Arnolfini Portrait
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Arnolfini Portrait
''The Arnolfini Portrait'' (or ''The Arnolfini Wedding'', ''The Arnolfini Marriage'', the ''Portrait of Giovanni Arnolfini and his Wife'', or other titles) is a 1434 oil painting on oak panel by the Early Netherlandish painter Jan van Eyck. It forms a full-length double portrait, believed to depict the Italian merchant Giovanni di Nicolao Arnolfini and his wife, presumably in their residence at the Flemish city of Bruges. It is considered one of the most original and complex paintings in Western art, because of its beauty, complex iconography, geometric orthogonal perspective, and expansion of the picture space with the use of a mirror. According to Ernst Gombrich "in its own way it was as new and revolutionary as Donatello's or Masaccio's work in Italy. A simple corner of the real world had suddenly been fixed on to a panel as if by magic... For the first time in history the artist became the perfect eye-witness in the truest sense of the term". The portrait has been conside ...
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Jan Van Eyck
Jan van Eyck ( , ; – July 9, 1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, Gombrich, The Story of Art, page 240 though most now regard that claim as an oversimplification. The surviving records indicate that he was born around 1380 or 1390, most likely in Maaseik (then Maaseyck, hence his name), Limburg, which is located in present-day Belgium. He took employment in The Hague around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''valet de chambre'' to John III the Pitiless, ruler of the counties of Holland and Hainaut. After John's death in 1425, he was later appointed as court painter to Philip the Good, Duke of Burgundy, and worked in Lille before moving to B ...
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Hubert Van Eyck
Hubert van Eyck () or Huybrecht van Eyck ( – 18 September 1426) was an Early Netherlandish painter and older brother of Jan van Eyck, as well as Lambert and Margareta, also painters. The absence of any single work that he can clearly be said to have completed continues to make an assessment of his achievement highly uncertain, although for centuries he had the reputation of being an outstanding founding artist of Early Netherlandish painting.. Life and career He was probably born in Maaseik, in what is now the Belgian province of Limburg, into a family in the gentry. As the name was not a very common one, he is probably the "Magister Hubertus, Pictor" recorded as having been paid in 1409 for panels in the church of Onze Lieve Vrouwe, Tongeren. He is probably also Master Hubert who had painted a panel bequeathed in 1413 by Jan de Visch van der Capelle to his daughter, a Benedictine nun near Grevelingen; however he does not appear in guild records, and his heirs did not include ...
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Tabard
A tabard is a type of short coat that was commonly worn by men during the late Middle Ages and early modern period in Europe. Generally worn outdoors, the coat was either sleeveless or had short sleeves or shoulder pieces. In its more developed form it was open at the sides, and it could be worn with or without a belt. Though most were ordinary garments, often work clothes, tabards might be emblazoned on the front and back with a heraldry, coat of arms (livery), and in this form they survive as the distinctive garment of Officer of Arms, officers of arms. In modern British English, British usage, the term has been revived for what is known in American English as a Apron#Tabard, cobbler apron: a lightweight open-sided upper overgarment, of similar design to its medieval and heraldic counterpart, worn in particular by workers in the catering, cleaning and healthcare industries as Personal protective equipment, protective clothing, or outdoors by those requiring high-visibility clo ...
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Burgundy (region)
Burgundy (; french: link=no, Bourgogne ) is a historical territory and former Regions of France, administrative region and province of east-central France. The province was once home to the Duke of Burgundy, Dukes of Burgundy from the early 11th until the late 15th century. The capital of Dijon was one of the great European centres of art and science, a place of tremendous wealth and power, and Western Monasticism. In early Modern Europe, Burgundy was a focal point of courtly culture that set the fashion for European royal houses and their court. The Duchy of Burgundy was a key in the transformation of the Middle Ages toward early modern Europe. Upon the 9th-century partitions of the Kingdom of Burgundy, the lands and remnants partitioned to the Kingdom of France were reduced to a ducal rank by King Robert II of France in 1004. The House of Burgundy, a cadet branch of the House of Capet, ruled over a territory that roughly conformed to the borders and territories of the modern ...
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Cherry Tree
A cherry is the fruit of many plants of the genus ''Prunus'', and is a fleshy drupe (stone fruit). Commercial cherries are obtained from cultivars of several species, such as the sweet ''Prunus avium'' and the sour ''Prunus cerasus''. The name 'cherry' also refers to the cherry tree and its wood, and is sometimes applied to almonds and visually similar flowering trees in the genus ''Prunus'', as in " ornamental cherry" or "cherry blossom". Wild cherry may refer to any of the cherry species growing outside cultivation, although ''Prunus avium'' is often referred to specifically by the name "wild cherry" in the British Isles. Botany True cherries ''Prunus'' subg. ''Cerasus'' contains species that are typically called cherries. They are known as true cherries and distinguished by having a single winter bud per axil, by having the flowers in small corymbs or umbels of several together (occasionally solitary, e.g. ''P. serrula''; some species with short racemes, e.g. '' P. ...
