Asolo Altarpiece
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Asolo Altarpiece
The ''Asolo Altarpiece'' is a 1506 oil-on-panel altarpiece, measuring 175 x 162 cm, by the Italian Renaissance painter Lorenzo Lotto. For a long time it was displayed in the Santa Caterina Oratory in Asolo but it is thought to have originally been painted for the Battuti confraternity's side-chapel in Asolo Duomo, where it now hangs. It is signed "Laurent usLotus / Junio M.D.VI" on a cartouche in the lower centre. It dates to the end of his time in Treviso. It shows a vision of the Assumption of Mary, shown as an old woman being taken up to heaven in a mandorla of light accompanied by four small angels. Her face may be based on that of Caterina Cornaro, who at that time headed a lively court full of artists and writers in Asolo. If this is correct, she may have commissioned it or it may have been commissioned by someone wishing to praise her. Witnessing the vision are Antony the Great to the left and Louis of Toulouse to the right – the Battuti ran a hospital for the poor ...
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ...
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