Arma Christi
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Arma Christi
Arma Christi ("weapons of Christ"), or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry, and also as the weapons Christ used to achieve his conquest over Satan. There is a group, at a maximum of about 20 items, which are frequently used in Christian art, especially in the Late Middle Ages. Typically they surround either a cross or a figure of Christ of the Man of Sorrows type, either placed around the composition, or held by angels. History The prime member, the Cross, had been introduced to Christian art in the 4th century as the ''crux invicta'', a symbol of victory. As a group they have a long tradition in iconography, dating back to the 9th century; the Utrecht Psalter of 830 is an example, though the only one from the Early Middle Ages known to Gertrud Schiller. This reflected an increase in theological interest in the sufferings of Christ at the ...
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Christ As Man Of Sorrows Between Four Angels
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious leader; he is the central figure of Christianity, the world's largest religion. Most Christians believe he is the incarnation of God the Son and the awaited Messiah (the Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Jesus existed historically. Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in the Gospels. Jesus was a Galilean Jew who was circumcised, was baptized by John the Baptist, began his own ministry and was often referred to as "rabbi". Jesus debated with fellow Jews on how ...
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Purgatory
Purgatory (, borrowed into English via Anglo-Norman and Old French) is, according to the belief of some Christian denominations (mostly Catholic), an intermediate state after physical death for expiatory purification. The process of purgatory is the final purification of the elect, which is entirely different from the punishment of the damned. Tradition, by reference to certain texts of scripture, sees the process as involving a cleansing fire. Some forms of Western Christianity, particularly within Protestantism, deny its existence. Other strands of Western Christianity see purgatory as a place, perhaps filled with fire. Some concepts of Gehenna in Judaism resemble those of purgatory. The word "purgatory" has come to refer to a wide range of historical and modern conceptions of postmortem suffering short of everlasting damnation. English-speakers also use the word in a non-specific sense to mean any place or condition of suffering or torment, especially one that is tempor ...
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Crown Of Thorns
According to the New Testament, a woven crown of thorns ( or grc, ἀκάνθινος στέφανος, akanthinos stephanos, label=none) was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew (Matthew 27:29), Mark (Mark 15:17) and John (John 19:2, 19:5), and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter. Since at least around the year 400 AD, a relic believed by many to be the crown of thorns has been venerated. In 1238, the Latin Emperor Baldwin II of Constantinople yielded the relic to French King Louis IX. It was kept in the Notre-Dame Cathedral in Paris until 15 April 2019, when it was rescued from a fire and moved to the Louvre Museum. As a relic Jerusalem T ...
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Christ In Majesty
Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part ...
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Veil Of Veronica
The Veil of Veronica, or (Latin for sweat-cloth), also known as the Vernicle and often called simply the Veronica, is a Christian relic consisting of a piece of cloth said to bear an image of the Holy Face of Jesus produced by other than human means (an '' acheiropoieton'', "made without hand"). Various existing images have been claimed to be the original relic, as well as early copies of it; representations of it are also known as vernicles. The story of the image's origin is related to the sixth Station of the Cross, wherein Saint Veronica, encountering Jesus along the Via Dolorosa to Calvary, wipes the blood and sweat from his face with her veil. According to some versions, St. Veronica later traveled to Rome to present the cloth to the Roman Emperor Tiberius. The veil has been said to quench thirst, cure blindness, and even raise the dead. The first written evidence of the story is from the Middle Ages, and during the 14th century, the veil became a central icon in the Wes ...
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Andachtsbilder
''Andachtsbilder'' (singular ''Andachtsbild'', German for devotional image) is a German term often used in English in art history for Christian devotional images designed as aids for prayer or contemplation. The images "generally show holy figures extracted from a narrative context to form a highly focused, and often very emotionally powerful, vignette". The term is especially used of Northern Gothic art around the 14th and 15th centuries, when new subjects such as the ''Pietà'', '' Pensive Christ'', ''Man of Sorrows'', ''Arma Christi'', ''Veil of Veronica'', the severed head of John the Baptist, and the '' Virgin of Sorrows'' became extremely popular. Subjects and genres Traditional subjects from the narrative of the Passion of Christ such as the '' Ecce Homo'' and the ''Crucifixion of Jesus'' were also treated in the same way. Though the ''Crucifix'' had been treated as an intense, isolated image for centuries, at least as far back as the 10th century ''Gero Cross'' in ...
