High School. She is self-taught, having never formally studied photography. Upon returning to Australia from the United States in the early 1970s, Hawkes, who was working as a journalist for the magazine '' The Digger'', took up photography to enhance her journalistic work. Work Her work has been included in major Australian exhibitions such as Melbourne Now (2013) at the National Gallery of Victoria and Know My Name (2021/22) at the National Gallery of Australia. Hawke's work is represented in the collections of numerous significant institutions including the National Gallery of Victoria, National Gallery of Australia, Que ...
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