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Asyla
''Asyla'', Op. 17, is an orchestral composition by the British composer Thomas Adès. It was finished in 1997 and has been performed widely, especially by the British conductor Simon Rattle. It has been described as a symphony, the third movement being its unacknowledged scherzo. Composition The title of the composition is the Latin plural form of asylum, which here means both ''sanctuary'' and ''madhouse''. It was commissioned by the John Feeney Charitable Trust and was premiered by the City of Birmingham Symphony Orchestra under the baton of Simon Rattle, in Birmingham's Symphony Hall in October 1997. This piece is best known for its third movement, which features techno-like traits. Adès himself narrated the compositional process as follows: ''Asyla'' received critical praise and won a Royal Philharmonic Society Music Award in 1997 and the Grawemeyer Award for Music Composition in 2000. It was eventually published by Faber Music in 2000. Analysis This composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Adès
Thomas Joseph Edmund Adès (born 1 March 1971) is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: '' The Tempest'' (2004), ''Violin Concerto'' (2005), ''Tevot'' (2007), '' In Seven Days'' (2008), and '' Polaris'' (2010). Biography Adès was born in London to art historian Dawn Adès and poet Timothy Adès. His surname is of Syrian Jewish origin. Adès studied piano with Paul Berkowitz and later composition with Robert Saxton at Guildhall School of Music and Drama, London. After attending University College School, he achieved a double starred first in 1992 at King's College, Cambridge, studying with Alexander Goehr and Robin Holloway. He was made Britten Professor of Composition at the Royal Academy of Music, and in 2004 was given an honorary doctorate by the University of Essex. In 2006, Adès entered a civil partnership, later terminated, with Israeli film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Oboe
The bass oboe or baritone oboe is a double reed instrument in the woodwind family. It is essentially twice the size of a regular (soprano) oboe so it sounds an octave lower; it has a deep, full tone somewhat akin to that of its higher-pitched cousin, the English horn. The bass oboe is notated in the treble clef, sounding one octave lower than written. Its lowest note is B2 (in scientific pitch notation), one octave and a semitone below middle C, although an extension with an additional key may be inserted between the lower joint and bell of the instrument in order to produce a low B2. The instrument's bocal or crook first curves away from and then toward the player (unlike the bocal/crook of the English horn and oboe d'amore), looking rather like a flattened metal question mark; another crook design resembles the shape of a bass clarinet neckpiece.Example: See 1:04 at The bass oboe uses its own double reed, similar to but larger than that of the English horn. Etymology The in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asylum (antiquity)
In ancient Greece and Rome, an asylum referred to a place where people facing persecution could seek refuge. These locations were largely religious in nature, such as temples and other religious sites. A similar concept, the Cities of Refuge, existed in the ancient Levant. Ancient Israel and Judah The Cities of Refuge were certain Levitical towns in the Kingdom of Israel and the Kingdom of Judah in which the perpetrators of accidental manslaughter could claim the right of asylum, though he would still have to stand trial. Outside of these cities, blood vengeance against such perpetrators was allowed by law. The Bible names six cities as being cities of refuge: Golan, Ramoth, and Bosor, on the east of the Jordan River, and Kedesh, Shechem, and Hebron on the western side.Joshua 20:7 Ancient Greece In ancient Greece the temples, altars, sacred groves, and statues of the gods generally possessed the privileges of protecting slaves, debtors, and criminals, who fled to them for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grawemeyer Award For Music Composition
The Grawemeyer Award for Music Composition () is an annual prize instituted by Henry Charles Grawemeyer, industrialist and entrepreneur, at the University of Louisville in 1984. The award was first given in 1985. Subsequently, the Grawemeyer Award was expanded to other categories: ''Ideas Improving World Order'' (instituted in 1988), ''Education'' (1989), ''Religion'' (1990) and ''Psychology'' (2000). The prize fund was initially an endowment of US$9 million from the Grawemeyer Foundation. The initial awards were for $150 000 each, increasing to $200 000 for the year 2000 awards. After the economic crash of 2008, the prize was reduced to $100,000. The selection process includes three panels of judges. The first is a panel of faculty from the University of Louisville, who hosts and maintains the perpetuity of the award. The second is a panel of music professionals, often involving conductors, performers, and composers (most frequently the previous winner). The final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Rattle
Sir Simon Denis Rattle (born 19 January 1955) is a British-German conductor. He rose to international prominence during the 1980s and 1990s, while music director of the City of Birmingham Symphony Orchestra (1980–1998). Rattle was principal conductor of the Berlin Philharmonic from 2002 to 2018. He has been the music director of the London Symphony Orchestra since September 2017. Among the world's leading conductors, in a 2015 '' Bachtrack'' poll, he was ranked by music critics as one of the world's best living conductors. Rattle is also the patron of Birmingham Schools' Symphony Orchestra, arranged during his tenure with CBSO in mid 1990s. The Youth Orchestra is now under the auspices of charitable business Services for Education. He received the Brit Award for Outstanding Contribution to Music in 2001 at the Classic Brit Awards. Biography Early life Simon Rattle was born in Liverpool, the son of Pauline Lila Violet (Greening) and Denis Guttridge Rattle, a lieutenant in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Flute
