At The Jazz Corner Of The World
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At The Jazz Corner Of The World
''At the Jazz Corner of the World'' is a critically-acclaimed two-volume live album by American jazz drummer Art Blakey and The Jazz Messengers, released in 1959 on the Blue Note label.Art Blakey discography
accessed January 31, 2011.
The album was originally issued on 12-inch LPs in two volumes (BLP 4015 and 4016) and later re-released as a two-CD . Recorded on April 15, 1959 at the legendary jazz club
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Meet You At The Jazz Corner Of The World
''Meet You at the Jazz Corner of the World'' is a two-volume Blue Note live album featuring the Jazz Messengers with the leader/drummer Art Blakey, trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons and bassist Jymie Merritt. The album was recorded on September 14, 1960 at Birdland, a jazz club in New York City. Volume 1 was first released in July 1961, with Volume 2 following in May 1962. In 2002, the two LPs were reissued as a double-CD set. Reception Allmusic reviewer Lindsay Planer states that "The syncopated and infectiously rhythmic "Night Watch" is highlighted by Shorter, as he begins to fully grasp his improvisational skills that seem to materialize right before the keen-eared listener. He is quickly developing into the undaunted instrumentalist who would revolutionize modern jazz with Miles Davis in the mid-'60s". The 2002 Rudy Van Gelder Edition CD re-issued by Blue Note was given 4 out of 5 stars saying " Birdland (aka "the jazz corner of t ...
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Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ...
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Jymie Merritt
Jymie Merritt (May 3, 1926 – April 10, 2020) was an American jazz double-bassist, electric-bass pioneer, band leader and composer. Merritt was a member of Art Blakey's Jazz Messengers group from 1957 until 1962. The same year he left Blakey's band, Merritt formed his own group, The Forerunners, which he led sporadically until his death in 2020. Merritt also worked as a sideman for blues and jazz musicians such as Bull Moose Jackson, B.B. King, Chet Baker, Max Roach, Dizzy Gillespie, and Lee Morgan. Early life Raised in Philadelphia, Pennsylvania, Jymie, born James Raleigh Merritt, was the son of Agnes Merritt (née Robinson), a choral director, voice and piano teacher, and Raleigh Howard "RH" Merritt, a businessman and author. After serving in the U.S. Army during World War II from 1944 to 1946 Jymie returned home to work for a short time in his father's real estate business, and after a brief flirtation with the clarinet he was inspired by a Duke Ellington recording featuring b ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Bobby Timmons
Robert Henry Timmons (December 19, 1935 – March 1, 1974) was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods (July 1958 to September 1959; February 1960 to June 1961), between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively. Timmons was strongly associated with the soul jazz style that he helped initiate. This link to apparently simple writing and playing, coupled with drug and alcohol addiction, led to a decline in his career. Timmons died, aged 38, from cirrhosis. Several critics have commented that his contribution to jazz remains undervalued. Early life Timmons was born in Philadelphia, Pennsylvania, the son of a minister.Kernfeld, Barr"Timmons ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane's '' Blue Train'' (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. His song "The Sidewinder", on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan's subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after ''The Sidewinder'' was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label. Morgan died at the a ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Gildo Mahones
Hermenengildo "Gildo" Mahones (June 2, 1929, New York City – April 27, 2018) was an American jazz pianist. Biography Mahones was born to Puerto Rican parents in East Harlem in New York City. Early in his career, he played with Joe Morris (1948) and Milt Jackson. Mahones served in the Army, and then played with Lester Young from 1953 to 1956. Later in the 1950s Mahones toured with the Jazz Modes (which included Charlie Rouse and Julius Watkins), Sonny Stitt, and Benny Green. From 1959 to 1964 Mahones played behind Lambert, Hendricks & Ross. When Lambert, Hendricks & Ross broke up, Mahones moved to Los Angeles, where he worked both as a studio musician and as a jazz sideman. He led his own trio and appeared on recordings by O. C. Smith, Lou Rawls, James Moody, Harold Land and Blue Mitchell, Leon Thomas, Jim Hall, Big Joe Turner, Lorez Alexandria, Benny Carter, Pony Poindexter, Booker Ervin, and Jimmy Witherspoon. Mahones died on April 27, 2018, aged 88. Discography As leader ...
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Randy Weston
Randolph Edward "Randy" Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection. Weston's piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines."Randy Weston talks about his new solo double CD Sound"
YouTube video, March 27, 2018.
Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston. Described as "America's African Musical Ambassador", Weston once said: "What I do I do because it's about teaching and informing everyone about our most natural cultural phenomenon. It's really about Africa a ...
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Hi-Fly (Randy Weston Song)
"Hi-Fly" (also sometimes spelled "Hi Fly" or "High Fly") is one of the best known compositions by pianist Randy Weston, written in the 1950s and inspired by his experience of being 6 feet 8 inches tall, "and how the ground looks different to you than everybody else". Since first being recorded on 1958's '' New Faces at Newport'', "Hi-Fly" appears on several other albums by Weston, including '' Live at the Five Spot'' (1959), '' Niles Littlebig'' (1969), '' Tanjah'' (1973), ''Perspective'' (with Vishnu Wood, 1976), ''Rhythms and Sounds'' (1978), ''Earth Birth'' (1995), ''Zep Tepi'' (2005), and ''The Storyteller'' (2009). Jon Hendricks wrote lyrics to the song, recorded first in 1959 on the album ''The Hottest New Group in Jazz'' and also appearing on 1961's ''High Flying With Lambert, Hendricks & Ross''. Among others who have recorded vocal covers are Abbey Lincoln (on ''The World Is Falling Down'', 1991), Mel Tormé (on 1962's '' Comin' Home Baby!'' and other albums), Karin Krog on ...
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