Aucassin Et Nicolette (opera)
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Aucassin Et Nicolette (opera)
''Aucassin et Nicolette'' (12th or 13th century) is an anonymous medieval French fictional story. It is the unique example of a ''chantefable'', literally, a "sung story", a combination of prose and verse (similar to a ''prosimetrum''). History The work probably dates from the late 12th or early 13th century, and is known from only one surviving manuscript, discovered in 1752 by medievalist Jean-Baptiste de La Curne de Sainte-Palaye ( BnF, Fonds Français 2168).Karl Uitti. "Aucassin et Nicolette" in ''Dictionary of the Middle Ages'', Vol. 1, pg. 642–644 Stylistically, the ''chantefable'' combines elements of many Old French genres, such as the ''chanson de geste'' (e.g., ''The Song of Roland''), lyric poems, and courtly novels—literary forms already well-established by the 12th century. ''Aucassin et Nicolette'' is the only known chantefable, the term itself having been derived from the story's concluding lines: "No cantefable prent fin" ("Our chantefable is drawing to a ...
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Marianne Stokes05
Marianne () has been the national personification of the France, French Republic since the French Revolution, as a personification of Liberté, égalité, fraternité, liberty, equality, fraternity and reason, as well as a portrayal of the Liberty (goddess), Goddess of Liberty. Marianne is displayed in many places in France and holds a Place of honor, place of honour in town halls and law courts. She is depicted in the ''Triumph of the Republic'', a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on Postage stamps of France, French postage stamps. She was also featured on the former French franc, franc currency and is officially used on most government documents. Marianne is a significant Republicanism, republican symbol; her French monarchist equivalent is often Joan of Arc. As a ...
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Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ...
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Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic (paranormal), magic, incantation, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance (love), romance". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true ...
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French Language
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' ...
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Jack Zipes
Jack David Zipes (born June 7, 1937) is a professor emeritus of German, comparative literature, and cultural studies, who has published and lectured on German literature, critical theory, German Jewish culture, children's literature, and folklore. In the latter part of his career he translated two major editions of the tales of the Brothers Grimm and focused on fairy tales, their evolution, and their social and political role in civilizing processes. According to Zipes, fairy tales "serve a meaningful social function, not just for compensation but for revelation: the worlds projected by the best of our fairy tales reveal the gaps between truth and falsehood in our immediate society". His arguments are avowedly based on the critical theory of the Frankfurt School and more recently theories of cultural evolution. Education and positions Jack David Zipes was born on June 7, 1937, in New York City, to Celia (Rifkin) and Phillip P. Zipes. He received a BA in political science from Dart ...
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Starlight (fairy Tale)
''Starlight'' or Starlet ( French: ''Étoilette'') is a French literary fairy tale by Marie-Madeleine de Lubert. It was included in her revised edition, published in 1753, of Henriette-Julie de Murat's last novel, '' Les Lutins du château de Kernosy'' (The Sprites of Kernosy Castle, 1710), which is why it is often attributed to Madame de Murat. Synopsis A king, whose kingdom was constantly imperiled by another king, had an only son who had fallen in love with a slave, Starlight. Her family was quite unknown, but he cared nothing for anything but her. Angry, the queen had the slave imprisoned in a tower. A beautiful white cat kept her company. The prince despaired. His father, because of a new attack, implored him to lead the army. The prince did, and the father promised that no one had harmed Starlight and that he would see her when he returned. He led the army and utterly defeated the other king's, capturing the king himself, but the king reneged on his promise. The prince fre ...
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Simone De Beauvoir
Simone Lucie Ernestine Marie Bertrand de Beauvoir (, ; ; 9 January 1908 – 14 April 1986) was a French existentialist philosopher, writer, social theorist, and feminist activist. Though she did not consider herself a philosopher, and even though she was not considered one at the time of her death, she had a significant influence on both feminist existentialism and feminist theory. Beauvoir wrote novels, essays, biographies, autobiographies, and monographs on philosophy, politics, and social issues. She was known for her 1949 treatise ''The Second Sex'', a detailed analysis of women's oppression and a foundational tract of contemporary feminism; and for her novels, including ''She Came to Stay'' (1943) and '' The Mandarins'' (1954). Her most enduring contribution to literature is her memoirs, notably the first volume, "Mémoires d'une jeune fille rangée" (1958), which has a warmth and descriptive power. She won the 1954 Prix Goncourt, the 1975 Jerusalem Prize, and the 1978 ...
