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Athelwold
''Elfrid: or The Fair Inconstant'', generally shortened to ''Elfrid'', is a 1710 tragedy by the British writer Aaron Hill. Hill wrote the work in less than a fortnight. Set in Saxon England it featured Barton Booth as Athelwold, Charles Powell as King Edgar and Lucretia Bradshaw as Elfrid. Concerned about the play's modest reception, Hill wrote an afterpiece entitled ''The Walking Statue'' which proved to be more popular than the main play, and was revived numerous times. In 1731 Hill reworked the play and staged it under a new title ''Athelwold'' at Drury Lane. It marked his return to the London stage after an eight year absence. Although he hoped to persuade Robert Wilks Robert Wilks (''c.'' 1665 – 27 September 1732) was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the ... to star in the title role, it ended up being played by Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Bridgewater
Roger Bridgewater (died 1754) was a British stage actor of the eighteenth century.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXIX He worked as party of the Drury Lane company for many years, specialising in dramatic roles, before switching to Covent Garden in 1734. In later years he frequently played Falstaff. Selected roles * Earl of Northumberland in ''Sir Thomas Overbury'' by Richard Savage (1723) * Captain Gaylove in '' A Wife to be Let'' by Eliza Haywood (1723) * Orbasius in '' The Captives'' by John Gay (1724) * Ulysses in ''Hecuba'' by Richard West (1726) * Count Basset in ''The Provoked Husband'' by Colley Cibber (1728) * Malvil in '' Love in Several Masques'' by Henry Fielding (1728) * Timophanes in ''Timoleon'' by Benjamin Martyn (1730) * Lord Briton in '' Bayes's Opera'' by Gabriel Odingsells (1730) * Shamwell in '' The Humours of Oxford'' by James Miller (1730) * Laelius in ''Sophonisba'' by James Thomson (1730) * Athelwold in ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barton Booth
Barton Booth (168210 May 1733) was one of the most famous dramatic actors of the first part of the 18th century. Early life Booth was the son of The Hon and Very Revd Dr Robert Booth (priest), Robert Booth, Dean of Bristol, by his first wife and distant cousin Ann Booth, daughter of Sir Robert Booth (judge), Robert Booth, Lord Chief Justice of Ireland, and was educated at Westminster School, where his success in the Roman comedy ''Andria (comedy), Andria'' gave him a gave him an inclination for the stage. He was intended for the church, and to attend Trinity College, Cambridge; but in 1698 he ran away and obtained employment in a theatrical company in Dublin, where he made his first appearance as the title character in Aphra Behn's ''Oroonoko''. London success After two seasons in Ireland he returned to London, where Thomas Betterton, who had previously failed to help him, probably out of regard for Booth's family, now gave him all the assistance in his power. At the Lincoln's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Hill (writer)
Aaron Hill (10 February 1685 – 8 February 1750) was an English dramatist and miscellany writer. Biography The son of a country gentleman of Wiltshire, Hill was educated at Westminster School, and afterwards travelled in the East. He was the author of 17 plays, some of them, such as his versions of Voltaire's ''Zaire'' and ''Mérope'', being adaptations. He also wrote poetry, which is of variable quality. Having written some satiric lines on Alexander Pope, he received in return a mention in ''The Dunciad'', which led to a controversy between the two writers. Afterwards a reconciliation took place. He was a friend and correspondent of Samuel Richardson, whose ''Pamela'' he highly praised. In addition to his literary pursuits Hill was involved in many commercial schemes, usually unsuccessful. Hill was the manager of the Theatre Royal, Drury Lane when he was 24 years old, and before being summarily fired for reasons unknown, he staged the premier of George Frideric Handel's ''Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxon England
Anglo-Saxon England or Early Medieval England, existing from the 5th to the 11th centuries from the end of Roman Britain until the Norman conquest in 1066, consisted of various Anglo-Saxon kingdoms until 927, when it was united as the Kingdom of England by King Æthelstan (r. 927–939). It became part of the short-lived North Sea Empire of Cnut the Great, a personal union between England, Denmark and Norway in the 11th century. The Anglo-Saxons migrated to England from mainland northwestern Europe after the Roman Empire abandoned Britain at the beginning of the fifth century. Anglo-Saxon history thus begins during the period of sub-Roman Britain following the end of Roman control, and traces the establishment of Anglo-Saxon kingdoms in the 5th and 6th centuries (conventionally identified as seven main kingdoms: Northumbria, Mercia, East Anglia, Essex, Kent, Sussex, and Wessex); their Christianisation during the 7th century; the threat of Viking invasions and Danish settlers; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucretia Bradshaw
