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As Long As I Live (Arlen-Koehler Song)
"As Long as I Live" is a song composed by Harold Arlen, with lyrics by Ted Koehler, it was written for their last show at the Cotton Club Parade, in 1934. It was introduced by Avon Long and Lena Horne. Notable recordings *Lew Stone and His Band (vocal: Al Bowlly) (1934) *Red McKenzie and Spirit of Rhythm - recorded September 11, 1934 for Decca Records (catalog 302B). *Benny Goodman and His Orchestra, recorded May 14, 1934 for Columbia Records (catalog No.2923D). *Benny Goodman and His Sextet, recorded November 7, 1940, with Count Basie on piano and Charlie Christian on guitar. This charted briefly in 1941. *Lena Horne - recorded for RCA Victor (catalog No. 20-1626) (1944). *Bing Crosby recorded the song in 1955 for use on his radio show and it was subsequently included in the box set ''The Bing Crosby CBS Radio Recordings (1954-56)'' issued by Mosaic Records Mosaic Records is an American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. ...
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, J ...
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Charlie Christian
Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist. Christian was an important early performer on the electric guitar and a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique, combined with amplification, helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. For this, he is often credited with leading to the development of the lead guitar role in musical ensembles and bands. John Hammond and George T. Simon called Christian the best improvisational talent of the swing era. In the liner notes to the album '' Solo Flight: The Genius of Charlie Christian'' (Columbia, 1972), Gene Lees wrote that "Many critics and musicians consider that Christian was one of the founding fathers of bebop, or if not that, at least a precursor to it."Liner notes. '' ...
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Songs With Lyrics By Ted Koehler
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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Pop Standards
Traditional pop (also known as classic pop and pre-rock and roll pop) is Western pop music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term " standard" can be applied to any popular song that has become very widely known within mainstream culture. AllMusic defines traditional pop as "post-big band and pre-rock & roll pop music". Origins Classic pop includes the song output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny Mercer, Dorothy Fields, Hoagy C ...
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Songs With Music By Harold Arlen
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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Mosaic Records
Mosaic Records is an American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. It produces limited-edition box sets. The sets recordings are leased from the major record companies, usually for a three- or five-year period, with the edition limited to a specific number of copies typically 5,000. Sometimes the complete catalog of a label would appear: the complete masters of Milt Gabler's Commodore Records were contained in three sets consisting of some 66 LPs. In 2003, the company initiated the Select series of smaller sets, not necessarily "complete" in the usual sense. In 2006, the company began a third line, Mosaic Singles, a series dedicated to reissuing individual albums on CD that have not previously been available in US editions, or at all. In 2009, Mosaic returned to the vinyl format with the HQ Vinyl Series and began issuing three and four LP sets of 2,500-5,000 copies. Mosaic's sets are primarily sold and distributed directly to c ...
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The Bing Crosby Show (1954–1956)
The Bing Crosby Show was broadcast daily Mondays to Fridays and was of 15 minutes duration with Bing Crosby talking about all manner of different subjects and usually including three songs around the dialogue. Overview During the summer of 1954 with radio audiences everywhere declining dramatically, Crosby decided not to continue with a major weekly radio show involving the expense of guest stars and a 22 piece orchestra. However, he was persuaded to continue in radio, albeit in a different and cheaper format. On November 22, 1954 ‘The Bing Crosby Show’ emerged on CBS at 9:15 p.m. preceding Amos 'n' Andy. For the 15-minute show, Bill Morrow provided a script of sorts, Ken Carpenter was the announcer and Murdo MacKenzie edited it all together using songs that the singer had pre-recorded at sessions with Buddy Cole and his trio (Buddy on piano and electric organ, Perry Botkin ater replaced by Vince Terrion guitar, banjo etc., Don Whittaker on bass, Nick Fatool on drums) ...
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Bing Crosby
Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, musician and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwide. He was a leader in record sales, radio ratings, and motion picture grosses from 1926 to 1977. He made over 70 feature films and recorded more than 1,600 songs. His early career coincided with recording innovations that allowed him to develop an intimate singing style that influenced many male singers who followed, such as Frank Sinatra, Perry Como, Dean Martin, Dick Haymes, Elvis Presley, and John Lennon. ''Yank'' magazine said that he was "the person who had done the most for the morale of overseas servicemen" during World War II. In 1948, American polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII. In 1948, ''Music Digest'' estimated that his recordings filled more than half of the 80,000 weekly hou ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles re ...
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Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create "Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with oth ...
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Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing". From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to the United States in 1892 from Warsaw in partitioned Poland and became a tailor. His mother, Dor ...
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Red McKenzie
William 'Red' McKenzie (October 14, 1899 – February 7, 1948) was an American jazz vocalist and musician who played a comb as an instrument. He played the comb-and-paper by placing paper, sometimes strips from the ''Evening World'', over the tines and blowing on it, producing a sound like a kazoo. Career He was born in St. Louis, Missouri, United States. In 1923, he founded the Mound City Blue Blowers, with Jack Bland and Dick Slevin. Later they were later joined by guitarist Eddie Lang. The quartet also used the name Red McKenzie and the Candy Kids. In 1929, the Blue Blowers recorded the songs "One Hour" and "Hello Lola" with Glenn Miller, Pee Wee Russell, and Coleman Hawkins. They also recorded with Bunny Berigan, Jimmy Dorsey, and Muggsy Spanier. McKenzie sang with the Paul Whiteman orchestra and in the 1930s led the Spirits of Rhythm and the Farley-Riley band. In 1931, he sang on " Time on My Hands, "Just Friends" (1931), and "I'm Sorry Dear" (1931). McKenzie played in ...
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