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Arsenio Rodríguez Discography
The discography of Arsenio Rodríguez consists of numerous singles released between 1940 and 1956 by Victor, as well as LPs released between 1957 and 1970 by various labels. In addition, there are noncommercial recordings archived at the Center for Folklife Programs and Cultural Studies Archive, Smithsonian Institution. The first author to elaborate a list including all of Rodríguez's official recordings was American ethnomusicologist David F. García, who published his work in a book entitled ''Arsenio Rodríguez and the Transnational Flows of Latin Popular Music'' (Temple University Press, 2006). The book was awarded the Certificate of Merit in the category Best Research in Folk, Ethnic, or World Music by the Association for Recorded Sound Collections in 2007. In addition, Cuban ethnomusicologist Cristóbal Díaz Ayala elaborated a similar list, largely based on García work, as part of his ''Encyclopedic Discography of Cuban Music 1925-1960'' in the Diaz Ayala Cuban and Latin Am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arsenio Rodríguez
Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; 31 August 1911 – 30 December 1970)Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana, v. 4 p. 45 et seq. was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles. In the 1940s and 1950s Rodríguez established the ''conjunto'' format and contributed to the development of the son montuno, the basic template of modern-day salsa. He claimed to be the true creator of the mambo and was an important as well as a prolific composer who wrote nearly two hundred songs. Despite being blind since the age of seven, Rodríguez quickly managed to become one of Cuba's foremost ''treseros''. Nonetheless, his first hit, "Bruca maniguá" by Orquesta Casino de la Playa, came as a songwriter in 1937. For the following two years, Rodríguez worked as composer and guest guitarist for the Casino de la Playa, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félix Chappottín
Félix Chappottín (March 31, 1907 – December 21, 1983) was a Cuban trumpeter and bandleader. He was a member of three highly successful Cuban bands: Septeto Habanero, Arsenio Rodríguez's conjunto and Conjunto Chappottín, which he directed. Life and career Early life and ''septeto'' era Félix Chappottín Lage was born on March 31, 1907 in Cayo Hueso, Havana, to tobacconist/musician Julio Chappottín and housewife Natalia Lage. His father was a member of the son group Los Apaches. At 8 years of age, Chappottín began to study cornet under Venancio González; he later took up the tuba, the oboe and the euphonium. At age twelve he joined the local youth band of Guanajuay. In 1924 he joined the Estudiantina Orquídea de Américo González as trumpeter, and in 1927, he joined the Septeto Habanero, previously the Sexteto Habanero, becoming the most famous trumpeter in Cuba. With the Habanero, Chappottín recorded several 78 rpm singles for Victor between February 1928 an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (music)
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the ''guajeos'' typical of son cubano (also known as ''montunos''). These ''guajeos'' became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tico Records
Tico Records was a New York City record label that was founded in 1948. It was originally owned by George Goldner and later acquired by Morris Levy and incorporated into Roulette Records. It specialized in Latin music and was significant for introducing artists such as Ray Barretto and Tito Puente. In 1974, it was sold to Fania Records and stopped issuing new releases in 1981; however, the label's extensive catalog continues to be reissued under the Tico Records name. See also *List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... External linksTico Records at Discogs.com [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juanchín Ramírez
Juan Ramírez Rivera (April 22, 1906 – June 16, 1986), better known as Juanchín Ramírez, was a Puerto Rican trumpeter, bandleader and composer. He was a founding member of the Septeto Puerto Rico and the Grupo Aurora, as well as a member of the Noro Morales orchestra, also playing with Boro Milián, Rafael Hernández, Machito and others. He is best known for his popular compositions, primarily guarachas such as "Anabacoa", recorded by Beny Moré and Arsenio Rodríguez among others, and also "Plena española", made famous by Billo's Caracas Boys. Life and career Born in San Juan on April 22, 1906, son of Lino Ramírez, Spanish, and Marta Rivera, from Bayamón, Juanchín became interested in music from a young age. His uncle Paco played euphonium, while the Lumbano family (related to Ramírez through his mother's previous marriage) contained several percussionists. It was in fact with the Lumbanos that Ramírez began performing on the trumpet. He learned the instrument firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anabacoa