The bass flute is a member of the flute family. It is in the key of C, pitched one octave below the concert flute. Despite its name, its playing range makes it the tenor member of the flute family. Because of the length of its tube (approximately ), it is usually made with a J-shaped head joint, which brings the embouchure hole within reach of the player. Its soft dynamic range means in large ensembles it is easily obscured unless amplified or lightly scored; however its unique timbre in the low register can be very effective, especially in solo works, small ensembles, and flute choirs. The "bass flute in F" produced by Kotato & Fukushima is a contra-alto flute. Alternative terminology Prior to the mid-20th century, the term "bass flute" was sometimes used, especially in Great Britain, to refer to the alto flute; for example, the part for "bass flute in G" in Holst's ''The Planets'', and many works by Britten. In 1910, Abelardo Albisi invented a bass flute known as the albisiph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ocean Drum
The ocean drum is a percussion instrument that can produce soothing ocean sounds, invented by Olivier Messiaen. History The ocean drum was originally called the geophone. It was invented by composer and ornithologist Olivier Messiaen for his orchestral piece ''Des canyons aux étoiles...'' in 1972, inspired by the Native American water drum. The first prototype of the 'geophone' was constructed by a Parisian instrument maker. Soon after, the instrument began gaining more renown and is now commonly known by the term ''ocean drum''. It must be noted that the geophone was originally designed to replicate the sounds of dry and shifting earth; only later being applied to the sounds of the ocean. Playing The ocean drum is held by the frame, with the heads horizontal, and played by rolling the wrists so the drum gently tilts in all directions. The metal beads inside roll over the bottom head like water rolling over the shore. Different speeds produce different sounds. Stopping and st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aluminum Can
An Aluminum can (British English: Tin can) is a single-use container for packaging made primarily of aluminum. It is commonly used for food and beverages such as milk and soup but also for products such as oil, chemicals, and other liquids. Global production is 180 billion annually and constitutes the largest single use of aluminum globally. Usage Use of aluminum in cans began in 1957. Aluminum offers greater malleability, resulting in ease of manufacture; this gave rise to the two-piece can, where all but the top of the can is simply stamped out of a single piece of aluminum, rather than constructed from two pieces of steel. The inside of the can is lined by spray coating an epoxy lacquer or polymer to protect the aluminum from being corroded by acidic contents such as carbonated beverages and imparting a metallic taste to the beverage. The epoxy may contain bisphenol A. A label is either printed directly on the side of the can or will be glued to the outside of the curved surfa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-hat
A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium-sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands—also known as "low-boys"—and activated by pedals similar to those used in modern hi-hats. When extended upward roug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Cymbal
China type cymbals from three continents In western music, a China cymbal (or Chinese cymbal) is a distinct type of crash cymbals designed to produce a bright, crisp, and explosive tone. It is for this reason that they have been nicknamed "''trash cymbals''". The name "China cymbal" comes from their shape, which is similar to the Chinese Bo. They are most frequently mounted upside down on cymbal stands, allowing for them to be more easily struck and for a better sound. China-type cymbals are mostly commonplace in various interpretations of rock music, particularly heavy metal and thrash metal. It is also frequently used for jazz fusion, Latin, and Brazilian music especially those with elaborate drum solos. In Latin and several world music, China cymbals are usually played in conjunction with other percussion instruments instead of a drum kit, such as timbales, octobans or surdo. China cymbals may also be used for conventional jazz, often played with mallets or brushes to achiev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubular Bell
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble.James Blades and James Holland. "Tubular bells". Grove Music Online. Oxford Music Online. Oxford University Press, accessed August 18, 2015Oxfordmusiconline.com/ref> Each bell is a metal tube, in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells. Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Almglocken
The cowbell is an idiophone hand percussion instrument used in various styles of music, such as Latin and rock. It is named after the similar bell used by herdsmen to keep track of the whereabouts of cows. The instrument initially and traditionally has been metallic; however, contemporarily, some variants are made of synthetic materials. Origins While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle. Tuned cowbells Tuned cowbells or ''Almglocken'' (their German name, ‘Alm’ meaning a mountain meadow, and ‘Glocken’ bells), sometimes known by the Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
