Art Pepper Today
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Art Pepper Today
''Art Pepper Today'' is a 1978 jazz album by saxophonist Art Pepper, playing with pianist Stanley Cowell, bassist Cecil McBee, drummer Roy Haynes and percussionist Kenneth Nash. Reception AllMusic reviewer Scott Yanow said that "Art Pepper, in the midst of a successful comeback, recorded this excellent set for Galaxy," which includes "a definitive version of his intense ballad 'Patricia'." Track listing #"Miss Who" (Art Pepper) – 4:42 #"Mambo Koyama" (Art Pepper) – 6:40 #"Lover Come Back To Me" ( Sigmund Romberg; Oscar Hammerstein II) – 6:51 #"Patricia" (Art Pepper) – 10:24 #"These Foolish Things (Remind Me Of You)" (Harry Link; Jack Strachey; Holt Marvell) – 5:44 #"Chris's Blues" (Art Pepper) – 3:50 ::''(Recorded on 1 December & 2 December 1978.)'' Personnel * Art Pepper – alto saxophone * Stanley Cowell – piano * Cecil McBee – bass * Roy Haynes – drums * Kenneth Nash – congas & percussion on ...
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Art Pepper
Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American alto saxophonist and very occasional tenor saxophonist and clarinetist. Active in West Coast jazz, Pepper came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's great altoist" at the time of his death. Early life Art Pepper was born in Gardena, California, United States.Dupuis, Robert. "Art Pepper." ''Contemporary Musicians: Profiles of the People in Music.'' Vol. 18. Detroit, MI: Gale Research, 1997. 164-67. Print. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Pepper was still quite young, he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at nine, switc ...
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Scott Yanow
Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author.Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' He wrote for many jazz and arts magazines, including ''JazzTimes'', ''Jazziz'', ''Down Beat'', ''Cadence'', ''CODA'' and the ''Los Angeles Jazz Scene''. In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's Life Through The Eyes Of A Jazz Journalist), over 900 liner notes for CDs and over 20,000 reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the ''All Music Guide to Jazz''. He continues to write for ''Downbeat, Jazziz'', the ''Los Angeles Jazz Scene'', "Syncopated Times," "Jazz Artistry Now," the ''J ...
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Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ...
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Music West Records
Music West Records was an independent record company founded by Allan Kaplan on December 1985 in San Rafael, California. The company was initially formed to promote Ray Lynch, their first artist. During its run, artists released under the record company included Jim Chappell, Kenneth Nash, Chris Spheeris, and Øystein Sevåg. According to Gary Chappell, the manufacturer for Music West, the artists originated independently, claiming that the company's idea "has a statement that comes directly from the artist with no interference." In 1991, the company attempted to break away from their "New Age" roots. In an interview with Billboard on April 1991, Kaplan said "I believe the new age category is shrinking rapidly, but the winning titles–maybe about 200 of them–will continue to sell more than ever." The company attempted to expand the company by releasing tracks from Sun Studios in Kaplan's hometown, Memphis, Tennessee. However, after a lawsuit by Ray Lynch for allegedly not payin ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Holt Marvell
Albert Eric Maschwitz OBE (10 June 1901 – 27 October 1969), sometimes credited as Holt Marvell, was an English entertainer, writer, editor, broadcaster and broadcasting executive. Life and work Born in Edgbaston, Birmingham, England, and descendant of a traditional German family, Maschwitz was educated at Arden House preparatory school, Henley in Arden, Repton School and Gonville and Caius College, Cambridge. As a lyricist, Maschwitz wrote, often credited to his pseudonym "Holt Marvell," the screenplays of several successful films in the 1930s and 1940s, but is perhaps best remembered for his lyrics to 1940s popular songs such as "A Nightingale Sang in Berkeley Square" (music by Manning Sherwin) and "These Foolish Things" (music by Jack Strachey, reinterpreted in 1973 by Bryan Ferry on his first solo album of the same name). According to the ''Oxford Dictionary of National Biography'', Maschwitz had a brief romantic liaison with British cabaret singer Jean Ross, and their rela ...
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Jack Strachey
Jack Strachey (25 September 1894 – 27 May 1972) was an English composer and songwriter Born John Francis Strachey in London on 25 September 1894, he began writing songs in the 1920s for the theatre and the music hall, scoring his first success with songs he had written for Frith Shephard's long running musical revue ''Lady Luck'' which opened at The Carlton Theatre in April 1927 where it ran for 324 performances. In the 1930s, he began to collaborate with Eric Maschwitz and in 1936 Strachey, Maschwitz (using the pen name Holt Marvell), and Harry Link co-wrote "These Foolish Things (Remind Me of You)", which was to provide a top ten hit for five separate artists in 1936. Benny Goodman was among the five artists to record the song in 1936, and it has been widely covered since - by Billie Holiday, Thelonious Monk and Bryan Ferry among others. Under the title "Ces Petites Choses", it was also a hit in France for Dorothy Dickson. Strachey scored another success in 1940 (this time ...
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Harry Link
Harry Link (born John Harry Linkey, January 25, 1896, Philadelphia – July 5, 1956, New York City) was an American vaudeville actor and songwriter. He wrote and co-wrote several well-known jazz standards. Career Link studied at the Wharton School of Business but was already publishing songs by his late teens; in 1914, he co-wrote "Along Came Ruth" with Irving Berlin. He attempted a career in acting, appearing in the 1916 film ''The Masked Rider'', but had little luck and soon gave it up for a sustained career in music publishing. In 1929, he co-wrote "I've Got a Feeling I'm Falling" with Billy Rose and Fats Waller. Waller turned the song into a hit; Louis Armstrong recorded the tune, as did many others. Link and Waller also co-wrote "Gone" with Andy Razaf and "I Hate to Leave You Now" with Dorothy Dick ''(née'' Dorothy Dickenshied; 1895–1986), whom Link married in 1916 in Philadelphia. Armstrong also recorded a version of "I Hate to Leave You Now". Link and Dick went on t ...
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These Foolish Things (Remind Me Of You)
"These Foolish Things (Remind Me of You)" is a standard with lyrics by Eric Maschwitz, writing under the pseudonym Holt Marvell, and music by Jack Strachey, both Englishmen. Harry Link, an American, sometimes appears as a co-writer; his input was probably limited to an alternative "middle eight" (bridge) which many performers prefer. It is one of a group of "Mayfair songs", like "A Nightingale Sang in Berkeley Square". Maschwitz wrote the song under his pen name, Holt Marvell, at the behest of Joan Carr for a late-evening revue broadcast by the BBC. The copyright was lodged in 1936. According to the ''Oxford Dictionary of National Biography'', British cabaret singer Jean Ross, with whom Maschwitz had a youthful liaison, was the muse for the song. Creation Although Maschwitz's wife Hermione Gingold speculated in her autobiography that the haunting jazz standard was written for either herself or actress Anna May Wong, Maschwitz himself contradicted such claims. Maschwitz inste ...
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