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Ataba
The ataaba ( ar, عتابا, meaning "plaint" or "dirge", also transliterated 'ataba) is a traditional Arabic musical form sung at weddings, festivals, and other occasions. Popular in the Middle East, it was originally a Bedouin genre, improvised by a solo poet-singer accompanying themselves on the rababa. As part of Arab tradition, ataabas are generally performed by a vocal soloist, without instrumental accompaniment, who improvises the melody using folk poetry for the verse.Kaschl, 2003, p. 249. Sung unmetered in stanzas comprising four lines, the last word of the first three lines are homonyms, each with a different meaning, creating a pun. In urban settings, the ataaba is often paired with a metric choral refrain called a '' mījanā''. The ataaba is also used to express grief or reproach.Armitage et al., 2002, p. 324. The most common theme of an ataaba is love, though eulogies are also common. Less common themes include moral instruction, and descriptions of nature.Cohen and K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wadih Safi
Wadih El Safi ( ar, وديع الصافي, born Wadih Francis; November 1, 1921 – October 11, 2013) was a Lebanese singer, songwriter, composer and actor. He was a Lebanese icon and the forefather of the country's musical culture. He was the longest singer in production, seventy-five years in the singing profession. He was the number one singer of his era. He was known amongst his peers to have incarnated and raised the ceiling of all the singing styles and music of that era and added his own intricate new styles and genres to the existing national musical and singing heritage. He is the reference to every new singer and the example to follow for generations to come. Born in Niha, Lebanon, Wadih El Safi started his artistic journey at the age of sixteen when he took part in a singing contest held by Lebanese Radio and was chosen the winner of all categories among 40 other competitors. Style and Career Wadih El Safi being a classically trained tenor is not a verified fact sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palestinian Music
The music of Palestine ( ar, الموسيقى الفلسطينية) is one of many regional subgenres of Arabic music. While it shares much in common with Arabic music, both structurally and instrumentally, there are musical forms and subject matter that are distinctively Palestinian. Pre-1948 In the areas now controlled by both Israel and Palestine, multiple ethnic groups and religions have long held on to a diversity of cultures. The largest groups of people in territory that was formerly British Mandatory Palestine are (in order) Jews (including Sephardim, Mizrahim and Ashkenazim), Arabs (including urban and rural Muslim classes, Arab Christians, and Muslim Bedouin), Druze, Circassians, Samaritans, Armenians, Dom and others. Wasif Jawhariyyeh was one oud player, famous for his post-1904 diary. Folk music Early in the 20th century, Palestinian Arabs lived in cities and in rural areas, either as farmers or as nomads. The fellahin (farmers) sang a variety of work songs, used fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dirge
A dirge ( la, dirige, naenia) is a somber song or lament expressing mourning or grief, such as would be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. Dirges are often slow and bear the character of funeral marches. Poetic dirges may be dedicated to a specific individual or otherwise thematically refer to death. The English word ''dirge'' is derived from the Latin ''Dirige, Domine, Deus meus, in conspectu tuo viam meam'' ("Direct my way in your sight, O Lord my God"), the first words of the first antiphon (a short chant in Christian liturgy) in the Matins (a canonical hour before sunrise) of the Office for the Dead (a prayer cycle), based on (5:9 in the Vulgate). The original meaning of ''dirge'' in English referred to this office, particularly as it appeared within breviaries and primer prayer books. History In the late Medieval period, it was common for Western Christian lait ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemistich
A hemistich (; via Latin from Greek , from "half" and "verse") is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama. In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in ''hemistichomythia''). The Roman poet Virgil employed hemistichs in the ''Aeneid'' to indicate great duress in his characters, where they were incapable of forming complete lines due to emotional or physical pain. In neo-classicism, the hemistich was frowned upon (e.g. by John Dryden), but Germanic poetry employed the hemistich as a basic component of verse. In Old English and Old Norse poetry, each line of alliterative verse was divided into an "a-verse" and "b-verse" hemistich with a strong caesura between. In ''Beowulf,'' there are only five basic types of hemistich, with some used only as initial hemistichs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anasheed
