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Armand Point
Armand Point (23 March 1860"Point, Armand." ''Benezit Dictionary of Artists, Oxford Art Online'', Oxford University Press. Retrieved 20 June 2014. or 23 March 1861"Point, Armand." Colette E. Bidon, ''Grove Art on Line, Oxford Art Online'', Oxford University Press. Retrieved 20 June 2014. – February 1932 or March 1932) was a French painter, engraver and designer who was associated with the Symbolist movement and was one of the founders of the Salon de la Rose + Croix. Later he formed his own ''atelier''. Sources differ over the details of his birth and death. Personal life Point was born in Algiers, and died in either Naples, or Marlotte, Seine-et-Marne. Early career Point's earliest works were Orientalism, orientalist scenes of markets and musicians and the street life of his youth in Algeria. In 1888 he travelled to Paris where he studied at the Ecole des Beaux-Arts under Auguste Herst and Fernand Cormon. He was linked to Numa François Gillet, Numa Gillet. From 1890 he exhibi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARMAND POINT
Armand Point (23 March 1860"Point, Armand." ''Benezit Dictionary of Artists, Oxford Art Online'', Oxford University Press. Retrieved 20 June 2014. or 23 March 1861"Point, Armand." Colette E. Bidon, ''Grove Art on Line, Oxford Art Online'', Oxford University Press. Retrieved 20 June 2014. – February 1932 or March 1932) was a French painter, engraver and designer who was associated with the Symbolist movement and was one of the founders of the Salon de la Rose + Croix. Later he formed his own ''atelier''. Sources differ over the details of his birth and death. Personal life Point was born in Algiers, and died in either Naples, or Marlotte, Seine-et-Marne. Early career Point's earliest works were Orientalism, orientalist scenes of markets and musicians and the street life of his youth in Algeria. In 1888 he travelled to Paris where he studied at the Ecole des Beaux-Arts under Auguste Herst and Fernand Cormon. He was linked to Numa François Gillet, Numa Gillet. From 1890 he exhibi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Nabis
Les Nabis (French: les nabis, ) were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from impressionism and academic art to abstract art, symbolism and the other early movements of modernism. The members included Pierre Bonnard, Maurice Denis, Paul Ranson, Édouard Vuillard, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. Most were students at the Académie Julian in Paris in the late 1880s. The artists shared a common admiration for Paul Gauguin and Paul Cézanne and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist. In 1900, the artists held their final exhibition and went their separate ways.Bétard, Daphne, ''La révolution Nabie'', in ''Les Nabis et le décor'', Beaux-Arts Éditions, pp. 8-21 Etymology The Nabis took the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Moreau
Gustave Moreau (; 6 April 1826 – 18 April 1898) was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence".Cassou, Jean. 1979. ''The Concise Encyclopedia of Symbolism.'' Chartwell Books, Inc., Secaucus, New Jersey, 292 pp. He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters. Art historian Robert Delevoy wrote that Moreau "brought symbolist polyvalence to its highest point in ''Jupiter and Semele''."Delevoy, Robert L. 1978. ''Symbolist and Symbolism.'' Editions D'Art Albert Skira, Geneva//Rizzoli International Publishing, Inc. New York. 247 pp. He was a prolific artist who produced over 15,000 paintings, watercolors, and drawings. Moreau painted allegories and traditional biblical and mythological subjects favored by the fine art academies. J. K. Huysmans wrote, "Gustave Moreau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Lucie-Smith
John Edward McKenzie Lucie-Smith (born 27 February 1933), known as Edward Lucie-Smith, is a Jamaican-born English writer, poet, art critic, curator and broadcaster. He has been highly prolific in these fields, writing or editing over a hundred books, his subjects gradually shifting around the late 1960s from mostly literature to mostly art. Biography Lucie-Smith was born in Kingston, Jamaica, the son of Mary Frances (née Lushington) and John Dudley Lucie-Smith. He moved to the United Kingdom in 1946.BiographRetrieved 4 October 2018./ref> He was educated at The King's School, Canterbury, and, after a little time in Paris, he read history at Merton College, Oxford, from 1951 to 1954. After serving in the Royal Air Force as an education officer and working as a copywriter, he became a full-time writer (as well as anthologist and photographer). He succeeded Philip Hobsbaum in organising The Group, a London-centred poets' group. At the beginning of the 1980s he conducted several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joséphin Péladan
Joséphin Péladan (28 March 1858 in Lyon – 27 June 1918 in Neuilly-sur-Seine) was a French novelist and Martinist. His father was a journalist who had written on prophecies, and professed a philosophic-occult Catholicism. He established the Salon de la Rose + Croix for painters, writers, and musicians sharing his artistic ideals, the Symbolists in particular. Biography Péladan was born into a Lyon family that was devoutly Roman Catholic. He studied at Jesuit colleges at Avignon and Nîmes. After he failed his baccalaureat, Péladan moved to Paris and became a literary and art critic. His older brother Adrien studied alchemy and occultism as well. Career In 1882 Lucie-Smith, Edward. (1972) ''Symbolist Art''. London: Thames & Hudson, p. 109. he came to Paris where Arsene Houssaye gave him a job on his artistic review, ''L'Artiste''. In 1884 he published his first novel, ''Le vice suprême'', which recommended the salvation of man through occult magic of the ancient East.R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosicrucianism
