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Argentine Painting
Argentina has a rich history of different types of art. Throughout the centuries it has changed, and finally became what it is today. An Argentine painting refers to all the pictorial production done in the country of Argentina throughout the centuries. Pre-Columbian painting Cueva de las Manos (Cave of the Hands), in Patagonia, Argentina, is an example of one such work. It has been declared a World Heritage Site by the UNESCO. Cueva de las Manos at the UNESCO: * * Other important prehistoric artwork is located in the north of Córdoba. A collection of more than 35,000 pictographs (one of the densest collections of such images in the world) is found in the hills of Colorado, Veladero, Intihuasi and Unmount. More recently, the pre-Hispanic cultures that inhabited the present territory of Argentina left a number of pictorial records. In the Andean northeast, the Ceramic Period cultures, from the Condorhuasi culture (400 BCE–700 CE) to the La Aguada (650–950 CE) and Sant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20060128 - Frescos De La Cúpula De Galerías Pacífico (Buenos Aires)
6 (six) is the natural number following 5 and preceding 7. It is a composite number and the smallest perfect number. In mathematics Six is the smallest positive integer which is neither a square number nor a prime number; it is the second smallest composite number, behind 4; its proper divisors are , and . Since 6 equals the sum of its proper divisors, it is a perfect number; 6 is the smallest of the perfect numbers. It is also the smallest Granville number, or \mathcal-perfect number. As a perfect number: *6 is related to the Mersenne prime 3, since . (The next perfect number is 28.) *6 is the only even perfect number that is not the sum of successive odd cubes. *6 is the root of the 6-aliquot tree, and is itself the aliquot sum of only one other number; the square number, . Six is the only number that is both the sum and the product of three consecutive positive numbers. Unrelated to 6's being a perfect number, a Golomb ruler of length 6 is a "perfect ruler". Six is a con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prilidiano Pueyrredón
Prilidiano Pueyrredón (January 24, 1823 – November 3, 1870) was an Argentine painter, architect and engineer. One of the country's first prominent painters, he was known for his costumbrist sensibility and preference for everyday themes. Early life Pueyrredón was the only son of Juan Martín de Pueyrredón, then the Supreme Director of the United Provinces of the Río de la Plata, and María Calixta Tellechea y Caviedes, an aristocrat. He completed his primary education at the upper-class Colegio de la Independencia. In 1835 his family relocated to Europe, where he completed his education. He spent the school year in Paris and summers in Cádiz, where his father owned a business importing Argentine leather. Six years later, as relations between France and Argentina suffered owing to the refusal of Juan Manuel de Rosas to grant commercial privileges to ships of French origin—a matter which would not be resolved until the Battle of Vuelta de Obligado a few years later— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aquiles Badi
Aquiles Badi (1894–1976) was twentieth-century Argentine painter. He was born in Buenos Aires on April 14, 1894, and died in that same city on May 8, 1976. Education Badi studied in Italy and Argentina. He spent his childhood in Milan (Italy) and studied at the Regio Collegio Tomasseo school where he earned a Technical License in 1909. That same year, at age 15, he returned to Buenos Aires to study at the National Academy of Fine Arts. Here he became a close friend of the painters Horace Butler and Héctor Basaldúa. Career After the death of his father, Badi returned to Italy in 1921, where he toured Europe with his friend Butler. He continued his studies in Paris at the Julian Academy and Le Fauconier Workshop. Over the next years of his radical life he lived in the towns of Sanary-Sur-Mer and Cagnes, France, where he met up with Raquel Forner, Alfredo Bigatti, Pedro Dominguez Neira, Alberto Moravia and Leopoldo Marechal. In 1928, Badi traveled to Buenos Aires with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris School
The School of Paris (french: École de Paris) refers to the French and émigré artists who worked in Paris in the first half of the 20th century. The School of Paris was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. ''School of Paris'' was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I the name was also applied to artists involved in the many collaborations and overlapping new art movements, between post-Impressionists and pointillism and Orphism, Fauvism and Cubism. In that period the artistic ferment took place in Montmartre and the well-established art scene there. But Picasso moved away, the war scattered almost everyone, by the 1920 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hipólito Yrigoyen