A nasheed (Arabic: singular ', plural ', meaning: "chants") is a work of vocal music, partially coincident with hymns, that is either sung ''a cappella'' or with instruments, according to a particular style or tradition within Islam. Nasheeds are popular throughout the Islamic world. The material and lyrics of a nasheed usually make reference to Islamic beliefs, history, and religion, as well as current events. Scholars on instruments The founders of all four of the major madhabs – Islamic schools of thought – as well as many other prominent scholars, have debated the legitimacy and use of musical instruments. For instance, according to the Hanafi school of thought, associated with the scholar Abu Hanifa, if a person is known to play musical instruments to divert people from God, their testimony is not to be accepted. According to the widely acknowledged book of authentic hadiths Sahih al-Bukhari of Sunni scholarship, Muhammad taught that musical instruments are sinf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaza Strip
The Gaza Strip (;The New Oxford Dictionary of English (1998) – p.761 "Gaza Strip /'gɑːzə/ a strip of territory under the control of the Palestinian National Authority and Hamas, on the SE Mediterranean coast including the town of Gaza...". ar, قِطَاعُ غَزَّةَ ' , he, רצועת עזה, ), or simply Gaza, is a State of Palestine, Palestinian Enclave and exclave, exclave on the eastern coast of the Mediterranean Sea. The smaller of the two Palestinian territories, it borders Egypt on the southwest for and Israel on the east and north along a border. Together, the Gaza Strip and the West Bank make up the State of Palestine, while being under Israeli-occupied territories, Israeli military occupation since 1967. The territories of Gaza and the West Bank are separated from each other by Israeli territory. Both fell under the jurisdiction of the Palestinian National Authority, Palestinian Authority, but the Strip is governed by Hamas, a militant, fundamentali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Bank
The West Bank ( ar, الضفة الغربية, translit=aḍ-Ḍiffah al-Ġarbiyyah; he, הגדה המערבית, translit=HaGadah HaMaʽaravit, also referred to by some Israelis as ) is a landlocked territory near the coast of the Mediterranean Sea, Mediterranean in Western Asia that forms the main bulk of the Palestinian territories. It is bordered by Jordan and the Dead Sea to the east and by Israel (see Green Line (Israel), Green Line) to the south, west, and north. Under Israeli occupation of the West Bank, an Israeli military occupation since 1967, its area is split into 165 Palestinian enclaves, Palestinian "islands" that are under total or partial civil administration by the Palestinian National Authority (PNA), and 230 Israeli settlements into which Israeli law in the West Bank settlements, Israeli law is "pipelined". The West Bank includes East Jerusalem. It initially emerged as a Jordanian-occupied territory after the 1948 Arab–Israeli War, before being Jordani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palestine 48
__NOTOC__ Palestine may refer to: * State of Palestine, a state in Western Asia * Palestine (region), a geographic region in Western Asia * Palestinian territories, territories occupied by Israel since 1967, namely the West Bank (including East Jerusalem) and the Gaza Strip * Palestinian enclaves, the areas designated for Palestinians under a variety of US and Israeli-led proposals * Mandatory Palestine (1920–1948), a geopolitical entity under British administration * Timeline of the name ''Palestine'' lists other historic uses Other places Canada * Palestine, Ontario Iraq * Palestine Hotel, in Baghdad * Palestine Street, in Baghdad Saudi Arabia * Palestine Street, Jeddah United Kingdom * Palestine, Hampshire, England * Palestine Place, headquarters in London of the Church of England's organization Church's Ministry Among Jewish People United States * Palestine, Arkansas * Palestine, a community of Newtown, Connecticut * Palestine, Illinois * Palestine, In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melismatic
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. Melisma is also commonly featured in Western popular music. Prevalence in western popular music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supertonic
In music, the supertonic is the second degree () of a diatonic scale, one whole step above the tonic. In the movable do solfège system, the supertonic note is sung as ''re''. The triad built on the supertonic note is called the supertonic chord. In Roman numeral analysis, the supertonic chord is typically symbolized by the Roman numeral "ii" in a major key, indicating that the chord is a minor chord (in C: D–F–A). In a minor key, it is indicated by "ii" if it is built on the a natural minor scale, indicating that the chord is a diminished chord (in C: D–F–A). Because it is a diminished chord, it usually appears in first inversion (iio6) so that no note dissonates with the bass note. These chords may also appear as seventh chords: in major, as ii7 (in C: D–F–A–C), while in minor as ii7 (in C: D–F–A–C) or rarely ii7. They are the second-most-common form of nondominant seventh chords. The supertonic chord normally functions as a predominant chord, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
