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Aubade
An aubade is a morning love song (as opposed to a serenade, intended for performance in the evening), or a song or poem about lovers separating at dawn. It has also been defined as "a song or instrumental composition concerning, accompanying, or evoking daybreak". Cites the American Heritage Dictionary of the English Language, Fourth Edition, 2000. In the strictest sense of the term, an aubade is a song sung by a departing lover to a sleeping woman. Aubades are generally conflated with what are strictly called albas, which are exemplified by a dialogue between parting lovers, a refrain with the word ''alba'', and a watchman warning the lovers of the approaching dawn. The tradition of ''aubades'' goes back at least to the troubadours of the Provençal schools of courtly love in the High Middle Ages. The aubade gained in popularity again with the advent of the metaphysical fashion in the 17th century. John Donne's poem "The Sunne Rising" exemplifies an aubade in English. Aubades we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aubade (Larkin)
"Aubade" is a poem by the English poet Philip Larkin, first published in 1977. The theme of the poem is the terror of death. The title refers to the poetic genre of aubade, poems written about the early morning. "Aubade" has been described by Frank Wilson of the ''Philadelphia Inquirer'' as Larkin's last truly great poem. Larkin described it as an "in-a-funk-about-death" poem. References in popular culture * In the television show Devs, the first three and a half stanzas of the poem are read by the actor Stephen McKinley Henderson Stephen McKinley Henderson (born August 31, 1949) is an American actor and director. Henderson trained at Juilliard School for acting and later became a resident member of the Repertory Theatre of St. Louis from 1976 to 1981. He came to prominen ..., initially as a voiceover, but later revealed to be his character Stewart speaking it as a warning to Forest. References External links Full text of "Aubade"at the Poetry Foundation. Poetry b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aubade (Poulenc)
''Aubade'' ( FR 051a, and FP051b for the piano reduction), a ''choreographic concerto'' for piano and 18 instruments, is a work of Francis Poulenc premiered in 1929. It was conceived as a ballet, but is more often played as a chamber piano concerto. History An aubade is a morning courting song, vs. a serenade in the evening. Here the action begins one morning, and ends the next day at dawn. Poulenc's work was originally conceived as ballet music, but is today regarded as a piano concerto. The work was premiered as a ballet on 18 June 1929 at the Noailles, which determined the size of the orchestra Poulenc could employ. The choreographer was Bronislava Nijinska. A few months later, it was revived at the Théâtre des Champs-Élysées in the choreography this time by George Balanchine, of which Poulenc disapproved. Poulenc himself designed the scenario of the ballet whose theme is the solitude of women. The goddess Diana is the heroine. The action begins in a clearing. Diana's c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serenade
In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word , which itself derives from the Latin . Sense influenced by Italian ''sera'' "evening," from Latin ''sera'', fem. of ''serus'' "late." Early serenade music In the oldest usage, which survives in informal form to the present day, a serenade is a musical greeting performed for a lover, friend, person of rank or other person to be honored. The classic usage would be from a lover to his lady love through a window. It was considered an evening piece, one to be performed on a quiet and pleasant evening, as opposed to an aubade, which would be performed in the morning. The custom of serenading in this manner began in the Medieval era, and the word "serenade" as commonly used in current English is related to this custom. Music performed follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dawn
Dawn is the time that marks the beginning of twilight before sunrise. It is recognized by the appearance of indirect sunlight being scattered in Earth's atmosphere, when the centre of the Sun's disc has reached 18° below the observer's horizon. This morning twilight period will last until sunrise (when the Sun's upper limb breaks the horizon), when direct sunlight outshines the diffused light. Etymology "Dawn" derives from the Old English verb ''dagian'', "to become day". Types of dawn Dawn begins with the first sight of lightness in the morning, and continues until the Sun breaks the horizon. This morning twilight before sunrise is divided into three categories depending on the amount of sunlight that is present in the sky, which is determined by the angular distance of the centre of the Sun (degrees below the horizon) in the morning. These categories are ''astronomical'', ''nautical'', and ''civil dawn''. Astronomical dawn Astronomical dawn begins when the Sun is 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provençal Literature
Occitan literature (referred to in older texts as Provençal literature) is a body of texts written in Occitan, mostly in the south of France. It was the first literature in a Romance language and inspired the rise of vernacular literature throughout medieval Europe. Occitan literature's Golden Age was in the 12th century, when a rich and complex body of lyrical poetry was produced by troubadours writing in Old Occitan, which still survives to this day. Although Catalan is considered by some a variety of Occitan, this article will not deal with Catalan literature, which started diverging from its Southern French counterpart in the late 13th century. Introduction Occitan literature started in the 11th century in several centres. It gradually spread from there, first over the greater portion (though not the whole) of southern France, into what is now the north of Italy and into Spain (Catalonia, Galicia, Castile), and Portugal. In its rise Occitan literature stands completely by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Dunn (choreographer)