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Crusade
The Crusades were a series of religious wars initiated, supported, and sometimes directed by the Latin Church in the medieval period. The best known of these Crusades are those to the Holy Land in the period between 1095 and 1291 that were intended to recover Jerusalem and its surrounding area from Islamic rule. Beginning with the First Crusade, which resulted in the recovery of Jerusalem in 1099, dozens of Crusades were fought, providing a focal point of European history for centuries. In 1095, Pope Urban II proclaimed the First Crusade at the Council of Clermont. He encouraged military support for Byzantine emperor AlexiosI against the Seljuk Turks and called for an armed pilgrimage to Jerusalem. Across all social strata in western Europe, there was an enthusiastic response. The first Crusaders had a variety of motivations, including religious salvation, satisfying feudal obligations, opportunities for renown, and economic or political advantage. Later crusades were cond ...
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Nail (relic)
Relics that are claimed to be the Holy Nails with which Jesus was crucified are objects of veneration among some Christians, particularly Roman Catholics and the Eastern Orthodox. In Christian symbolism and art, they figure among the ''Arma Christi'' or Instruments of the Passion, the objects associated with the Passion of Jesus. Like the other Instruments, the Holy Nails have become an object of veneration among many Christians and have been pictured in paintings. The authenticity of these relics is doubtful. The ''Catholic Encyclopedia'' wrote: Very little reliance can be placed upon the authenticity of the thirty or more holy nails which are still venerated, or which have been venerated until recent times, in such treasuries as that of Santa Croce in Rome, or those of Venice, Aachen, the Escurial, Nuremberg, Prague, etc. Probably the majority began by professing to be facsimiles which had touched or contained filings from some other nail whose claim was more ancient. With ...
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Holy Chalice
The Holy Chalice, also known as the Holy Grail, is in Christian tradition the vessel that Jesus used at the Last Supper to serve wine. The Synoptic Gospels refer to Jesus sharing a cup of wine with the Apostles in the New Testament, Apostles, saying it was the New Covenant, covenant in his blood. The use of wine and chalice in the Eucharist in Christian churches is based on the Last Supper story. In the late 12th century, the author Robert de Boron associated the pre-existing story of the Holy Grail, a magical item from Arthurian literature, with the Holy Chalice. This association was continued in many subsequent Arthurian works, including the Lancelot-Grail (Vulgate) cycle, the Post-Vulgate Cycle, and Sir Thomas Malory's ''Le Morte d'Arthur''. A cup kept in the Spanish Cathedral of Valencia has been identified since Medieval times as the purported Holy Chalice used at the Last Supper. Last Supper The Gospel of Matthew (26:27-29) says: And He took a cup and when He had given tha ...
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Holy Sponge
The Holy Sponge is one of the Instruments of the Passion of Jesus. It was dipped in vinegar (; in some translations sour wine), most likely posca, a regular beverage of Roman soldiers, and offered to Jesus to drink from during the Crucifixion, according to Matthew 27:48, Mark 15:36, and John 19:29. History Jerusalem An object thought to be the Holy Sponge was venerated in Israel, in the Upper Room of the Constantinian basilica, where Sophronius of Jerusalem spoke of it : Rome In the Basilica di San Giovanni in Laterano in Rome, a brown sponge is venerated. Other pieces of sponge are present at the following: * the Basilica di Santa Maria Maggiore * the Basilica di Santa Maria in Trastevere * St. Mary in Campitelli Gerusalemme The Chapel of the Relics at Santa Croce in Gerusalemme houses another sponge: Constantinople and France In the 7th century, Nicetas took part in the conquest of Egypt from Phocas. He was famed for bringing items he claimed were the Holy Sponge and the ...
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Holy Lance
The Holy Lance, also known as the Lance of Longinus (named after Saint Longinus), the Spear of Destiny, or the Holy Spear, is the lance that pierced the side of Jesus as he hung on the cross during his crucifixion. Biblical references The lance ( el, λόγχη, ) is mentioned in the Gospel of John, but not the Synoptic Gospels. The gospel states that the Romans planned to break Jesus' legs, a practice known as , which was a method of hastening death during a crucifixion. Because it was the eve of the Sabbath (Friday sundown to Saturday sundown), the followers of Jesus needed to "entomb" him because of Sabbath laws. Just before they did so, they noticed that Jesus was already dead and that there was no reason to break his legs ("and no bone will be broken"). To make sure that he was dead, a Roman soldier (named in extra-Biblical tradition as Longinus) stabbed him in the side. Liturgical re-enactments The phenomenon of blood and water was considered a miracle by Origen. ...
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