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At Newport '63 (Joe Williams Album)
''At Newport '63'' is a 1963 live album by jazz singer Joe Williams, recorded at the 1963 Newport Jazz Festival. Reception ''Billboard'' reviewed ''At Newport '63'' upon its release in their 16 November 1963 issue. ''Billboard'' commented that "The performances are excitingly fresh with everyone improvising for the live audience. Joe should do a lot of business with this one". John Bush, writing on Allmusic.com said of the album that "Williams displays all of his talents—a subtle blend of blues singer, band singer, and rhythm singer—and proves himself quite the triple threat in the process." Joel Roberts writing for All About Jazz said of the album that "Few jazz singers can handle the down-and-dirty blues as well as Williams, and with this stellar cast behind him, the results are predictably explosive". Track listing # " Without a Song" (Edward Eliscu, Billy Rose, Vincent Youmans) - 1:35 # Spoken Word Introduction by Joe Williams - 1:14 # "Gravy Waltz" ( Steve Allen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Williams (jazz Singer)
Joe Williams (born Joseph Goreed; December 12, 1918 – March 29, 1999) was an American jazz singer. He sang with big bands such as the Count Basie Orchestra and the Lionel Hampton Orchestra and with his combos. He sang in two films with the Basie orchestra and sometimes worked as an actor. Life Williams was born in Cordele, Georgia, the son of Willie Goreed and Anne Beatrice ''née'' Gilbert. When he was about three, his mother and grandmother took him to Chicago. He grew up on the South Side, Chicago, South Side of Chicago, where he attended Austin Otis Sexton Elementary School and Englewood Technical Prep Academy, Englewood High School. In the 1930s, as a teenager, he was a member of a gospel group, the Jubilee Boys, and performed in Chicago churches. Work He began singing professionally as a soloist in 1937. He sometimes sang with big bands: from 1937 he performed with Jimmie Noone's Apex Club Orchestra, and also toured with Les Hite in the Midwest. In 1941 he toured wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Day I Have The Blues
"Every Day I Have the Blues" is a blues song that has been performed in a variety of styles. An early version of the song is attributed to Pinetop Sparks and his brother Milton. It was first performed in the taverns of St. Louis by the Sparks brothers and was recorded July 28, 1935 by Pinetop with Henry Townsend on guitar. The song is a twelve-bar blues that features Pinetop's piano and falsetto vocal. The opening verse includes the line "Every day, every day I have the blues". After a reworking of the song by Memphis Slim in 1949, it became a blues standard with renditions recorded by numerous artists. Four different versions of "Every Day I Have the Blues" have reached the Top Ten of the Billboard R&B chart and two—one by the Count Basie Orchestra with Joe Williams and one by B.B. King—have received Grammy Hall of Fame Awards. In 2019, the latter version was inducted into the Blues Foundation Hall of Fame as a "Classic of Blues Recording". Post-war versions In 1949, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wayfaring Stranger (song)
"The Wayfaring Stranger" (also known as "Poor Wayfaring Stranger" or "I Am a Poor Wayfaring Stranger"), Roud 3339, is a well-known American folk and gospel song likely originating in the early 19th century about a plaintive soul on the journey through life. As with most folk songs, many variations of the lyrics exist and many versions of this song have been published over time by popular singers, often being linked to times of hardship and notable experiences in the singers' lives, such as the case with Burl Ives' autobiography. According to the book ''The Makers of the Sacred Harp'', by David Warren Steel and Richard H. Hulan, the lyrics were published in 1858 in Joseph Bever's Christian Songster, which was a collection of popular hymns and spiritual songs of the time. This may or may not have been the first time the song appeared in English print, and the songwriter is unknown. Steel and Hulan suggest the song was derived from an 1816 German-language hymn, "Ich bin ja nur ein Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Bryant
William Stevens Bryant (August 30, 1908 – February 9, 1964) was an American jazz bandleader, vocalist, and disc jockey, known as the "Mayor of Harlem". Biography Born in Chicago, Illinois, United States, while growing up he took trumpet lessons to little success. His first job in entertainment was dancing in the Whitman Sisters Show in 1926. He worked in various vaudeville productions for the next several years, and in 1934 he appeared in the show ''Chocolate Revue'' with Bessie Smith. In 1934, he put together his first big band, which at times included Teddy Wilson, Cozy Cole, Johnny Russell (saxophonist), Johnny Russell, Benny Carter, Ben Webster, Eddie Durham, Ram Ramirez, and Taft Jordan. They recorded six times between 1935 and 1938; Bryant sings on 18 of the 26 sides recorded. Once his ensemble disbanded, Bryant worked in acting and disc jockeying. He recorded R&B in 1945 and led another big band between 1946 and 1948. During September and October 1949, he hosted '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Van Heusen
