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Artemy Vedel
Artemy Lukyanovich Vedel (russian: Артемий Лукьянович Ведель, uk, Артем Лук'янович Ведель, translit=Artem Lukianovych Vedel; ), born Artemy Lukyanovich Vedelsky, was a Ukrainian-born Russian composer of military and liturgical music. He produced works based on Ukrainian folk melodies, and made an important contribution to the music of Ukraine. Together with Maxim Berezovsky and Dmitry Bortniansky, Vedel is recognised by musicologists as one of the "Golden Three" composers of 18th century Ukrainian classical music, and one of Russia's greatest choral composers. Vedel was born in Kyiv, the son of a wealthy wood carver. He studied at the Kyiv-Mohyla Academy until 1787, after which he was appointed to conduct the academy's choir and orchestra. In 1788 he was sent to Moscow to work for the regional governor, but he returned home in 1791 and resumed his career at the Kyiv-Mohyla Academy. The Imperial Russian Army general Andrei Levanidov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Empire
The Russian Empire was an empire and the final period of the Russian monarchy from 1721 to 1917, ruling across large parts of Eurasia. It succeeded the Tsardom of Russia following the Treaty of Nystad, which ended the Great Northern War. The rise of the Russian Empire coincided with the decline of neighbouring rival powers: the Swedish Empire, the Polish–Lithuanian Commonwealth, Qajar Iran, the Ottoman Empire, and Qing China. It also held colonies in North America between 1799 and 1867. Covering an area of approximately , it remains the third-largest empire in history, surpassed only by the British Empire and the Mongol Empire; it ruled over a population of 125.6 million people per the 1897 Russian census, which was the only census carried out during the entire imperial period. Owing to its geographic extent across three continents at its peak, it featured great ethnic, linguistic, religious, and economic diversity. From the 10th–17th centuries, the land ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyiv Pechersk Lavra
Kyiv-Pechersk Lavra or Kyivo-Pechers’ka Lavra ( uk, Києво-Печерська лавра, translit=Kyievo-Pecherska lavra, russian: Киево-Печерская лавра), also known as the Kyiv Monastery of the Caves, is a historic Eastern Orthodox Christian monastery which gave its name to one of the city districts where it is located in Kyiv. Since its foundation as the cave monastery in 1051, the Lavra has been a preeminent center of Eastern Orthodox Christianity in Eastern Europe. Together with the Saint Sophia Cathedral, it is inscribed as a UNESCO World Heritage Site.Kyiv Pechersk Lavra, St. Sophia Cathedral remain o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Federation For Choral Music
International Federation for Choral Music (IFCM) is an international association founded in 1982 to facilitate communication and exchange between choral musicians throughout the world. IFCM has around 900 members from all continents. The members are individuals, choirs, organisations or companies. Through the organisations and choirs IFCM plays a role in choral music and choral events in the world. On the International Music Council of the UNESCO IFCM is the official representative of choral music. Purposes The purposes are fulfilled mainly through the following projects: *African Children Sing! * Musica International (Choral music database) * ChoralNet website * Conductors without borders *International Centre for Choral Music in Namur, Belgium *Master classes *OpusChoral *Regional symposia *Songbridge *World Choral Census *International Choral Bulletin *World day of Choral singing *World symposium on Choral music *World Symposium 2011 in Puerto Madryn, Argentina *World Chamber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yurii Chekan
Yurii Ivanovych Chekan (born in 1960, in Uzhgorod) is a Ukrainian musicologist, Doctor of art history, and member of the National Union of Composers of Ukraine. Biography He was born on February 8, 1960 in the city of Uzhgorod, Transcarpathia, Ukraine. In 1984, he graduated from the Faculty of History and Theory at the Kyiv Conservatory, and later in 1992, he completed postgraduate studies with the PhD thesis "Historical-functional studies of musical works (on the example of Tchaikovsky's Sixth Symphony)." In 2011, having defended his dissertation - "Intonation of the world as a category of historical musicology," he received his Doctor of Arts. Meanwhile, in 2001, he graduated from Taras Shevchenko National University of Kyiv, Taras Shevchenko Kyiv National University's, Institute of International Relations with a master's degree in International Law. Work experience Yuriy Chekan worked as a teacher of theoretical disciplines at the Uzhgorod music school (1984), later a senior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukrainian Culture
