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Artistry In Bossa Nova
''Artistry in Bossa Nova'' is an album by the Stan Kenton Orchestra performing old and new compositions arranged in a bossa nova style recorded and released by Capitol Records in 1963.Vosbein, PStan Kenton Discographyaccessed June 9, 2016 Reception The Allmusic review by Scott Yanow noted "Although one might consider this project to be an example of Kenton jumping on the bandwagon (since the bossa nova fad was at its peak at the time), the music is quite enjoyable". Track listing All compositions by Stan Kenton except where noted. # "Artistry in Rhythm" - 2:48 # "Opus in Chartreuse" (Gene Roland) - 3:10 # "Interlude" (Kenton, Bob Russell) - 2:28 # "Kentonova" - 3:53 # "Eager Beaver" - 3:32 # "Concerto to End All Concertos" - 3:15 # "Brasilia" - 2:21 # "Painted Rhythm" - 3:25 # "Opus in Pastels" - 3:01 # "Jump for Joe" (Roland) - 3:28 # "Loco-Nova" - 2:50 # "Artistry in Bossa Nova" (Pete Rugolo) - 2:49 *Recorded at Capitol Studios in Hollywood, CA on April 16, 1963 (tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conte Candoli
Secondo "Conte" Candoli (July 12, 1927 – December 14, 2001) was an American jazz trumpeter based on the West Coast. He played in the big bands of Woody Herman, Stan Kenton, Benny Goodman, and Dizzy Gillespie, and in Doc Severinsen's NBC Orchestra on ''The Tonight Show Starring Johnny Carson''. He played with Gerry Mulligan, and on Frank Sinatra's TV specials. He also recorded with Supersax, a Charlie Parker tribute band that consisted of a saxophone quintet, the rhythm section, and either a trumpet or trombone. Music career Conte was the younger brother of trumpeter Pete Candoli. He was born in Mishawaka, Indiana, United States. During the summer of 1943, while at Mishawaka High School, Secondo "Conte" Candoli sat in with Woody Herman's First Herd. After graduating in 1945, he joined the band full-time, where he sat side by side with his brother Pete in the trumpet section. Conte immediately went on the road, where he stayed for the next ten years, with Herman, Stan Kenton, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Bagley
Donald Neff Bagley (July 18, 1927 – July 26, 2012) was an American jazz bassist. Career Bagley was born on July 18, 1927 in Salt Lake City, Utah. He received formal training on the double bass. He studied in Los Angeles and played in 1945 with Shorty Sherock and Wingy Manone, and in 1948 with Dick Pierce. From 1950 to 1953, and sporadically thereafter, Bagley played with Stan Kenton; during Bagley's time with Kenton, "A Study for Bass" by Bill Russo and "Bags" by Bill Holman were written to feature Bagley's playing. Beginning in 1954, he fronted his own ensembles. Between 1950 and 1952, he worked extensively as a session musician with Nat King Cole, Maynard Ferguson, and Dexter Gordon. In the middle of the 1950s, he played in Europe with Zoot Sims, Lars Gullin, Frank Rosolino, and Åke Persson. Between 1956 and 1967, he again worked with Kenton and with Les Brown; toward the end of the 1950s, he also played with Jimmie Rowles, Shelly Manne, and Phil Woods. In 1957 and 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Saxophone
The bass saxophone is one of the lowest-pitched members of the saxophone family—larger and lower than the more common baritone saxophone. It was likely the first type of saxophone built by Adolphe Sax, as first observed by Berlioz in 1842. It is a transposing instrument pitched in B, an octave below the tenor saxophone and a perfect fourth below the baritone saxophone. A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music. Music for bass saxophone is written in treble clef, just as for the other saxophones, with the pitches sounding two octaves and a major second lower than written. As with most other members of the saxophone family, the lowest written note is the B below the staff—in the bass's case, sounding a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Nimitz
Jack Nimitz (January 11, 1930 – June 10, 2009) was an American jazz baritone saxophonist. He was nicknamed "The Admiral". Career A native of Washington, D.C., Nimitz started on clarinet in his early teens before playing alto saxophone. During the 1950s he played baritone saxophone with Woody Herman, Stan Kenton, and Herbie Mann. He continued to play in big bands in the 1960s with Terry Gibbs and Gerald Wilson in addition to working in film and leading a quintet. He was a founding member of Supersax in the early 1970s and remained with the band into the 1990s. During the 1980s and 1990s he was a member of big bands led by Oliver Nelson and Bill Berry. He performed in the sextet of Frank Strazzeri and the sextet of Bud Shank in the 1990s. In 1997 he worked with Buddy Childers at the PizzaExpress Jazz Club in London. A studio musician for much of his life, Nimitz recorded his first album as leader in the 1990s. The Jack Nimitz Quintet played its final performance on May 10, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Marcus
Steve Marcus (September 18, 1939 – September 25, 2005) was an American jazz saxophonist. Biography Marcus was born in The Bronx, New York, United States. He studied at the Berklee College of Music in Boston, Massachusetts, between 1959 and 1961. He gained experience playing in the bands of Stan Kenton, Herbie Mann and Larry Coryell from 1963 to 1973. His first album as a leader included an arrangement of the Beatles' song, "Tomorrow Never Knows". He worked with jazz drummer Buddy Rich for the last twelve years of Rich's life. After Rich died, Marcus led the band and renamed it Buddy's Buddies. His song "Half a Heart" (1968) has a riff very similar to the famous saxophone riff of " Baker Street" by Gerry Rafferty (recorded in 1977, released in 1978). Marcus died in September 2005 in New Hope, Pennsylvania. Discography As leader/co-leader * ''Tomorrow Never Knows'' (Vortex, 1968) * ''Count's Rock Band'' (Vortex, 1969) * ''The Lord's Prayer'' (Vortex, 1969) * ''Green Line'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabe Baltazar
Gabriel Ruiz Hiroshi Baltazar Jr. (November 1, 1929 – June 12, 2022) was an American jazz alto saxophonist and woodwind doubler. Background and early years His mother, born Chiyoko Haraga on a Hawaii sugarcane plantation, was the daughter of Japanese immigrants who came to Hawaii to work on the plantations around 1900. His father, Gabriel Baltazar Sr., was born in Manila in 1906 and came to the United States to work as a musician in the mid-1920s. Gabe started playing reed instruments while his younger brother Norman Baltazar took up the trumpet.Baltazar, Gabe. Garneau, Theo. "If It Swings, It's Music The Autobiography of Hawai'i's Gabe Baltazar Jr". University of Hawaii Press. 2012. Musical education, meeting with Charlie Parker, move to Los Angeles Gabe Baltazar was first playing music at the age of eleven when he was started on the Eb Clarinet, later he would switch to alto saxophone. There were numerous big bands stationed at Hickam Field during this time (World War II) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mellophone
The mellophone is a brass instrument typically pitched in the key of F, though models in E, D, C, and G (as a bugle) have also historically existed. It has a conical bore, like that of the euphonium and flugelhorn. The mellophone is used as the middle-voiced brass instrument in marching bands and drum and bugle corps in place of French horns, and can also be used to play French horn parts in concert bands and orchestras. These instruments are used instead of French horns for marching because their bells face forward instead of to the back (or to the side), as dissipation of the sound becomes a concern in the open-air environment of marching. Tuning is done solely by adjusting the tuning slide, unlike the French horn where the pitch is affected by the hand position in the bell. Fingerings for the mellophone are the same as fingerings for the trumpet, alto (tenor) horn, and most valved brass instruments. Owing to its use primarily outside concert music, there is little solo litera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