James Van Heusen (born Edward Chester Babcock; January 26, 1913 – February 6, 1990) was an American composer. He wrote songs for films, television and theater, and won an Emmy and four Academy Awards for Best Original Song. Life and career Born in Syracuse, New York, Van Heusen began writing music while at high school. He renamed himself at age 16, after the shirt makers Phillips-Van Heusen, to use as his on-air name during local shows. His close friends called him "Chet".Coppula, C. (2014). ''Jimmy Van Heusen: Swinging on a Star''. Nashville: Twin Creek Books. Jimmy was raised Methodist. Studying at Cazenovia Seminary and Syracuse University, he became friends with Jerry Arlen, the younger brother of Harold Arlen. With the elder Arlen's help, Van Heusen wrote songs for the Cotton Club revue, including "Harlem Hospitality". He then became a staff pianist for some of the Tin Pan Alley publishers, and wrote "It's the Dreamer in Me" (1938) with lyrics by Jimmy Dorsey. Colla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronisław Kaper
Bronisław Kaper (; February 5, 1902 – April 26, 1983) was a Polish film composer who scored films and musical theater in Germany, France, and the USA. The American immigration authorities misspelled his name as Bronislau Kaper. He was also variously credited as Bronislaw Kaper, Bronislaw Kapper, Benjamin Kapper, and Edward Kane. Kaper is perhaps best remembered as the composer of the jazz standards " On Green Dolphin Street" (lyrics by Ned Washington) and " Invitation" (lyrics by Paul Francis Webster) which were the respective title songs for the Metro-Goldwyn-Mayer films '' Green Dolphin Street'' (1947) and '' Invitation'' (1952). He also scored the MGM film musical ''Lili'' (1953) for which he received the Academy Award for Best Original Score. Kaper's later works include ''Mutiny on the Bounty'' (1962) and the TV series ''The F.B.I.'' (1965–1974). Biography Bronisław Kaper was born in Warsaw, Poland, to an Ashkenazi Jewish family, and began playing the piano at the age o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Jurmann
Walter Jurmann (October 12, 1903 - June 17, 1971) was an Austrian-born composer of popular music renowned for his versatility who, after emigrating to the United States, specialized in film scores and soundtracks. Biography Born in Vienna, Jurmann received a classical education, taking his ''Matura'' exams in 1921. For some time he studied medicine but in 1924, after working as a lounge pianist in a posh hotel in the Semmering area of Lower Austria, abandoned his studies altogether in order to pursue a career in music. He moved to Berlin and soon became successful with tunes such as "Du bist nicht die Erste". Probably his most famous 1920s song is " Veronika, der Lenz ist da", popularized by the all-male a cappella ensemble, the Comedian Harmonists. With the arrival of sound movies Jurmann also began writing film music, starting with '' Ihre Majestät, die Liebe'' (''Her Majesty, Love'') (1930). Jurman's melodies were so charming and easy to remember that a contemporary paper re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All God's Chillun Got Rhythm
"All God's Chillun Got Rhythm" is a 1937 jazz standard. It was written by Walter Jurmann, Gus Kahn and Bronisław Kaper especially for Ivie Anderson, who performed it in the Marx Brothers' 1937 film '' A Day at the Races'', the tune was also used for the opening theme. The lyrics state that "All God's Children Got Rhythm" even if they "maybe haven't got money, maybe haven't got shoes". The authors (European immigrants from Poland, Germany, and Austria) were likely influenced by a traditional Negro spiritual " All God's Chillun Got Wings" alternately called "All God's Children Got Shoes" which affirms that all God's children have shoes. This was the inspiration for a Eugene O'Neill play of the same name in the 1924 and recorded by Paul Robeson, on YouTube who also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lowell Fulson
Lowell Fulson (March 31, 1921March 7, 1999) was an American blues guitarist and songwriter, in the West Coast blues tradition. He also recorded for contractual reasons as Lowell Fullsom and Lowell Fulsom. After T-Bone Walker, he was the most important figure in West Coast blues in the 1940s and 1950s. Early life Fulson was born on a Choctaw reservation in Atoka, Oklahoma, to Mamie and Martin Fulson. He stated that he was of Cherokee ancestry through his father but also claimed Choctaw ancestry. His father was killed when Lowell was a child, and a few years later, he moved with his mother and brothers to live in Clarita and attended school at Coalgate. Career At the age of eighteen, he moved to Ada, Oklahoma, and joined Alger "Texas" Alexander for a few months in 1940, but later moved to California, where he formed a band which soon included a young Ray Charles and the tenor saxophone player Stanley Turrentine. Fulson was drafted in 1943 and served in the U.S. Navy until 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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