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Arthur Law (playwright)
William Arthur Law (22 March 1844 – 2 April 1913), better known as Arthur Law, was an English playwright, actor and scenic designer. Life and career Law was born in Northrepps, Norfolk, England, to Rev. Patrick Comerford Law and his wife, Frances ''nee'' Arbuthnot. He was educated at the Royal Military College, Sandhurst. From 1864 to 1872, he served in the Royal Scots Fusiliers. Early career Law began to act, making his professional stage debut in 1872 at the Theatre Royal, Edinburgh. He then toured the British provinces and played at London's Surrey Theatre for two years, after which joined the German Reed Entertainments in London in 1874. While performing with the German Reeds, he wrote nineteen short comic theatre works performed by the company. In 1877, Law married actress Fanny Holland, with whom he appeared with the German Reeds at the Gallery of Illustration and St. George's Hall. The couple had a son named Hamilton Patrick John Holland Law (born 1879). S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Template:Infobox Writer/doc
Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Reed Entertainments
The German Reed Entertainments were founded in 1855 and operated by Thomas German Reed (1817–1888) together with his wife, Priscilla Horton, Priscilla German Reed (née Horton) (1818–1895). At a time when the theatre in London was seen as a disreputable place, the German Reed family provided family-friendly entertainments for forty years, showing that respectable theatre could be popular. The entertainments were held at the intimate Royal Gallery of Illustration, Lower Regent Street, and later at St. George's Hall (London), St. George's Hall, Langham Place, in London. Thomas and Priscilla German Reed usually appeared in them, together with a small group of players. They engaged talented newcomers, such as Frederic Clay, W. S. Gilbert and Arthur Law (playwright), Arthur Law, as well as established writers such as F. C. Burnand, to create many of the entertainments. Thomas German Reed composed the music for many of the entertainments himself. The German Reed theatri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toole's Theatre
Toole's Theatre, was a 19th-century West End theatre, West End building in William IV Street, near Charing Cross, in the City of Westminster. A succession of auditoria had occupied the site since 1832, serving a variety of functions, including religious and leisure activities. The theatre at its largest, after reconstruction in 1881–82, had a capacity of between 650 and 700. As the Charing Cross Theatre (1869–1876) the house became known for bills offering a mixture of drama, Victorian burlesque, burlesque and operetta. Among the authors of its burlesques were W. S. Gilbert and H. B. Farnie. Its stars included Lydia Thompson, Lionel Brough and Willie Edouin. In 1876 Thompson and her husband, Alexander Henderson, became lessees of the theatre and renamed it the Folly Theatre. They continued the theatre's customary mix of operetta and burlesque. Their greatest successes were with English adaptations of French opéras bouffes and opéras comiques, most conspicuously ''Les cloch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Thornton
Frank Thornton Ball (15 January 192116 March 2013), professionally known as Frank Thornton, was an English actor. He was known for playing Captain Peacock in ''Are You Being Served?'' and its sequel ''Grace & Favour'' (''Are You Being Served? Again!'') and as Herbert "Truly" Truelove in ''Last of the Summer Wine''. Early life Frank Thornton Ball was born in Dulwich, London, the son of Rosina Mary ( née Thornton) and William Ernest Ball. His father was an organist at St Stephen's Church, Sydenham Hill, where Frank learned to play the organ for a short while. Music proved too difficult for him, however, and he wanted to act from an early age. His father, who worked in a bank, wanted him to get a "proper" job, so he began working in insurance after leaving Alleyn's School. He soon enrolled at a small acting school, the London School of Dramatic Art, and took evening classes. After two years working at the insurance company, he was invited to become a day student at the acting sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock Turtles (opera)
''Mock Turtles'' is a one-act comic opera with a libretto by Frank Desprez and music by Eaton Faning. It was first produced at the Savoy Theatre on 11 October 1881 as a curtain raiser to ''Patience'', then from 26 November 1882 to 30 March 1883 with ''Iolanthe''. The piece also toured from December 1881 throughout 1882. It also toured in 1883 and 1884 and enjoyed further revivals, including a tour in 1897 with J. M. Gordon and his company. A vocal score was published by Chappells, in 1882, which contains full dialogue as well as music. A copy is in the British Library. The libretto to ''Mock Turtles'' was republished by ''The Gaiety'' journal in September 2001. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers such as ''Mock Turtles''. W. J. MacQueen-Pope commented, concerning such curtain raisers: :This was a one-act play, seen only by the early comers. It w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy Theatre