Douglas Dunn is an American dancer and choreographer based in New York City. Choreography Dunn premiered his professional company, Douglas Dunn and Dancers, in 1976, where he served as artistic director. He was commissioned by various companies to choreograph works including the Paris Opera Ballet, Groupe de Recherche Choréographique de l'Opéra de Paris, Grande Ballet de Bordeaux, New Dance Ensemble of Minneapolis, Walker Art Center (Minneapolis), Repertory Dance Theater (Salt Lake City), Ballet Théâtre Francais de Nancy, Institute for Contemporary Art (Boston), Perth Institute of Contemporary Art (Australia), and Portland State University (Oregon).Kowa, pp. 221-223. Dunn uses many different choreographic elements in his dances which makes it hard to classify him into a specific genre of dance.Banes (1979), p. 187. He conveyed a minimalist approach in his work by using elements of silence, stillness, simple movements, text, pedestrian movements, gestures, wit, and humor. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Atlas (artist)
Charles Atlas is a video artist and film director who also does lighting and set design. He is a pioneer in developing media-dance, also called dance for camera. Media dance is work that is created directly for the camera. While Atlas’ primary artistic medium is video, he also began to experiment with live electronic performance in 2003. Atlas worked collaboratively with Merce Cunningham from 1975 to 1981. Before his time as the Cunningham company’s filmmaker-in-residence (1978 – 1983), when he made 10 dance films, Atlas was an assistant stage manager for the company, and was already filming Cunningham in little experimental movement studies during breaks from rehearsal. Following his work with Cunningham, he worked independently in film while collaborating with other professionals in the field. Works Collaboration with Merce Cunningham *1973: "Changing Steps" Atlas designed jumpsuits in various colors for the dance. *1974: "A Video Event" Cunningham and Atlas collaborated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Waldman
Anne Waldman (born April 2, 1945) is an American poet. Since the 1960s, Waldman has been an active member of the Outrider experimental poetry community as a writer, performer, collaborator, professor, editor, scholar, and cultural/political activist. She has also been connected to the Beat poets. Life and work Born in Millville, New Jersey, Waldman was raised on MacDougal Street in New York City's Greenwich Village, and received her B.A. from Bennington College in 1966. During the 1960s, Waldman became part of the East Coast poetry scene, in part through her engagement with the poets and artists loosely termed the Second Generation of the New York School. During this time, Waldman also made many connections with earlier generations of poets, including figures such as Allen Ginsberg, who once called Waldman his "spiritual wife." From 1966 to 1968, she served as assistant director of the Poetry Project at St. Mark's; and, from 1968 to 1978, she served as the Project's Director. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverdie
The reverdie is an old French poetic genre, which celebrates the arrival of spring. Literally, it means "re-greening". Often the poet will encounter Spring, symbolized by a beautiful woman. Originating in the troubadour ballads of the early Middle Ages, reverdies were very popular during the time of Chaucer. English examples from that era include '' Sumer is icumen in'' and ''Lenten ys come with love to toune''. T. S. Eliot's ''The Waste Land'' and William Carlos Williams' ''Spring and All'' are both considered to be modern examples of the genre. The reverdie forms the basis of the Irish aisling, in which the speaker meets Ireland lamenting her woes. References Harmon, William. ''A Handbook to Literature''. Upper Saddle River: Prentice Hall Prentice Hall was an American major educational publisher owned by Savvas Learning Company. Prentice Hall publishes print and digital content for the 6–12 and higher-education market, and distributes its technical titles through t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tagelied
The Tagelied (''dawn song'') is a particular form of mediaeval German-language lyric, taken and adapted from the Provençal troubadour tradition (in which it was known as the alba) by the German Minnesinger. Often in three verses, it depicts the separation of two lovers at the break of day. An especially popular version of the ''Tagelied'' was the ''Wächterlied'', or watchman's song, in which a trusted watchman warns the knight to depart. This form was introduced into German use by Wolfram von Eschenbach. The form was popular in German-speaking regions from the 13th to the 16th centuries. The form of the ''Wechsel'' (alternating verses by the knight and the lady, but not addressed directly to each other, so not quite a dialogue as now understood) was introduced by Dietmar von Aist and Heinrich von Morungen. The tagelied's form and prosody varies over time and with individual poet. The tagelied does not even consistently use refrains. However, the subject matter of the song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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