Ariwara No Motokata
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Ariwara No Motokata
was a Japanese '' waka'' poet of the early Heian period. He was included in the Late Classical Thirty-Six Poetic Geniuses, and thirty-three of his poems were included in poetry collections commissioned by the court. Biography His birth and death dates are unknown, and the details of his life are also uncertain,'' Nihon Koten Bungaku Daijiten'' article "Ariwara no Motokata" (p. 100, author: Teisuke Fukui). but he was the son of Ariwara no Muneyana (died 898), the first son of Ariwara no Narihira (825—880). Who his mother was is also unknown. According to the , he was adopted by his brother-in-law . As a courtier, he held the Senior Fifth Rank, although the 14th century attributes to him the Sixth Rank. Poetry He was listed as one of the Late Classical Thirty-Six Poetic Geniuses. Thirty-three of his poems were included in court anthologies: fourteen the '' Kokin Wakashū'', eight in the '' Gosen Wakashū'', two in the '' Shūi Wakashū'', and nine more in la ...
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Fujiwara No Kunitsune
Fujiwara (, written: 藤原 lit. "'' Wisteria'' field") is a Japanese surname. (In English conversation it is likely to be rendered as .) Notable people with the surname include: ; Families * The Fujiwara clan and its members ** Fujiwara no Kamatari ** Fujiwara no Fuhito ** Fujiwara no Michinaga * Northern Fujiwara clan ** Fujiwara no Kiyohira ; Art and entertainment * Fujiwara (owarai), Japanese comedy duo (kombi) consisting of Toshifumi Fujimoto (藤本敏史) and Takayuki Haranishi (原西孝幸) * Atsushi Fujiwara (born 1963), Japanese photographer * Harry Fujiwara (Mr. Fuji) (1934 - 2016), Japanese-American wrestler * Hiroshi Fujiwara (born 1964), Japanese musician, trendsetter, producer, and designer * Kamatari Fujiwara (1905 - 1985), Japanese actor * Kei Fujiwara (born 1957), Japanese actress and film director * Keiji Fujiwara (1964 - 2020), Japanese voice actor * Motoo Fujiwara, lead singer and composer for the Japanese rock band Bump of Chicken * Tokuro Fujiwara, Ja ...
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Japanese Middle Ages
The first human inhabitants of the Japanese archipelago have been traced to prehistoric times around 30,000 BC. The Jōmon period, named after its cord-marked pottery, was followed by the Yayoi period in the first millennium BC when new inventions were introduced from Asia. During this period, the first known written reference to Japan was recorded in the Chinese ''Book of Han'' in the first century AD. Around the 3rd century BC, the Yayoi people from the continent immigrated to the Japanese archipelago and introduced iron technology and agricultural civilization. Because they had an agricultural civilization, the population of the Yayoi began to grow rapidly and ultimately overwhelmed the Jōmon people, natives of the Japanese archipelago who were hunter-gatherers. Between the fourth to ninth century, Japan's many kingdoms and tribes gradually came to be unified under a centralized government, nominally controlled by the Emperor of Japan. The imperial dynasty established at ...
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Taira No Sadafun Ga Ie No Uta-Awase
The Taira was one of the four most important clans that dominated Japanese politics during the Heian, Kamakura and Muromachi Periods of Japanese history – the others being the Fujiwara, the Tachibana, and the Minamoto. The clan is divided into four major groups, named after the emperor they descended from: Kanmu Heishi, Ninmyō Heishi, Montoku Heishi, and Kōkō Heishi. The clan is commonly referred to as or , using the character's On'yomi for ''Taira'', while means "clan", and is used as a suffix for " extended family". History Along with the Minamoto, Taira was one of the honorary surnames given by the emperors of the Heian Period (794–1185 CE) to their children and grandchildren who were not considered eligible for the throne. The clan was founded when the Imperial Court grew too large, and the emperor ordered that the descendants of previous emperors from several generations ago would no longer be princes, but would instead be given noble surnames an ...
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Kanpyō No Oontoki Kisai No Miya No Uta-awase
Kanpyō may refer to: * Kanpyō (era) (寛平), a Japanese era spanning 889 and 898 *Kanpyō (food) , sometimes romanized and pronounced , are dried shavings of ''Lagenaria siceraria'' var. ''hispida'', a variety of calabash gourd. The gourd is known as ( 夕顔) or ( フクベ) in Japanese. Kanpyō is an ingredient in traditional Edo st ...
(干瓢), a food found in Japanese cuisine {{Disambig ...