Lucretia Bradshaw ( fl. 1714 - 1741) was an English actress. She was often billed as Mrs. Bradshaw. In Thomas Betterton's 1741 ''A History of the English Stage'', it is stated that: She declared herself to have learned from Elizabeth Barry: "to make herself Mistress of her Part and leave the ''Figure'' and ''Action'' to ''Nature''". In 1710 she appeared in the title role in Aaron Hill's play ''Elfrid''. In 1714 she married Martin Folkes (1690-1754), an English antiquary, numismatist, mathematician, and astronomer, who " ook heroff the Stage, for her exemplary and prudent Conduct". The wedding took place on 18 September 1714 at St Helen's church, London. Their marriage is described by Betterton in the words: "And such has been her Behaviour to him, that there is not a more happy Couple." They had three children: Dorothy (born 1718), Martin (1720-1740), and Lucretia (1721–1758, who married Richard Betenson). In March 1753 the family went on a tour of Germany and Italy, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afterpiece
An afterpiece is a short, usually humorous one-act playlet or musical work following the main attraction, the full-length play, and concluding the theatrical evening.p24 "The Chambers Dictionary"Edinburgh, Chambers,2003 This short comedy, farce, opera or pantomime was a popular theatrical form in the 18th and 19th centuries. It was presented to lighten the five-act tragedy that was commonly performed. A similar piece preceding the main attraction is a curtain raiser. An example is ''The Padlock'' by Charles Dibdin, first performed in London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ... in 1768. Notes Theatrical genres Opera genres {{Theat-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wilks
Robert Wilks (''c.'' 1665 – 27 September 1732) was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the "triumvirate" of actor-managers that was denounced by Alexander Pope and caricatured by William Hogarth as leaders of the decline in theatrical standards and degradation of the stage's literary tradition. The family was based for many generations in Bromsgrove, Worcestershire. His great-uncle, Judge Wilks, had served Charles I of England during the English Civil War, for whom he raised a troop at his own expense. After Oliver Cromwell won the civil war, Wilks' father moved to Dublin, where Robert Wilks was born. He was a clerk to Robert Southwell until he joined the Williamite army. As soon as he was discharged from the army, he worked in the Smock Alley Theatre in Dublin from 1691 to 1693. According to Wilks's version of the story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Pope
Alexander Pope (21 May 1688 O.S. – 30 May 1744) was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature, Pope is best known for his satirical and discursive poetry including '' The Rape of the Lock'', ''The Dunciad'', and ''An Essay on Criticism,'' and for his translation of Homer. After Shakespeare, Pope is the second-most quoted author in ''The Oxford Dictionary of Quotations'', some of his verses having entered common parlance (e.g. "damning with faint praise" or " to err is human; to forgive, divine"). Life Alexander Pope was born in London on 21 May 1688 during the year of the Glorious Revolution. His father (Alexander Pope, 1646–1717) was a successful linen merchant in the Strand, London. His mother, Edith (1643–1733), was the daughter of William Turner, Esquire, of York. Both parents were Catholics. His mother's sister was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1710 Plays
Year 171 ( CLXXI) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Herennianus (or, less frequently, year 924 ''Ab urbe condita''). The denomination 171 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius forms a new military command, the ''praetentura Italiae et Alpium''. Aquileia is relieved, and the Marcomanni are evicted from Roman territory. * Marcus Aurelius signs a peace treaty with the Quadi and the Sarmatian Iazyges. The Germanic tribes of the Hasdingi (Vandals) and the Lacringi become Roman allies. * Armenia and Mesopotamia become protectorates of the Roman Empire. * The Costoboci cross the Danube (Dacia) and ravage Thrace in the Balkan Peninsula. They reach Eleusis, near Athens, and destr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By Aaron Hill
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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