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Art Of Bhutan
Bhutanese art is similar to Tibetan art. Both are based upon Vajrayana Buddhism and its pantheon of teachers and divine beings. The major orders of Buddhism in Bhutan are the Drukpa Lineage and the Nyingma. The former is a branch of the Kagyu school and is known for paintings documenting the lineage of Buddhist masters and the 70 Je Khenpo (leaders of the Bhutanese monastic establishment). The Nyingma school is known for images of Padmasambhava ("Guru Rinpoche"), who is credited with introducing Buddhism into Bhutan in the 7th century. According to legend, Padmasambhava hid sacred treasures for future Buddhist masters, especially Pema Lingpa, to find. Tertöns are also frequent subjects of Nyingma art. Each divine being is assigned special shapes, colors, and/or identifying objects, such as lotus, conch-shell, thunderbolt, and begging bowl. All sacred images are made to exact specifications that have remained remarkably unchanged for centuries. Bhutanese art is particularly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Picture Of Padmasambhava, North Of Thimphu
Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales * Rock, Cornwall, a village in England * Rock, County Tyrone, a village in Northern Ireland * Rock, Devon, a location in England * Rock, Neath Port Talbot, a location in Wales * Rock, Northumberland, a village in England * Rock, Somerset, a location in Wales * Rock, West Sussex, a hamlet in Washington, England * Rock, Worcestershire, a village and civil parish in England United States * Rock, Kansas, an unincorporated community * Rock, Michigan, an unincorporated community * Rock, West Virginia, an unincorporated community * Rock, Rock County, Wisconsin, a town in southern Wisconsin * Rock, Wood County, Wisconsin, a town in central Wisconsin Elsewhere * Corregidor, an island in the Philippines also known as "The Rock" * J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyalse Tenzin Rabgye
Tenzin Rabgye (1638–1696) was the fourth Druk Desi (secular ruler of Bhutan) who ruled from 1680 to 1694. He is believed to have been the first to have categorized formally the ''zorig chusum'' (the thirteen traditional arts of Bhutan). In 1688, he renovated Tango Monastery, approximately 14 kilometres from Thimphu. In 1692, he was first formally categorized during the rule of Tenzin Rabgye (1680–1694), the 4th Druk Desi (secular ruler). In 1692, he visited the sacred cave of Taktsang Pelphug This is an alphabetical list of all populated places, including cities, towns and villages, in the Tibet Autonomous Region of western China. A *Alamdo *Alhar *Arza *Asog B * Baga *Bagar * Baidi *Baima *Baimai *Baixoi *Bamda *Banag *Banba ... during the Tsechu season and founded a temple there devoted to Padmasambhava. The temple is known as Taktsang Lhakhang (the Temple of the Guru with Eight Names) and was completed in 1694. Gyalsey Tenzin Rabgye was son of Tshewan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bumthang District
Bumthang District (Dzongkha: བུམ་ཐང་རྫོང་ཁག་; Wylie: ''Bum-thang rzong-khag'') is one of the 20 dzongkhag (districts) comprising Bhutan. It is the most historic dzongkhag if the number of ancient temples and sacred sites is counted. Bumthang consists of the four mountain valleys of Ura, Chumey, Tang and Choekhor ("Bumthang"), although occasionally the entire district is referred to as Bumthang Valley. ''Bumthang'' directly translates as "beautiful field" – ''thang'' means field or flat place, and ''bum'' is said be an abbreviation of either ''bumpa'' (a vessel for holy water, thus describing the shape and nature of the valley), or simply ''bum'' ("girl," indicating this is the valley of beautiful girls). The name is said to have arisen after the construction of Jambay Lhakhang. Economy Bumthang farms yield buckwheat, dairy products, honey, apples, potato, rice, woolen products and many other products. Bumthang is rich in producing wheat, buckw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhutanese Painted Thanka Of Milarepa (1052-1135), Late 19th-early 20th Century, Dhodeydrag Gonpa, Thimphu, Bhutan
Bhutanese may refer to: * Something of, or related to Bhutan * Dzongkha, the official national language of Bhutan (sometimes called "Bhutanese") * A person from Bhutan, or of Bhutanese descent, see Demographics of Bhutan * Bhutanese culture * Bhutanese cuisine * '' The Bhutanese'', a weekly newspaper in Bhutan See also *Bhutani (other) Bhutani may refer to: * Bhutani tribe, a tribe of the Baloch people of Pakistan * Bhutani language, a misnomer for several languages: **Bhotia language or Sherpa language **Bhutia language or Sikkimese language **Dzongkha, the official language of ... * * :Bhutanese people {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appliqué