"Anabacoa" is a guaracha composed by Puerto Rican trumpeter Juanchín Ramírez which has become a Latin music (genre), Latin music standard (music), standard. Its most famous recording was made in Mexico in 1949 by Beny Moré backed by Pérez Prado and his orchestra. Recorded as a mambo (music), mambo, Moré's recording became a hit throughout Latin America. It was followed by the version made by Arsenio Rodríguez and his conjunto#Cuban conjunto, conjunto in 1950, which further cemented the piece as a standard of the Cuban music repertoire. Arsenio's rendition, although labeled as a guaracha, was driven by a guaguancó pattern on the tumbadora. In the 1970s, "Anabacoa" became the signature song of the Grupo Folklórico y Experimental Nuevayorkino, a New York City, New York-based descarga ensemble originally known as Conjunto Anabacoa. It was founded by Jerry González and his brother Andy González (musician), Andy in 1974. Like Arsenio's version, their rendition is also "a guaguanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo "Chocolate" Armenteros
Alfredo "Chocolate" Armenteros (4 April 1928 – 6 January 2016) was a Cuban trumpeter. He played with artists such as Arsenio Rodríguez, Generoso Jiménez, Chico O'Farrill, Orchestra Harlow, Eddie Palmieri, Cachao and Sonora Matancera. Due to his characteristic approach to Afro-Cuban trumpet playing as well as his extensive recording career, several monographs have been written on his music. Life and career Armenteros was born on April 4, 1928, in Santa Clara, Las Villas Province, Cuba. He first began playing in a band led by the sonero/ composer René Álvarez called Conjunto Los Astros and soon after with Arsenio Rodríguez. The nickname "Chocolate" was bestowed on him owing to a case of mistaken identity, when someone took him for Kid Chocolate, the champion boxer. After the Cuban Revolution, Armenteros moved to New York, where he lived until his death. Armenteros went on to play with José Fajardo, Beny Moré, Tito Puente, César Concepción, Machito, Wynton Marsa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isolina Carrillo
Isolina Carrillo (December 9, 1907 – February 21, 1996) was a Cuban composer, singer and pianist. She was a member of the vocal group Conjunto Siboney. At the age of eleven she made her musical debut replacing a pianist that called in sick in her father’s orchestra. She came from a very musical family; her brothers and father were musicians. She studied in the Municipal Conservatory of Havana. In the 1940s, she achieved her greatest recognition as a composer of boleros, guarachas and sones. Her songs included "Fiesta de besos", "Canción sin amor", "Increíble" and the most famous of all her works, "Dos gardenias", composed in 1945. This last composition has been covered by many singers such as Daniel Santos, Antonio Machin, Pedro Vargas, Maria Rita Maria Rita (; born 9 September 1977, São Paulo) is a Brazilian singer. Born Maria Rita Camargo Mariano, she is the daughter of famed pianist/arranger César Camargo Mariano and the late Brazilian singing legend Elis Reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otilio Portal
Otilio is a given name. Notable people with the name include: *Otilio Ulate Blanco (1891–1973), President of Costa Rica from 1949 to 1953 * Otilio Galíndez, (1935–2009), Venezuelan musician and composer * Otilio Olguín (born 1931), Mexican former swimmer and water polo player, competed in the 1952 Summer Olympics * Otilio Alba Polo (1915–1941), Spanish Catalan politician *Otilio Montaño Sánchez Otilio Montaño Sánchez ( Villa de Ayala, Morelos, December 13, 1877– Buenavista de Cuéllar, Guerrero, May 18, 1917) was a Zapatista general during the Mexican Revolution. Otilio Montaño was born in Morelos to Esteban Montaño and Guada ... (1887–1917), Zapatista general during the Mexican Revolution * Otilio Warrington, known as Bizcocho (born 1944), comedian See also * Escuela Preparatoria Tlalpan II "Otilio Montaño", senior high school in San Miguel Topilejo, Tlalpan, Mexico City * Pepe Gotera y Otilio, Spanish comic characters: two bumbling and disastrous workmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafael Ortiz
Rafael may refer to: * Rafael (given name) or Raphael, a name of Hebrew origin * Rafael, California * Rafael Advanced Defense Systems, Israeli manufacturer of weapons and military technology * Hurricane Rafael, a 2012 hurricane Fiction * ''Rafael'' (TV series), a Mexican telenovela * ''Rafaël'' (film), a 2018 Dutch film People * Rafael (footballer, born 1978) (Rafael Pires Vieira), Brazilian football striker * Rafael (footballer, born 1979) (Rafael da Silva Santos), Brazilian football defender * Rafael (footballer, born 1980) (Rafael Pereira da Silva), Brazilian football right-back * Rafael (footballer, born March 1982) (Rafael de Andrade Bittencourt Pinheiro), Brazilian football goalkeeper * Rafael (footballer, born August 1982) (Rafael dos Santos Silva), Brazilian football striker * Rafael (footballer, born 1984) (Alberto Rafael da Silva), Brazilian football goalkeeper * Rafael (footballer, born 1986) (Rafael Diego de Souza), Brazilian football centre-back * Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaguancó
Guaguancó () is a subgenre of Cuban rumba, combining percussion, voices, and dance. There are two main styles: Havana and Matanzas. Percussion * battery of three conga drummers: the ''tumba'' (lowest), ''tres dos'' (middle, playing a counter-clave), and ''quinto'' (highest, and lead drum). These parts may also be played on cajones, wooden boxes. * claves usually played by a singer * guagua (aka Catà) (hollowed piece of bamboo) * maraca and/or a chekeré playing the main beats Other instruments may be used on occasion, for example spoons, palitos (wooden sticks striking the side of the drum), and tables and walls played like drums. Clave Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. Triple-pulse strokes can be substituted for duple-pulse strokes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