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Underdrawing
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These artists "underdrew" with a brush, using hatching strokes for shading, using water-based black paint, before underpainting and overpainting with oils. Cennino D'Andrea Cennini (14th century most likely) describes a different type of underdrawing, made with graded tones rather than hatching, for egg tempera. In some cases, underdrawing can be clearly visualized using infrared reflectography because carbon black pigments absorb infrared light, whereas opaque pigments such as lead white are transparent with infrared light. Underdrawing in many works, for example, the ''Annunciation'' (van Eyck, Washington) or the ''Arnolfini Portrait'', reveals that artists made alterations, sometimes radical ones, to their compositions. The underdrawing ...
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Pentimenti
A pentimento (plural pentimenti), in painting, is "the presence or emergence of earlier images, forms, or strokes that have been changed and painted over". The word is , from the verb , meaning 'to repent'. Significance Pentimenti may show that a composition originally had an element, for example, a head or a hand, in a slightly different place, or that an element no longer in the final painting was originally planned. The changes may have been done in the underdrawing of the painting, or by the visible layers of paint differing from the underdrawing, or by the first painted treatment of the element having been over-painted. Some pentimenti have always been visible on the final painting with careful inspection; others are revealed by the increasing transparency that some paint acquires after several centuries. Others, especially in the underdrawing, can only be seen with modern methods such as X-rays and infrared reflectography and photographs. These are able to record photogr ...
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Infrared
Infrared (IR), sometimes called infrared light, is electromagnetic radiation (EMR) with wavelengths longer than those of visible light. It is therefore invisible to the human eye. IR is generally understood to encompass wavelengths from around 1 millimeter (300 GHz) to the nominal red edge of the visible spectrum, around 700  nanometers (430  THz). Longer IR wavelengths (30 μm-100 μm) are sometimes included as part of the terahertz radiation range. Almost all black-body radiation from objects near room temperature is at infrared wavelengths. As a form of electromagnetic radiation, IR propagates energy and momentum, exerts radiation pressure, and has properties corresponding to both those of a wave and of a particle, the photon. It was long known that fires emit invisible heat; in 1681 the pioneering experimenter Edme Mariotte showed that glass, though transparent to sunlight, obstructed radiant heat. In 1800 the astronomer Sir William Herschel discovered ...
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Arnolfini Portrait 1
Arnolfini is an international arts centre and gallery in Bristol, England. It has a programme of contemporary art exhibitions, artist's performance, music and dance events, poetry and book readings, talks, lectures and cinema. There is also a specialist art bookshop and a café bar. Educational activities are undertaken and experimental digital media work supported by online resources. Festivals are hosted by the gallery. The gallery was founded in 1961 by Jeremy Rees, and was located in Clifton. In the 1970s it moved to Queen Square, before moving to its present location, Bush House on Bristol's waterfront, in 1975. The name of the gallery is taken from Jan van Eyck's 15th-century painting ''The Arnolfini Portrait''. Arnolfini was refurbished and redeveloped in 1989 and 2005. Artists whose work has been exhibited include Bridget Riley, Rachel Whiteread, Richard Long and Jack Yeats. Performers have included Goat Island Performance Group, the Philip Glass Ensemble, and Shob ...
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Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in anc ...
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Illusionism
Illusionism in art history means either the artistic tradition in which artists create a work of art that appears to share the physical space with the viewer"Illusionism," ''Grove Art Online''. Oxford University Press, ccessed 17 March 2008 or more broadly the attempt to represent physical appearances precisely – also called mimesis. The term '' realist'' may be used in this sense, but that also has rather different meanings in art, as it is also used to cover the choice of ordinary everyday subject-matter, and avoiding idealizing subjects. Illusionism encompasses a long history, from the deceptions of Zeuxis and Parrhasius to the works of muralist Richard Haas in the twentieth century, that includes ''trompe-l'œil'', anamorphosis, optical art, abstract illusionism, and illusionistic ceiling painting techniques such as ''di sotto in sù'' and ''quadratura''. Sculptural illusionism includes works, often painted, that appear real from a distance. Other forms, such as the illu ...
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Wet-on-wet
Wet-on-wet, or ''alla prima'' (Italian, meaning ''at first attempt''), direct painting or au premier coup, is a painting technique in which layers of wet paint are applied to previously administered layers of wet paint. Used mostly in oil painting, the technique requires a fast way of working, because the work has to be finished before the first layers have dried. Technique Traditionally, a new layer of oil-based paint is applied to most parts of a painting only after allowing a previous layer to dry completely; this drying process can take from several days to several weeks, depending on the thickness of the paint. In contrast, work performed using ''alla prima'' can be carried out in one or more sessions (depending on the types of paint used and their respective drying times), and it is common for such a work to be finished in only one session or "sitting". In the medium of watercolors, wet-on-wet painting requires a certain finesse in embracing unpredictability. Highly trans ...
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