Artur Rother
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Artur Rother
Artur Martin Rother (12 October 188522 September 1972) was a German conductor who worked mainly in the opera house. He was born in Stettin, Pomerania (now Szczecin, Poland). His father was an organist and music teacher. He studied under Hugo Kaun and other teachers. By the age of 20, in 1906, he was conducting in Wiesbaden, and was assistant conductor for the Bayreuth Festival 1907-14. He was Generalmusikdirektor in Dessau 1927-34. After the Nazis came to power in Germany, Rother joined the Militant League for German Culture (Kampfbund für deutsche Kultur) 1933 for one year, but was not a member of the Nazi Party. From 1934 he conducted at the Deutsche Oper Berlin, succeeding Bruno Walter, and was appointed Generalmusikdirektor there in 1937. In 1941, he brought out his own edition of Mozart's ''Idomeneo''. Hans Schmidt-Isserstedt succeeded him. From 1946 to 1949 he was chief conductor of the Berlin Radio Symphony Orchestra, based in East Berlin. Subsequently, he was a gues ...
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Pomerania
Pomerania ( pl, Pomorze; german: Pommern; Kashubian: ''Pòmòrskô''; sv, Pommern) is a historical region on the southern shore of the Baltic Sea in Central Europe, split between Poland and Germany. The western part of Pomerania belongs to the German states of Mecklenburg-Western Pomerania and Brandenburg, while the eastern part belongs to the West Pomeranian, Pomeranian and Kuyavian-Pomeranian voivodeships of Poland. Its historical border in the west is the Mecklenburg-Western Pomeranian border '' Urstromtal'' which now constitutes the border between the Mecklenburgian and Pomeranian part of Mecklenburg-Western Pomerania, while it is bounded by the Vistula River in the east. The easternmost part of Pomerania is alternatively known as Pomerelia, consisting of four sub-regions: Kashubia inhabited by ethnic Kashubians, Kociewie, Tuchola Forest and Chełmno Land. Pomerania has a relatively low population density, with its largest cities being Gdańsk and Szczecin. Ou ...
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Städtische Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the Na ...
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Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ...
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Alessandro Stradella (opera)
''Alessandro Stradella'' is a romantic opera ('' Romantische Oper'') in three acts composed by Friedrich von Flotow to a German libretto by "Wilhelm Friedrich" (). Set in Venice and the countryside near Rome, it is loosely based on the colourful life of the 17th-century Italian composer and singer Alessandro Stradella. It was first performed in its full version on 30 December 1844 at the Stadttheater in Hamburg. Performance history ''Alessandro Stradella'' began its life as ''Stradella'', a one-act '' comédie en vaudeville'' which opened in Paris at the Théâtre du Palais-Royal on 2 February 1837. Flotow then revised and expanded the work to a full three-act opera which had a successful premiere at the Stadttheater in Hamburg on 30 December 1844. The work proved to be very popular in Germany and in Austria where its successful debut at the Theater am Kärntnertor in 1845 led to a commission from the theatre to compose another opera, ''Martha'', which premiered there in 1847. ' ...
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Friedrich Von Flotow
Friedrich Adolf Ferdinand, Freiherr von Flotow /flo:to/ (27 April 1812 – 24 January 1883) was a German composer. He is chiefly remembered for his opera ''Martha'', which was popular in the 19th century and the early part of the 20th. Life Born in Teutendorf, in Mecklenburg, into an aristocratic family, Flotow was French-trained. Although he was intended for a diplomatic career, his father acceded to his wishes and he studied at the Conservatoire de Paris under Anton Reicha. During this time came under the influence of Auber, Rossini, Meyerbeer, Donizetti, Halévy, and later Gounod and Offenbach. These influences are reflected in his operas, where a distinctive French ''opéra comique'' flavour exists. During the 1830 revolution he returned home, writing chamber music and operetta until it was safe to return to Paris. He completed his first opera in 1835, ''Pierre et Cathérine'', but his breakthrough came with ''Le naufrage de la Méduse'' (1839), based on the wreck of ...
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Ruslan And Ludmila
Ruslan may refer to: * ''Ruslan'' (film), a 2009 film starring Steven Segal * Ruslan (given name), male name used mainly in Slavic countries, with list of people * Antonov An-124 ''Ruslan'', large Soviet cargo aircraft, later built in Ukraine and Russia * SS ''Ruslan'', a Russian cargo ship in the Third Aliyah in 1919 See also * Rusian (other) Rusian may refer to: * Old East Slavic, a language which some scholars refer to as ''Rusian'' * Ruthenian language, also known as ''Rusian'' * Rusian, a fictional character in '' And You Thought There Is Never a Girl Online?'' See also * Rus' ... * Ruslan and Ludmila (other) {{disambig ...
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Mikhail Glinka
Mikhail Ivanovich Glinka ( rus, link=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka., mʲɪxɐˈil ɪˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on Russian composers, notably the members of The Five (composers), The Five, who produced a distinctive Russian style of music. Early life and education Glinka was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth n ...
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La Dame Blanche
''La dame blanche'' (English: ''The White Lady'') is an opéra comique in three acts by the French composer François-Adrien Boieldieu. The libretto was written by Eugène Scribe and is based on episodes from no fewer than five works of the Scottish writer Sir Walter Scott, including his novels ''Guy Mannering'' (1815), ''The Monastery'' (1820), and ''The Abbot'' (1820). Elizabeth Forbes: "La dame blanche", ''Grove Music Online'' ed. L. Macy (Accessed February 19, 2009)(subscription access)/ref> The opera has typical elements of the Romantic in its Gothic mode, including an exotic Scottish locale, a lost heir, a mysterious castle, a hidden fortune, and a ghost, in this case benevolent. The work was one of the first attempts to introduce the fantastic into opera and is a model for works such as Giacomo Meyerbeer's ''Robert le diable'' (1831) and Charles Gounod's ''Faust'' (1859). The opera's musical style also heavily influenced later operas like ''Lucia di Lammermoor'', ''I purita ...
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François-Adrien Boieldieu
François-Adrien Boieldieu (, also ) (16 December 1775 – 8 October 1834) was a French composer, mainly of operas, often called "the French Mozart". His date of birth was also cited as December 15 by his biographer and writer Lucien Augé de Lassus (b. 1841) and as September 15 by some local press releases. Biography Born during the Ancien Régime in Rouen, François-Adrien Boieldieu received his musical education first from the choirmaster and then from the organist of the local cathedral. During the Reign of Terror, Rouen was one of the few towns to maintain a significant musical life and in 1793 a series of concerts was organised featuring the celebrated violinist Pierre Rode and the tenor Pierre-Jean Garat. It was during this time that Boieldieu composed his earliest works to texts written by his father (''La fille coupable'' in 1793, followed by ''Rosalie et Mirza'' in 1795). They brought him immediate success. During the Revolutionary period, Boieldieu left for Paris and ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ...
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Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ...
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