Asterius Chapel
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Asterius Chapel
The Asterius chapel (French language, French: Chapelle d'Astérius) is a small underground Christianity, Christian building dating from the 5th-7th centuries, now located within the archaeological park of the Baths of Antoninus in the archaeological site of Carthage, Tunisia. The building - whose function is unknown, although specialists believe it must have had both a liturgical and Necropolis, funerary function - was previously located on the Sayda plateau, formerly known as the "hill of sainte-Monique". The monument was located at the heart of an area that yielded both a late necropolis and cult buildings. It bears witness to the pivotal period between the Vandal Kingdom, Vandal kingdom and the Byzantine Empire, Byzantine reconquest of present-day Tunisia. During excavations in the 1950s, it was decided to move it to the Baths of Antoninus archaeological park, given its state of preservation, so that the mosaic decoration would not be lost as a result of urban development in t ...
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Christianism
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global population. Its adherents, known as Christians, are estimated to make up a majority of the population in 157 countries and territories, and believe that Jesus is the Son of God, whose coming as the messiah was prophesied in the Hebrew Bible (called the Old Testament in Christianity) and chronicled in the New Testament. Christianity began as a Second Temple Judaic sect in the 1st century Hellenistic Judaism in the Roman province of Judea. Jesus' apostles and their followers spread around the Levant, Europe, Anatolia, Mesopotamia, the South Caucasus, Ancient Carthage, Egypt, and Ethiopia, despite significant initial persecution. It soon attracted gentile God-fearers, which led to a departure from Jewish customs, and, after the Fall of Jerusa ...
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Coffin
A coffin is a funerary box used for viewing or keeping a corpse, either for burial or cremation. Sometimes referred to as a casket, any box in which the dead are buried is a coffin, and while a casket was originally regarded as a box for jewelry, use of the word "casket" in this sense began as a euphemism introduced by the undertaker's trade. A distinction is commonly drawn between "coffins" and "caskets", using "coffin" to refer to a tapered hexagonal or octagonal (also considered to be anthropoidal in shape) box and "casket" to refer to a rectangular box, often with a split lid used for viewing the deceased as seen in the picture. Receptacles for cremated and cremulated human ashes (sometimes called cremains) are called urns. Etymology First attested in English in 1380, the word ''coffin'' derives from the Old French , from Latin , which means ''basket'', which is the latinisation of the Greek κόφινος (''kophinos''), ''basket''. The earliest attested form of the word ...
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Martyr
A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an actor by an alleged oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the term has come to be used in connection with people killed for a political cause. Most martyrs are consid ...
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Basilica Majorum
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and i ...
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Perpetua And Felicity
Perpetua and Felicity ( la, Perpetua et Felicitas) were Christian martyrs of the 3rd century. Vibia Perpetua was a recently married, well-educated noblewoman, said to have been 22 years old at the time of her death, and mother of an infant son she was nursing. Felicity, an enslaved woman imprisoned with her and pregnant at the time, was martyred with her. They were put to death along with others at Carthage in the area of Africa in the Roman province of Africa (now known as Tunisia). ''The Passion of Perpetua and Felicity'' narrates their death. According to the passion narrative, five people were arrested and executed at the military games in celebration of the Emperor Septimius Severus's birthday. Along with Felicitas and Perpetua, these included two free men, Saturninus and Secundulus, and an enslaved man named Revocatus; all were catechumens or Christians being instructed in the faith but not yet baptized. To this group of five was added a further man named Saturus, who vol ...
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Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ...
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Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Baldachin
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin ...
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Ciborium (architecture)
In ecclesiastical architecture, a ciborium ("ciborion": in Greek) is a canopy or covering supported by columns, freestanding in the sanctuary, that stands over and covers the altar in a basilica or other church. It may also be known by the more general term of baldachin, though ''ciborium'' is often considered more correct for examples in churches. Really a baldachin (originally an exotic type of silk from Baghdad) should have a textile covering, or at least, as at Saint Peter's in Rome, imitate one. There are exceptions; Bernini's structure in Saint Peter's, Rome is always called the baldachin. Early ciboria had curtains hanging from rods between the columns, so that the altar could be concealed from the congregation at points in the liturgy. Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizing its importance. The altar and ciborium are often set upon a dais to raise i ...
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Well
A well is an excavation or structure created in the ground by digging, driving, or drilling to access liquid resources, usually water. The oldest and most common kind of well is a water well, to access groundwater in underground aquifers. The well water is drawn up by a pump, or using containers, such as buckets or large water bags that are raised mechanically or by hand. Water can also be injected back into the aquifer through the well. Wells were first constructed at least eight thousand years ago and historically vary in construction from a simple scoop in the sediment of a dry watercourse to the qanats of Iran, and the stepwells and sakiehs of India. Placing a lining in the well shaft helps create stability, and linings of wood or wickerwork date back at least as far as the Iron Age. Wells have traditionally been sunk by hand digging, as is still the case in rural areas of the developing world. These wells are inexpensive and low-tech as they use mostly manual labour, an ...
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Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ...
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Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ...
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