Assumption Of The Virgin (Moretto)
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Assumption Of The Virgin (Moretto)
''Assumption of the Virgin'' is a 1524–1526 oil on canvas painting by Moretto da Brescia, displayed as the high altarpiece in the Old Cathedral in Brescia. Considered as the main masterpiece of the artist's youth, he was paid for it on 5 November 1526 according to the ''Liber bollettarum'' in the cathedral's archive.Pier Virgilio Begni Redona, pag. 188 References Bibliography (in Italian) *Giulio Antonio Averoldi, ''Le scelte pitture di Brescia additate al forestiere'', Brescia 1700 *Camillo Boselli, ''Appunti al "Catalogo delle opere d'arte nelle chiese di Brescia"'' in "Commentari dell'Ateneo di Brescia per gli anni 1942-1945", Brescia 1942-1945 *Camillo Boselli, ''Il Moretto, 1498-1554'', in "Commentari dell'Ateneo di Brescia per l'anno 1954 - Supplemento", Brescia 1954 *Pietro Da Ponte, ''L'opera del Moretto'', Brescia 1898 *György Gombosi, ''Moretto da Brescia'', Basel 1943 *Pompeo Molmenti, ''Il Moretto da Brescia'', Firenze 1898 *Francesco Paglia, ''Il Giardino dell ...
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Moretto Da Brescia
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely ru ...
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Old Cathedral, Brescia
The Duomo Vecchio or Old Cathedral (also called "La Rotonda" because of its round layout) is a Roman Catholic church in Brescia, Italy; the rustic circular Romanesque co-cathedral stands next to the Duomo Nuovo (New Cathedral) of Brescia. It is officially known as the ''Winter Co-Cathedral of Santa Maria Assunta'', while the adjacent main cathedral is known as the ''Summer Cathedral''. It is one of the most important examples of Romanesque round church in Italy. While some claims for an earlier construction exist, the earliest documents state that construction of the cathedral started about 1100 on the site of a prior church with a basilica layout. It has a circular shape that became rare after the Council of Trent, and is one of the most prominent round churches of the period still remaining. There are 13th century frescoes on the interior walls, and a large canvas by Francesco Maffei showing the church with a bell tower, which has since collapsed. In the 19th century, many ...
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Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ...
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1520s Paintings
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Paintings By Moretto Da Brescia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings In Brescia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings Of The Assumption Of The Virgin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Altarpieces
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a church (building), Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central Religious image, image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons an ...
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