The culture of Ukraine is the composite of the material and spiritual values of the Ukrainian people that has formed throughout the history of Ukraine. It is closely intertwined with ethnic studies about ethnic Ukrainians and Ukrainian historiography which is focused on the history of Kyiv and the region around it. History Although the country has often struggled to preserve its independence its people have managed to retain their cultural possessions and are proud of the considerable cultural legacy they have created. Numerous writers have contributed to the country's literary history such as Ivan Kotliarevsky, Taras Shevchenko and Ivan Franko. The Ukrainian culture has experienced a significant resurgence since the establishment of independence in 1991. The earliest evidence of cultural artefacts in the Ukrainian lands can be traced to decorated mammoth tusks in the Neanderthal era. Later, the nomadic tribes of the southern lands of the 4th century BCE, like the Scythians, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Znamenny Chant
Znamenny Chant (russian: знаменное пение, знаменный распев) is a singing tradition used by some in the Russian Eastern Orthodox Church. Znamenny Chant is a unison, melismatic liturgical singing that has its own specific notation, called the ''stolp'' notation. The symbols used in the stolp notation are called ' (russian: крюки, links=no, 'hooks') or ' (russian: знамёна, links=no, 'signs'). Often the names of the signs are used to refer to the stolp notation. Znamenny melodies are part of a system, consisting of Eight Tones (intonation structures; called glasy); the melodies are characterized by fluency and balance. There exist several types of Znamenny Chant: the so-called ''Stolpovoy'', ''Malyj'' (Little) and ''Bolshoy'' (Great) Znamenny Chant. Ruthenian Chant (Prostopinije) is sometimes considered a sub-division of the Znamenny Chant tradition, with the Muscovite Chant (Znamenny Chant proper) being the second branch of the same musical con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Italy
In Italy, music has traditionally been one of the cultural markers of Italian national and ethnic identity and holds an important position in society and in politics. Italian music innovationin musical scale, harmony, notation, and theatreenabled the development of opera, in the late 16th century, and much of modern European classical musicsuch as the symphony and concertoranges across a broad spectrum of opera and instrumental classical music and popular music drawn from both native and imported sources. Italian folk music is an important part of the country's musical heritage, and spans a diverse array of regional styles, instruments and dances. Instrumental and vocal classical music is an iconic part of Italian identity, spanning experimental art music and international fusions to symphonic music and opera. Opera is integral to Italian musical culture, and has become a major segment of popular music. The Canzone Napoletana—the Neapolitan Song, and the '' cantautori'' sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukrainian Baroque
Ukrainian Baroque, or Cossack Baroque or Mazepa Baroque ( uk, Українське бароко або Козацьке бароко), is an architectural style that was widespread in the Ukrainian lands in the 17th and 18th centuries. It was the result of a combination of local architectural traditions and European Baroque. History Thanks to influences from Western Europe, from the late 16th century the lands of modern Ukraine came under the influence of the secularized Baroque form of art and architecture, which was still largely unknown in Moscow. According to the historian Serhii Plokhy, Peter Mogila, the Metropolitan of Kyiv from 1633 to 1647, was crucial in developing the style as part of his drive to reform the Ukrainian Orthodox Church and adapt the Church to the challenges of the Reformation and Counter-Reformation. Ukrainian Baroque reached its apogee in the time of the Cossack Hetman Ivan Mazepa, from 1687 to 1708. Mazepa Baroque is an original synthesis of Wester ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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