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At Last
"At Last" is a song written by Mack Gordon and Harry Warren for the musical film '' Sun Valley Serenade'' (1941). Glenn Miller and his orchestra recorded the tune several times, with a 1942 version reaching number two on the US '' Billboard'' pop music chart. In 1960, rhythm and blues singer Etta James recorded an arrangement by Riley Hampton that improvised on Warren's original melody. Etta James' rendition was the title track on her debut album '' At Last!'' (1960) and was eventually inducted into the Grammy Hall of Fame in 1999. Most recently, Celine Dion and Beyoncé have also had chart successes with the song. Glenn Miller original renditions Prior to release of ''Sun Valley Serenade'', "At Last" was performed in the film by Glenn Miller and his orchestra, with vocals by John Payne and Lynn Bari, dubbed by Pat Friday. Studio head Darryl Zanuck reportedly said: "There are too many big ones in this. Let's save one for the next." The "At Last" vocal by Payne and Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glenn Miller
Alton Glen Miller (March 1, 1904 – December 15, 1944) was an American big band founder, owner, conductor, composer, arranger, trombone player and recording artist before and during World War II, when he was an officer in the United States Army Air Forces, US Army Air Forces. Glenn Miller Orchestra, Glenn Miller and His Orchestra was one of the most popular and successful bands of the 20th century and the big band era. His military group, the Major Glenn Miller Army Air Forces Orchestra, was also popular and successful. Glenn Miller and His Orchestra was the best-selling recording band from 1939 to 1942. It did not have a string section, but did have a slap bass in the rhythm section. It was also a touring band that played multiple radio broadcasts nearly every day. Their best-selling records include Miller's iconic theme song"Moonlight Serenade"and the first gold record ever made, "Chattanooga Choo Choo". The following tunes are also on that best-seller list: "In the Moo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lynn Bari
Lynn Bari (born Marjorie Schuyler Fisher, December 18, 1919 – November 20, 1989) was a film actress who specialized in playing sultry, statuesque man-killers in roughly 150 films for 20th Century Fox, from the early 1930s through the 1940s. Early years Bari was born on December 18, 1919 in Roanoke, Virginia to John Manard Fisher (December 12, 1873 - June 4, 1927), of Lynchburg, Virginia, and his wife Marjorie Babcock Halpen (November 27, 1893 - May 11, 1960) a native of Albany, New York. Her father was a successful auto sales manager who for many years worked for a Roanoke car dealership, Harper Motor. In 1925, he left his job and moved the family to his hometown, Lynchburg, where he opened a car dealership of his own. Two years later, heavily in debt and struggling to make a sizeable profit, he, while away on a business trip, took his own life by jumping out of a hotel window. After selling everything to settle debts his widow was left with little money to support herself an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chummy MacGregor
John Chalmers MacGregor (March 28, 1903 – March 9, 1973), better known as Chummy MacGregor, a musician and composer, was the pianist in The Glenn Miller Orchestra from 1936 to 1942. He composed the songs "Moon Dreams", " It Must Be Jelly ('Cause Jam Don't Shake Like That)", " I Sustain the Wings", "Doin' the Jive", " Sold American", "Cutesie Pie" in 1932 with Bing Crosby and Red Standex, and "Slumber Song". Career As a young student, Chummy MacGregor attended the University of Michigan. A member of its Delta Tau Delta, he graduated in 1925. Before teaming with the legendary arranger, trombonist and band leader Glenn Miller, MacGregor played with jazz musician, songwriter and recording artist Irving Aaronson. In 1936 he became a sideman in the first Glenn Miller orchestra. Unsuccessful, that outfit disbanded in 1937. When Miller reformed his orchestra in 1938, MacGregor remained by his side. During its brief four-year history, The Glenn Miller Orchestra would sign a recording con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Klink
Al Klink (December 28, 1915 in Danbury, Connecticut – March 7, 1991 in Bradenton, Florida) was an American swing jazz tenor saxophonist. Career Klink played with Glenn Miller from 1939 to 1942, and is a featured soloist, along with Tex Beneke, on the most well-known version of "In the Mood". When Miller started playing in the U.S. military, Klink played with Benny Goodman and Tommy Dorsey, and did work as a session musician after World War II ended. Klink appeared in the 1941 film ''Sun Valley Serenade'' and 1942 film ''Orchestra Wives.'' From 1952 to 1953 he played with the Sauter-Finegan Orchestra. In 1955, he recorded his only session as a bandleader, performing six songs for a Bob Alexander album that won a Grammy Award. In the late-1960s to early-1970s, he was a tenor saxophone doubler on the staff of NBC's Tonight Show Band under Doc Severinsen, where he was an occasional featured soloist. After a hiatus, he returned in 1974 when he began playing with the World's Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tex Beneke
Gordon Lee "Tex" Beneke ( ; February 12, 1914 – May 30, 2000) was an American saxophonist, singer, and bandleader. His career is a history of associations with bandleader Glenn Miller and former musicians and singers who worked with Miller. His band is also associated with the careers of Eydie Gormé, Henry Mancini and Ronnie Deauville. Beneke also solos on the recording the Glenn Miller Orchestra made of their popular song "In The Mood" and sings on another popular Glenn Miller recording, "Chattanooga Choo Choo". Jazz critic Will Friedwald considers Beneke to be one of the major blues singers who sang with the big bands of the early 1940s. Early life Beneke was born in Fort Worth, Texas. He started playing saxophone when he was nine, going from soprano to alto to tenor saxophones and staying with the latter. His first professional work was with bandleader Ben Young in 1935, but it was when he joined the Glenn Miller Orchestra three years later that his career hit its strid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lloyd "Skip" Martin