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Walter Pater
Walter Horatio Pater (4 August 1839 – 30 July 1894) was an English essayist, art critic and literary critic, and fiction writer, regarded as one of the great stylists. His first and most often reprinted book, ''Studies in the History of the Renaissance'' (1873), revised as ''The Renaissance: Studies in Art and Poetry'' (1877), in which he outlined his approach to art and advocated an ideal of the intense inner life, was taken by many as a manifesto (whether stimulating or subversive) of Aestheticism. Early life Born in Stepney in London's East End, Walter Pater was the second son of Richard Glode Pater, a physician who had moved to London in the early 19th century to practise medicine among the poor. Dr Pater died while Walter was an infant and the family moved to Enfield. Walter attended Enfield Grammar School and was individually tutored by the headmaster. In 1853 he was sent to The King's School, Canterbury, where the beauty of the cathedral made an impression that would r ...
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Gateway To The Great Books
''Gateway to the Great Books'' is a 10-volume series of books originally published by Encyclopædia Britannica Inc. in 1963 and edited by Mortimer Adler and Robert Maynard Hutchins. The set was designed as an introduction to the ''Great Books of the Western World'', published by the same organization and editors in 1952. The set included selections – short stories, plays, essays, letters, and extracts from longer works – by more than one hundred authors. The selections were generally shorter and in some ways simpler than the full-length books included in the ''Great Books''. Authors A number of authors in the ''Great Books'' set – such as Plutarch, Epictetus, Tacitus, Dante, Herman Melville, Fyodor Dostoyevsky, Jean-Jacques Rousseau, David Hume, John Stuart Mill, Francis Bacon, Charles Darwin and William James – were also represented by shorter works in the ''Gateway'' volumes. In addition, several ''Gateway'' readings discussed authors in the ''Great Books'' series. For i ...
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Mortimer J
Mortimer () is an English surname, and occasionally a given name. Norman origins The surname Mortimer has a Norman origin, deriving from the village of Mortemer, Seine-Maritime, Normandy. A Norman castle existed at Mortemer from an early point; one 11th century figure associated with the castle was Roger, lord of Mortemer, who fought in the Battle of Mortemer in 1054. The 12th century abbey of Mortemer at Lisors near Lyons-la-Forêt is assumed to share the same etymological origin, and was granted to the Cistercian order by Henry II in the 1180s. According to the toponymists Albert Dauzat and later, François de Beaurepaire, there are two possible explanations for such a place name: First, a small pond must have already existed before the land was given to the monks and have already been called ''Mortemer'' like the two other ''Mortemers'', because the word ''mer'' "pond" was not used anymore beyond the Xth century. This word is only attested in North-Western France and of Fran ...
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Heaven
Heaven or the heavens, is a common religious cosmological or transcendent supernatural place where beings such as deities, angels, souls, saints, or venerated ancestors are said to originate, be enthroned, or reside. According to the beliefs of some religions, heavenly beings can descend to Earth or incarnate and earthly beings can ascend to Heaven in the afterlife or, in exceptional cases, enter Heaven alive. Heaven is often described as a "highest place", the holiest place, a Paradise, in contrast to hell or the Underworld or the "low places" and universally or conditionally accessible by earthly beings according to various standards of divinity, goodness, piety, faith, or other virtues or right beliefs or simply divine will. Some believe in the possibility of a heaven on Earth in a ''world to come''. Another belief is in an axis mundi or world tree which connects the heavens, the terrestrial world, and the underworld. In Indian religions, heaven is considered a ...
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Hell
In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translatio ...
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