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Ninna Ninomiya Uta-awase
was a after '' Gangyō'' and before '' Kanpyō.'' This period spanned the years from February 885 through April 889. The reigning emperors were and . Change of era * January 20, 885 : The new era name was created to mark an event or series of events. The previous era ended and the new one commenced in ''Gangyō'' 9, on the 21st day of the 2nd month of 885. Events of the ''Ninna'' era * January 11, 887 (''Ninna 2, 14th day of the 12th month''): Kōkō traveled to Seri-gawa to hunt with falcons. He very much enjoyed this kind of hunting, and he often took time for this kind of activity. * September 17, 887 (''Ninna 3, 26th day of the 8th month''): Kōkō died at the age of 57. Kōkō's third son received the succession (''senso''). Shortly thereafter, Emperor Uda formally acceded to the throne (''sokui'').Brown, p. 289; Varley, p. 44; a distinct act of ''senso'' is unrecognized prior to Emperor Tenji; and all sovereigns except Jitō, Yōzei, Go-Toba, and Fushimi have ''sen ...
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Uta-awase
, poetry contests or ''waka'' matches, are a distinctive feature of the Japanese literary landscape from the Heian period. Significant to the development of Japanese poetics, the origin of group composition such as ''renga'', and a stimulus to approaching ''waka'' as a unified sequence and not only as individual units, the lasting importance of the poetic output of these occasions may be measured also from their contribution to the imperial anthologies: 92 poems of the Kokinshū and 373 of the Shin Kokinshū were drawn from ''uta-awase''. Social context , the matching of pairs of things by two sides, was one of the pastimes of the Heian court. The items matched might be , , sweet flag or iris roots, flowers, or poems. The last took on new seriousness at the end of the ninth century with the , the source of over fifty poems in the Kokinshū. The twenty-eight line diary of the devotes two of its lines to the musical accompaniments, gagaku and saibara, and four to the costumes ...
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Shin Kokin Wakashū
The , also known in abbreviated form as the or even conversationally as the Shin Kokin, is the eighth imperial anthology of waka poetry compiled by the Japanese court, beginning with the ''Kokin Wakashū'' circa 905 and ending with the ''Shinshokukokin Wakashū'' circa 1439. The name can be literally translated as "New Collection of Ancient and Modern Poems" and bears an intentional resemblance to that of the first anthology. Together with the ''Man'yōshū'' and the '' Kokinshū'', the ''Shin Kokinshū'' is widely considered to be one of the three most influential poetic anthologies in Japanese literary history. It was commissioned in 1201 by the retired emperor Go-Toba (r. 1183–1198), who established a new Bureau of Poetry at his Nijō palace with eleven Fellows,Brower 8 headed by Fujiwara no Yoshitsune, for the purpose of conducting poetry contests and compiling the anthology. Despite its emphasis on contemporary poets, the ''Shin Kokinshū'' covered a broader range of poetic ...
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Shūi Wakashū
The , often abbreviated as ''Shūishū'', is the third imperial anthology of waka from Heian period Japan. It was compiled by Emperor Kazan in about 1005.Keene 1999 : 283 Its twenty volumes contain 1,351 poems. The details of its publication and compilation are unclear. believed to be a revision and enlargement by Kazan of Kintō's manuscript." Miner, Earl, Brower, Robert H. ''Japanese Court Poetry''. Stanford University Press, 1961. LCCN 61-10925 p483 They further describe it as conservative and "dominated by Kintō's preference for smooth, inoffensive style, by attenuation". --> The ''Shūishū'' was an expansion of Fujiwara no Kintō , also known as Shijō-dainagon, was a Japanese poet, admired by his contemporaries "... Fujiwara no Kinto (966–1008), the most admired poet of the day." pg 283 of Donald Keene's ''Seeds in the Heart''. and a court bureaucrat of the Heian pe ...'s earlier anthology, the , compiled between 996 and 999. Until the early nineteenth century, ...
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Gosen Wakashū
The , often abbreviated as ''Gosenshū'' ("Later Collection"), is an imperial anthology of Japanese waka compiled in 951 at the behest of Emperor Murakami by the Five Men of the Pear Chamber: Ōnakatomi no Yoshinobu (922-991), Kiyohara no Motosuke (908-990), Minamoto no Shitagō (911-983), Ki no Tokibumi (flourished ~950), and Sakanoue no Mochiki (flourished ~950). It consists of twenty volumes containing 1,426 poems. The collection has no preface and there are no contemporary writings that explain the compilers' intentions, nor is there any evidence that it was formally presented to the Emperor. In comparison to the ''Kokin Wakashū'' which preceded it, the ''Gosenshū'' focuses more on private poems, particularly poetry exchanges. It has a large number of poems that seem more like fictional poem tales, and even the poems by named authors frequently have long prose prefaces. References * pg. 482-483 of ''Japanese Court Poetry'', Earl Miner, Robert H. Brower. 1961, Stanford Univ ...
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Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the ''waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kokinsh ...
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