Lloyd Vernon "Skip" Martin (May 14, 1916, in Robinson, Illinois – February 12, 1976, in Los Angeles, California) was an American jazz saxophonist, clarinetist, and music arranger. Background Martin was active principally as an arranger for some of the most popular swing jazz bands of the 1930s and 1940s. He worked with Count Basie, Charlie Barnet (1939–40), Benny Goodman (1941), and Glenn Miller (1941–42); doubling as a reedist with the last three. In the Goodman orchestra he played alto sax alongside Gus Bivona and recorded with the legendary trumpeter Cootie Williams in the early 1940s as well. Later in the 1940s he worked with Les Brown (memorably the big-band chart for ''I've Got My Love to Keep Me Warm''), then moved to Los Angeles in the 1950s, where he did extensive work as a staff and freelance orchestrator, studio conductor (e.g. Astaire's ''Royal Wedding'', 1951) and popular song arranger (often for Tony Martin, The Pied Pipers, the Andrews and De Castro siste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy May
Edward William May Jr. (November 10, 1916 – January 22, 2004) was an American composer, arranger and trumpeter. He composed film and television music for ''The Green Hornet'' (1966), ''The Mod Squad'' (1968), ''Batman'' (with '' Batgirl'' theme, 1967), and '' Naked City'' (1960). He collaborated on films such as '' Pennies from Heaven'' (1981), and orchestrated '' Cocoon'', and '' Cocoon: The Return'', among others. May wrote arrangements for many top singers, including Frank Sinatra, Yma Sumac, Nat King Cole, Anita O'Day, Peggy Lee, Vic Damone, Bobby Darin, Johnny Mercer, Ella Fitzgerald, Louis Prima, Keely Smith, Jack Jones, Bing Crosby, Sandler and Young, Nancy Wilson, Rosemary Clooney, The Andrews Sisters and Ella Mae Morse. He also collaborated with satirist Stan Freberg on several classic 1950s and 1960s comedy music albums. As a trumpet player in the 1940s Big Band era, May recorded such songs as "Measure for Measure", "Long Tall Mama", and "Boom Shot", with Glenn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great American Songbook
The Great American Songbook is the loosely defined canon of significant early-20th-century American jazz standards, popular songs, and show tunes. Definition According to the Great American Songbook Foundation: The "Great American Songbook" is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy. Often referred to as "American Standards", the songs published during the Golden Age of this genre include those popular and enduring tunes from the 1920s to the 1950s that were created for Broadway theatre, musical theatre, and Hollywood (film industry), Hollywood musical film. Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Feist
Leopold Feist (January 3, 1869, New York City – June 21, 1930, Mount Vernon, New York), in 1897 founded and ran a music publishing firm bearing his name. In the 1920s, at the height of the golden age of popular music, his firm was among the seven largest publishers of popular music in the world. Leo Feist, Inc., ran until 1934. Leo Feist, Inc. Feist marketed his publications very aggressively, even by Tin Pan Alley standards. He maintained offices in most major cities, each with a regional manager (in Boston, for instance, his delegate was Billy Lang). Favored employees were rewarded with corporate largesse; in 1914, for instance, selected managers gathered in Atlantic City, where it was said that "money flowed like water." As evidence of the size of his firm, Leo Feist, Inc., was one of seven defendants named in a 1920 Sherman antitrust suit brought by the US Justice Department for controlling 80% of the music publishing business. The 7 were Consolidated Music Corporation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Charts
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in '' Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(I've Got A Gal In) Kalamazoo
"(I've Got a Gal in) Kalamazoo" is a #1 popular song recorded by Glenn Miller and His Orchestra in 1942. It was written by Mack Gordon and Harry Warren and published in 1942. It was featured in the musical film ''Orchestra Wives'' and was recorded by Glenn Miller and His Orchestra, featuring Tex Beneke, Marion Hutton and The Modernaires, who released it as an A side 78 in 1942, 27934-A. The B side was "At Last". Background The song popularized the city of Kalamazoo, Michigan. Although originally recorded by the Glenn Miller band with Tex Beneke on lead vocals, it was recreated by the fictional Gene Morrison Orchestra performing as the Glenn Miller Band and the Nicholas Brothers (performing the song as part of a dance sequence) in the 1942 20th Century Fox movie ''Orchestra Wives''.Lyrics, Glenn Miller "I've Got a Gal in Kalamazoo". The song was nominated for Best Music, Original Song at the Academy Awards, Harry Warren (music), Mack Gordon (lyrics). See also Boom Shot (song). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Eberle
Raymond Eberle (January 19, 1919 – August 25, 1979) was a vocalist during the Big Band Era, making his name with the Glenn Miller Orchestra. His elder brother, Bob Eberly, sang with the Jimmy Dorsey Orchestra. Career Eberle was born in Mechanicville, Saratoga County, New York. His father, John A. Eberle, was a local policeman, sign-painter, and publican (tavern-keeper). His elder brother was Big Band singer Bob Eberly, who sang with the Jimmy Dorsey Orchestra. Ray started singing in his teens, with no formal training. In 1938, Glenn Miller, who was looking for a male vocalist for his big band, asked Bob Eberly if he had any siblings at home who could sing. Bob said "yes", and Ray was hired on the spot. Eberle recalled walking by a table when his similar-looking brother was performing, and being stopped by Miller and invited to audition. Music critics and Miller's musicians were reportedly unhappy with Eberle's vocal style but Miller stuck with him. Critic George T. Simon s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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