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Atom™
Uwe H. Schmidt (born 27 August 1968), also known as Atom™, Atom Heart, or Señor Coconut, is a German composer, musician and producer of electronic music. He is often regarded as the father of electrolatino, electrogospel, and aciton music. In the nineties, Schmidt moved to Chile and developed part of his career there, adopting the alias Señor Coconut. Biography 1983–1990 Uwe Schmidt was born in Frankfurt. He began making music in the early 1980s, first playing drums, then switching to programming a drum computer after he had heard a Linn Drum on the radio. In 1986, he co-founded the cassette label N.G. Medien, on which various tapes of international artists, including the Canadian electronic body music act Frontline Assembly and his first musical work under the name Lassigue Bendthaus, entitled ''The Engineer's Love'', were released. Soon after, he started to work on what would become his first official Lassigue Bendthaus record release, the album ''Matter''. The rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raster-Noton
Raster-Noton was a German electronic music record label. It was established in 1999 in Chemnitz, Germany. It emerged from the fusion of Rastermusik, founded by Olaf Bender and Frank Bretschneider in 1996, and Noton (''Archiv für Ton und Nichtton''), a sub label that was run by Carsten Nicolai. In 2017, the label split into two entities: Raster, to be run by Bender, and Noton, focusing on Nicolai's output. "raster-noton. archiv für ton und nichtton" is meant to be a platform — a network covering the overlapping border areas of pop, art, and science. It realizes music projects, publications, and installation works. A common idea behind all releases is an experimental approach — an amalgamation of sound, art, and design, which is apparent in the music and visible from the artwork and cover design. The collective label's aesthetic focuses on rhythmic, minimal electronic music alternating between playful pop and introspection. Artists Catalogue 20' to 2000 ''20' to 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Namlook
Pete Namlook (born 25 November 1960 as Peter Kuhlmann in Frankfurt, West Germany, died on 8 November 2012) was an ambient and electronic music producer and composer. In 1992, he founded the German record label FAX +49-69/450464, which he oversaw. He was inspired by the music of Eberhard Weber, Miles Davis, Antonio Carlos Jobim, Chopin, Wendy Carlos, Tangerine Dream and Pink Floyd, and most importantly Klaus Schulze. Pete Namlook released many solo albums, as well as collaboration albums with notable artists such as Klaus Schulze, Bill Laswell, Geir Jenssen (Biosphere), Gaudi, Richie Hawtin, Tetsu Inoue, Uwe Schmidt (Atom™), Amir Abadi (Dr. Atmo), and David Moufang (Move D). By August 2005, Namlook and collaborators had released 135 albums (excluding re-releases, vinyl singles, compilations of existing material, and FAX releases beginning with PS, in which he personally was not involved in the music making). "Namlook" is "Koolman", a phonetic rendering of his real name, spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetsu Inoue
Tetsu (written: 哲, 徹, 鉄 or テツ in katakana) is a masculine Japanese given name. Notable people with the name include: *, Japanese photographer *, Japanese voice actor *, Japanese musician *, Japanese politician and Prime Minister of Japan *, Japanese-American actor *, Japanese footballer and manager * Tetsu Nakamura (other), multiple people *, Japanese golfer *, Japanese actor *, Japanese voice actor *, Japanese footballer *, Japanese musician *, Japanese actor *, Japanese footballer *, real name Tetsuo Yamauchi, Japanese musician *, Japanese science fiction translator and writer * Tetsushi Mizokami (born 1948), Japanese founder of Uncle Tetsu's Cheesecake *Tetsuya (musician) (born 1969), formerly known as Tetsu, a musician See also *Tetsuzō Iwamoto Lieutenant Junior Grade was one of the top scoring aces among Imperial Japanese Navy Air Service (IJNAS) fighter pilots. He entered the Imperial Navy in 1934 and completed pilot training in December 1936. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating melodic phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient and film music. A trance is a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely, leaving the melody or atmospherics to stand alone for an extended period before gradu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batschkapp
Batschkapp (Hessian dialect for 'flat cap') is a rock and pop concert venue in Frankfurt am Main. It is located in the warehouse district of the neighborhood of Seckbach, on Gwinnerstraße. History Batschkapp was founded in 1976 to establish an autonomous and left-wing counter culture, and opened on 11 December 1976. It began as a cultural centre associated with the neighbourhood centre Arbeiterselbsthilfe which was located in the inn "Zum Elfmeter", in Maybachstraße next to Frankfurt Eschersheim station. This had been called "Wirtschaft zum Bahnhof" in 1910, and used as a dormitory for approximately 100 forced labourers between 1940 and 1945. It was then used as an operetta theatre and a cinema from 1949 to 1965. Joschka Fischer was a regular visitor in the early days. At the beginning of the 1980s, Batschkapp was in financial difficulties caused by extensions of fire safety and other standards and had tax debts of DM 30,000. A benefit concert in 1982 with Ideal and BA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meat Beat Manifesto
Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens that was formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers (the only permanent member), has proven versatile over the years, experimenting with techno, breakbeat, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, the Chemical Brothers and the Prodigy. Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres. History Early years Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project. The first release under the Meat Beat name was 1987's ''Suck Hard'' EP on Sweat Box Records. They left Perennial Divide in 1988 to record a full Meat Beat album. The tapes of what wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frontline Assembly
Front Line Assembly (FLA) is a Canadian electro-industrial band formed by Bill Leeb in 1986 after leaving Skinny Puppy. FLA has developed its own sound incorporating elements of electronic body music and electro-industrial. The band's membership has rotated through the years, including Michael Balch, Rhys Fulber, and Chris Peterson, all of whom are associated with several other acts. Since their inception, the group have produced over a dozen studio albums and EPs, several of which have charted on ''Billboards Top Dance/Electronic Album chart. The albums ''Tactical Neural Implant'' and '' Hard Wired'' are two of the group's most successful records, the former being considered a classic among industrial music fans. They have also produced soundtracks for video games such as '' Quake III: Team Arena'' (a collaboration with Sonic Mayhem) and ''AirMech''. Over the years, the band's name has sometimes been published as "Front Line Assembly" and sometimes as "Frontline Assembly". The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linn Drum
The LinnDrum, also referred to as the LM-2, is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. Its high-quality samples, flexibility and affordability made the LinnDrum popular; it sold far more units than its predecessor (the LM-1) and its successor (the Linn 9000) combined. Roger Linn re-used the moniker on the LinnDrum Midistudio and the Roger Linn Designs' LinnDrum II. The LinnDrum was used on many recordings throughout the 1980s, including international hits such as Frankie Goes to Hollywood's "Relax", a-Ha's "Take On Me", Harold Faltermeyer's "Axel F", Billy Idol's " Eyes Without a Face", Deniece Williams's "Let's Hear It for the Boy" and Madonna's " Lucky Star". When Linn Electronics closed in 1986, Forat Electronics purchased its assets and offered service, sounds and modifications for the LinnDrum. The LinnDrum was pre-MIDI, using a DIN sync interface, but MIDI Retrofit Kits were offered by JL Cooper and are currentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