The Savoy Theatre is a West End theatre in the Strand in the City of Westminster, London, England. The theatre was designed by C. J. Phipps for Richard D'Oyly Carte and opened on 10 October 1881 on a site previously occupied by the Savoy Palace. Its intended purpose was to showcase the popular series of comic operas of Gilbert and Sullivan, which became known as the Savoy operas. The theatre was the first public building in the world to be lit entirely by electricity. For many years, the Savoy Theatre was the home of the D'Oyly Carte Opera Company, which continued to be run by the Carte family for over a century. Richard's son Rupert D'Oyly Carte rebuilt and modernised the theatre in 1929, and it was rebuilt again in 1993 following a fire. It is a Grade II* listed building. In addition to ''The Mikado'' and other famous Gilbert and Sullivan premières, the theatre has hosted such premières as the first public performance in England of Oscar Wilde's '' Salome'' (1931) and Noà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patience (opera)
''Patience; or, Bunthorne's Bride'', is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera is a satire on the aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster. First performed at the Opera Comique, London, on 23 April 1881, ''Patience'' moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the world to be lit entirely by electric light. Henceforth, the Gilbert and Sullivan comic operas would be known as the Savoy Operas, and both fans and performers of Gilbert and Sullivan would come to be known as "Savoyards." ''Patience'' was the sixth operatic collaboration of fourteen between Gilbert and Sullivan. It ran for a total of 578 performances, which was seven more than the authors' earlier work, ''H.M.S. Pinafore'', and the seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grossmith
George Grossmith (9 December 1847 – 1 March 1912) was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades. As a writer and composer, he created 18 comic operas, nearly 100 musical sketches, some 600 songs and piano pieces, three books and both serious and comic pieces for newspapers and magazines. Grossmith created a series of nine characters in the comic operas of Gilbert and Sullivan from 1877 to 1889, including Sir Joseph Porter, in ''H.M.S. Pinafore'' (1878), the Major-General in ''The Pirates of Penzance'' (1880) and Ko-Ko in ''The Mikado'' (1885–87). He also wrote, in collaboration with his brother Weedon, the 1892 comic novel ''The Diary of a Nobody''. Grossmith was also famous in his day for performing his own comic piano sketches and songs, both before and after his Gilbert and Sullivan days, becoming the most popular British solo performer of the 1890s. Some of his comic songs endure today, including " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Comique
The Opera Comique was a 19th-century theatre constructed in Westminster, London, between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway. The theatre was built cheaply as a speculative venture, and was known as one of the "rickety twins" along with the adjacent Globe Theatre. Numerous managements presented plays in English, French and German, and the house was also used for extravaganzas and English versions of French opéras bouffes. It is best remembered as the theatre where several early Gilbert and Sullivan operas had their first runs, between 1877 and 1881. History Background and early years In the 16th century Lyon's Inn, one of the Inns of Chancery attached to London's Inner Temple, stood on the site. By the 1860s the area had deteriorated greatly, and the old inn had been converted into what the historians Mander and Mitchenson describe as "dwellings of a dubious n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and since 2013 it has co-produced four of the operas with Scottish Opera. In 1875 Richard D'Oyly Carte asked the dramatist W. S. Gilbert and the composer Arthur Sullivan to collaborate on a short comic opera to round out an evening's entertainment. When that work, ''Trial by Jury'', became a success, Carte put together a syndicate to produce a full-length Gilbert and Sullivan work, ''The Sorcerer'' (1877), followed by ''H.M.S. Pinafore'' (1878). After ''Pinafore'' became an international sensation, Carte jettisoned his difficult investors and formed a new partnership with Gilbert and Sullivan that became the D'Oyly Carte Opera Company. The company produced the succeeding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncle Samuel
''Uncle Samuel'' is a one-act comic opera with a libretto by Arthur Law and music by George Grossmith. It was first produced at the Opera Comique on 3 May 1881 to 8 October 1881, as companion piece to ''Patience''. The piece also toured from December 1887 to June 1888 as a companion piece to ''H.M.S. Pinafore''. A vocal score was published by Chappells in 1881 containing full libretto, dialogue and music, and a copy is in the British Library. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers such as ''Uncle Samuel''. W. J. MacQueen-Pope commented, concerning such curtain raisers: :This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserved much bette ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamilton Clarke
James Hamilton Siree Clarke (25 January 1840 – 9 July 1912), better known as Hamilton Clarke, was an English conductor, composer and organist. Although Clarke was a prolific composer, he is best remembered as an associate of Arthur Sullivan, for whom he arranged music and compiled overtures for some of the Savoy Operas, including Gilbert and Sullivan's ''The Mikado''. Clarke began as an organist, pianist and theatre conductor, becoming a musical director for Gilbert and Sullivan, among others. While conducting at London theatres, he also composed a tremendous volume of church music, organ solos, songs, operettas and orchestral works. Beginning in the late 1870s, he composed incidental music as musical director for many of Henry Irving's spectacular productions at the Lyceum Theatre, London, Lyceum Theatre. He also composed music for many of the German Reed Entertainments and conducted at many other London theatres in the 1870s and 1880s. Clark published a ''Manual of Orche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