Appliqué is ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles, but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the primary work, generally for the purpose of decoration. The term originates from the Latin ''applicō'' "I apply" and subsequently from the French ''appliquer'' "attach". History The term appliqué is derived from French and Latin verbs ''appliquer'' and ''applicare'', respectively, which both mean to join or attach. Like embroidery, it has a humble beginning. The technique was used as a way to strengthen worn areas of items or to patch holes that had formed. Early ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repoussé And Chasing
''Repoussé'' () or ''repoussage'' () is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing (French: '' ciselure'') or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction. Many metals can be used for chasing and repoussé work, including gold, silver, copper, and alloys such as steel, bronze, and pewter. These techniques are very ancient and have been extensively used all over the world, as they require only the simplest tools and materials, and yet allow great diversity of expression. They are also relatively economical, since there is no loss or waste of metal, which mostly retains its original size and thickness. Toolmarks are often intentionally left visible in the result. A few among many famous examples of repoussé and chasing are the prehistoric Gundestrup cauldron, the mask on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost-wax Casting
Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method. The oldest known examples of this technique are approximately 6,500-year-old (4550–4450 BC) and attributed to gold artefacts found at Bulgaria's Varna Necropolis. A copper amulet from Mehrgarh, Indus Valley civilization, in Pakistan, is dated to circa 4,000 BC. Cast copper objects, found in the Nahal Mishmar hoard in southern Israel, which belong to the Chalcolithic period (4500–3500 BC), are estimated, from carbon-14 dating, to date to circa 3500 BC. In Other examples from somewhat later periods are from Mesopotamia in the third millennium BC. Lost-wax casting was widespread in Europe until the 18th century, when a piece-moulding process came to predomi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka
A ''thangka'', variously spelled as ''thangka'', ''tangka'', ''thanka'', or ''tanka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा), is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stupa
A stupa ( sa, स्तूप, lit=heap, ) is a mound-like or hemispherical structure containing relics (such as ''śarīra'' – typically the remains of Buddhist monks or nuns) that is used as a place of meditation. In Buddhism, circumambulation or ''pradakhshina'' has been an important ritual and devotional practice since the earliest times, and stupas always have a ''pradakhshina'' path around them. The original South Asian form is a large solid dome above a tholobate or drum with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have or had ''vedikā'' railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of the dome is a thin vertical element, with one of more horizontal discs spreadin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gompa
A Gompa or Gönpa ( "remote place", Sanskrit ''araṇya''), also known as ling (), is a Buddhism, Buddhist ecclesiastical fortification of learning, lineage and sādhanā that may be understood as a conflation of a fortification, a vihara and a university associated with Tibetan Buddhism and thus common in historical Tibetan regions including parts of China, India, Nepal, and Bhutan. Bhutanese dzong architecture is a subset of traditional gompa design. Gompa may also refer to a meditation room, without the attached living quarters, where practitioners meditate and listen to teachings. Meditation rooms in urban Buddhist centres are often referred to as gompas. Design and interior details vary from region to region; however, all follow a general design of a central prayer hall containing a murti or thangka, benches for the monks or nuns to engage in prayer or meditation and attached living accommodation. The gompa or ling may also be accompanied by any number of stupas. For pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dzong Architecture
Dzong architecture is used for dzongs, a distinctive type of fortified monastery ( dz, རྫོང, , ) architecture found mainly in Bhutan and Tibet. The architecture is massive in style with towering exterior walls surrounding a complex of courtyards, temples, administrative offices, and monks' accommodation. Characteristics Distinctive features include: * High inward sloping walls of brick and stone painted white with few or no windows in the lower sections of the wall * Use of a surrounding red ochre stripe near the top of the walls, sometimes punctuated by large gold circles * Use of unique style flared roofs atop interior temples * Massive entry doors made of wood and iron * Interior courtyards and temples brightly colored in Buddhist-themed art motifs such as the ashtamangala or swastika Regional differences Bhutan Dzongs serve as the religious, military, administrative, and social centers of their district. They are often the site of an annual ''tsechu'' or religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