Rosicrucianism is a spiritual and cultural movement that arose in Europe in the early 17th century after the publication of several texts purported to announce the existence of a hitherto unknown esoteric order to the world and made seeking its knowledge attractive to many. Yates, Frances A. (1972), ''The Rosicrucian Enlightenment'', London The mysterious doctrine of the order is "built on esoteric truths of the ancient past", which "concealed from the average man, provide insight into nature, the physical universe, and the spiritual realm." The manifestos do not elaborate extensively on the matter, but clearly combine references to Kabbalah, Hermeticism, alchemy, and Christian mysticism. The Rosicrucian manifestos heralded a "universal reformation of mankind", through a science allegedly kept secret for decades until the intellectual climate might receive it. Controversies arose on whether they were a hoax, whether the "Order of the Rosy Cross" existed as described in the manif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Zola
Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined ''J'Accuse…!'' Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Early life Zola was born in Paris in 1840 to François Zola (originally Francesco Zolla) and Émilie Aubert. His father was an Italian engineer with some Greek ancestry, who was born in Venice in 1795, and engineered the Zola Dam in Aix-en-Provence; his mother was French. The family moved to Aix-en-Provence in the southeast when Émile was three years old. Four years later, in 1847, his father die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poster For The Fifth Salon De La Rose+Croix Point Sarluis
A poster is a large sheet that is placed either on a public space to promote something or on a wall as decoration. Typically, posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly text. Posters are designed to be both eye-catching and informative. Posters may be used for many purposes. They are a frequent tool of advertisers (particularly of events, musicians, and films), propagandists, protestors, and other groups trying to communicate a message. Posters are also used for reproductions of artwork, particularly famous works, and are generally low-cost compared to the original artwork. The modern poster, as we know it, however, dates back to the 1840s and 1850s when the printing industry perfected colour lithography and made mass production possible. History Introduction According to the French historian Max Gallo, "for over two hundred years, posters have been displayed in public places all over the world. Visually st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Des Augustins
The Musée des Augustins de Toulouse is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture. History The building in which the museum is sited was built in 1309 in the Gothic style and prior to the French Revolution housed Toulouse's Augustinian convent. The convent was secularized in 1793 and first opened to the public as a museum on 27 August 1795 by decree of the French Convention, very shortly after the opening of the Louvre, making it one of the oldest museums in France after the Louvre and the Musée des Beaux Arts in Besançon. It at first housed the Muséum Provisoire du Midi de la République and the école des Beaux-Arts. The Musée des Augustins de Toulouse was one of fifteen museums founded in provincial centres, by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Jullian
Philippe Jullian (real name: ''Philippe Simounet''; 11 July 1919 – 25 September 1977) was a French illustrator, art historian, biographer, aesthete, novelist and dandy. Early life Jullian was born in Bordeaux in 1919. His maternal grandfather was the historian Camille Jullian, known for his multi-volume history of Gaul; his mother had married a man named Simounet, a war veteran whose life ended in poverty and whose name Philippe rejected in favor of his more distinguished grandfather's. Jullian studied literature at university but left to pursue drawing and painting. In his later years, he resided in England but regularly spent winters in Africa. He also travelled extensively in India and Egypt. Works One of his first officially noted works was the first "artist's" label for the famous wine from Château Mouton Rothschild in 1945, in memory of the World War II victory over Germany. Jullian's book illustrations are witty, ornate, and often grotesque. He produced illustration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Berthelot
Philippe Berthelot (October 9, 1866 – November 22, 1934) was an important French diplomat, son of Marcellin Berthelot and Sophie Berthelot. He was a republican (as opposed to monarchists and the far-right leagues at the time). Born in Sèvres, Hauts-de-Seine, in his later life he entered the French diplomatic service in 1889 and joined the foreign office in 1904. In a letter to his wife from the WWI front, Henri Barbusse wrote on May 30, 1915: "Yesterday, journalists came to our trench, accompanied by Philippe Berthelot, a senior Foreign Ministry official. He talked to me without recognizing me. Soldiers here regard this king of trench tourists with irony, one can say - with contempt". He managed with Edvard Beneš in Paris and Tomáš Garrigue Masaryk in Washington a transformation of the Czechoslovak National Council on Czechoslovak Government from September to October 1918. PRECLÍK, Vratislav. Masaryk a legie (Masaryk and legions), váz. kniha, 219 str., vydalo nakla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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