Aristodemo Giorgini
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Aristodemo Giorgini
Aristodemo Giorgini (30 June 1877 – 19 January 1937) was an Italian opera singer who sang leading lyric tenor roles on the stages of Europe and North America during his 25-year career. He made numerous recordings in the early 20th century and was described by '' Gramophone Magazine'' as possessing "a sweet, steady, well-placed voice and a style distinguished by the purity of its legato." After his retirement from the stage in 1930, he taught singing in Naples, the city of his birth. Life and career Giorgini was born in Naples and studied at the Accademia di Santa Cecilia in Rome. He made an unsuccessful stage debut in Naples in 1903 after which he pursued further private vocal studies with Massimino Perilli. In 1904 he made his first recording for G&T, and the following year made his La Scala debut as Ernesto in '' Don Pasquale''. He went on to sing in most of the major opera houses in Italy. Giorgini returned to La Scala in 1910 when he had a great success as Elvino in '' La ...
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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La Gioconda (opera)
''La Gioconda'' is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito (as Tobia Gorrio), based on '' Angelo, Tyrant of Padua'', a 1835 play in prose by Victor Hugo (the same source Gaetano Rossi had used for his libretto for Mercadante's '' Il giuramento'' in 1837). First performed in 1876, ''La Gioconda'' was a major success for Ponchielli, as well as the most successful new Italian opera between Verdi's ''Aida'' (1871) and ''Otello'' (1887). It is also a famous example of the Italian genre of ''Grande opera'', the equivalent of French '' Grand-Opéra''. Ponchielli revised the work twice; the third and final version (that is used to this day) was first performed in 1880. There are several complete recordings of the opera, and it is regularly performed, especially in Italy. It is one of only a few operas that features a principal role for each of the six major voice types. The opera also includes the famous ballet ''Dance of the Hours'', oft ...
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Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ...
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The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ...
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Attilio Parelli
Attilio Enrico Paparella, known professionally as Attilio Parelli (31 May 1874 – 26 December 1944) was an Italian conductor and composer. Born in the village of Monteleone d'Orvieto, about 35 km southwest of Perugia, he studied with Cesare de Sanctis at the Accademia Nazionale di Santa Cecilia in Rome between 1891 and 1899. He started work as a conductor in Italy and Paris, before moving to the United States. From 1906 he collaborated with Cleofonte Campanini at the Manhattan Opera House and the Chicago Grand Opera Company. His most important opera, ''I dispettosi amanti'' (The Lovers' Quarrel), received its premiere at the Metropolitan Opera House, Philadelphia, in March 1912. In 1925 Parelli returned to Italy and became artistic director of the newly formed Unione Radiofonica Italiana (Italian Radio Union; now RAI) in Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy ...
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I Dispettosi Amanti
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural ''ies''. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites, because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent and this use persists in the languages that descended from Latin. The modern letter ' j' originated as a variation of 'i', and both were used interchangeably fo ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ...
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Jewels Of The Madonna
''I gioielli della Madonna'' (English: ''The Jewels of the Madonna'') is an opera in three acts by Ermanno Wolf-Ferrari to an Italian libretto by and Enrico Golisciani, based on news accounts of a real event. It was first performed at the on 23 December 1911 under the title ''Der Schmuck der Madonna''. That performance was in German, but now it is usually given in Italian. (Wolf-Ferrari stated that his operas were often first given in German simply because he had a German publisher.) The opera was given in Budapest in 1913, conducted by Fritz Reiner, who also conducted the first Dresden performance the following year.Philip Hart, Fritz Reiner, Evanston Illinois, 1994, pages 7 & 9 Its controversial themes include love between a brother and his adopted sister, implied criticism of the Catholic Church, and an on-stage orgy. There is an extant recording of the opera, made in 1967, featuring Pauline Tinsley, André Turp and Peter Glossop, conducted by Alberto Erede. It was issued ...
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Chicago Grand Opera Company
Two grand opera companies in Chicago, Illinois, have gone by the name Chicago Grand Opera Company during the first half of the 20th century. Like many opera ventures in Chicago, both succumbed to financial difficulties within a few years, and it wasn't until 1954 that a lasting company was formed in the city. First company, 1910–14 The first Chicago Grand Opera Company produced four seasons of opera in Chicago's Auditorium Theater from the fall of 1910 through January 1914. It was the first resident Chicago opera company, and was formed mostly from an arrangement by the directors of the New York Metropolitan Opera Company (at "the Old Met" on 39th Street) to acquire the assets of Oscar Hammerstein's dissolved Manhattan Opera Company. Background Hammerstein had been producing opera in competition with the Met for a number of years. His opposition, and difficulties arising from its own management disagreements cost the Metropolitan a deficit of close to $300,000 for the 190 ...
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Teatro Nacional De São Carlos
The ''Teatro Nacional de São Carlos'' () (''National Theatre of Saint Charles'') is an opera house in Lisbon, Portugal. It was opened on June 30, 1793 by Queen Maria I as a replacement for the Tejo Opera House, which was destroyed in the 1755 Lisbon earthquake. The theatre is located in the historical center of Lisbon, in the Chiado district. History In 1792, a group of Lisbon businessmen decided to finance the construction of a new Opera House in the city. The theatre was built in only six months following a design by Portuguese architect José da Costa e Silva, with neoclassical and rococo elements. The general project is clearly inspired by great Italian theatres like the San Carlo of Naples (interior) and La Scala in Milan (interior and façade). In the early 19th century, when the Portuguese Royal Court had to flee to the Portuguese colony of Brazil to escape the invading Napoleonic troops, a theatre modelled on the São Carlos was built in Rio de Janeiro. The theatr ...
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