Juan Hipólito del Sagrado Corazón de Jesús Yrigoyen (; 12 July 1852 – 3 July 1933) was an Argentine politician of the Radical Civic Union and two-time President of Argentina, who served his first term from 1916 to 1922 and his second term from 1928 to 1930. He was the first president elected democratically by means of the secret and mandatory male suffrage established by the Sáenz Peña Law of 1912. His activism was the prime impetus behind the passage of that law in Argentina. Known as "the father of the poor", Yrigoyen presided over a rise in the standard of living of Argentina's working class together with the passage of a number of progressive social reforms, including improvements in factory conditions, regulation of working hours, compulsory pensions, and the introduction of a universally accessible public education system. Yrigoyen was the first nationalist president, convinced that the country had to manage its own currency and, above all, it should have con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramón Silva
Ramón Silva (August 8, 1890 - June 17, 1919) was an Argentine painter of the Post-impressionist school. Life and work Ramón Silva was born in Buenos Aires, Argentina in 1890. A self-taught painter, he learned the art beginning 1908 at the atelier managed by Martín Malharro, whose display at a 1902 Buenos Aires art exposition introduced normally conservative Argentine audiences to the Impressionist movement. The promising student was sponsored by one of the nation's foremost physicians at the time, Dr. Luis Agote, for a 1911 scholarship that took him to Paris, where he received influences from the Post-impressionist artists then current in Europe, particularly Alfred Sisley. Returning to Buenos Aires in 1915, his watercolors received little acceptance and were judged to be more akin to the Postimpressionist approach of artists such as Fernando Fader and Cesáreo Bernaldo de Quirós (the Nexos group), then still pariahs among most local critics. Preferring solitude, Silva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martín Malharro
Martín Malharro (1865–1911) was an Argentine painter that introduced Impressionism in the country in the early 20th century. Life and work Martín Malharro was born in the central Buenos Aires Province city of Azul in 1865. His childhood interest in painting led to domestic violence at home, from which he left for Buenos Aires in 1879. The struggling young artist was mentored in 1885 by publisher Roberto Payró, who encouraged him to enroll at the Society for the Stimulus of Fine Arts, where he received formal training by Francisco Romero, an Italian Argentine Realist painter, and others prominent in the genre locally, such as Ángel Della Valle and Reinaldo Giudici. Malharro was invited to the Córdoba Province ranch of José María Ramos Mejía in 1887, where, as an artist-in-residence, he gained experience as a landscape artist. An 1892 excursion into Tierra del Fuego Territory introduced him to lithographer Antonio Bosco, who trained Malharro in an art which proved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martín Malharro - Las Parvas (la Pampa De Hoy) - Google Art Project
Martin may refer to: Places * Martin City (other) * Martin County (other) * Martin Township (other) Antarctica * Martin Peninsula, Marie Byrd Land * Port Martin, Adelie Land * Point Martin, South Orkney Islands Australia * Martin, Western Australia * Martin Place, Sydney Caribbean * Martin, Saint-Jean-du-Sud, Haiti, a village in the Sud Department of Haiti Europe * Martin, Croatia, a village in Slavonia, Croatia * Martin, Slovakia, a city * Martín del Río, Aragón, Spain * Martin (Val Poschiavo), Switzerland England * Martin, Hampshire * Martin, Kent * Martin, East Lindsey, Lincolnshire, hamlet and former parish in East Lindsey district * Martin, North Kesteven, village and parish in Lincolnshire in North Kesteven district * Martin Hussingtree, Worcestershire * Martin Mere, a lake in Lancashire ** WWT Martin Mere, a wetland nature reserve that includes the lake and surrounding areas * Martin Mill, Kent North America Canada * Rural Municipality of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ángel Della Valle
Angel is a given name meaning "angel", " messenger". In the English-speaking world Angel is used for both boys and girls. From the medieval Latin masculine name ''Angelus'', which was derived from the name of the heavenly creature (itself derived from the Greek word ''ἄγγελος (angelos)'' meaning "messenger"). It has never been very common in the English-speaking world, where it is sometimes used as a feminine name in modern times. In the United States, while it is more common among girls (although not as common as Angela), it has seen some increase among boys, in particular as an English pronunciation of Spanish Ángel. Ángel is a common male name in Spanish-speaking countries. Variations * Albanian: Engjëll, Ankelo, Anxhelo * Asturian: Ánxel, Ánxelu, Xelu (short) *Bulgarian: Ангел (''Angel'') (masc.), Ангелина (''Angelina'') (fem.) * hr, Anđeo, Anđelko (masc.); Anđela, Anđelka (fem.) * French: Ange (masc.), Angèl (masc.), Angèle (fem.), Angéliqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto De La Cárcova
Ernesto de la Cárcova y Arrotea (March 3, 1866 – December 28, 1927) was an Argentine painter of the Realist school. Life and work Ernesto de la Cárcova was born in Buenos Aires, Argentina in 1866. Taking an early interest in the canvas, he studied at the local Society for the Stimulus of Fine Arts under painter Francisco Romero. He attended the prestigious Accademia Albertina in Turin, where he was trained by painter Giacomo Grosso. At the 31st Turin Fine Arts Exposition in 1890, he presented ''The Head of An Old Man'', a pastel drawing he sold to the King of Italy, Umberto I, for display at the Palazzo Quirinale in Rome. Returning to Argentina, he completed his best-known work, ''Without Bread or Work'', in 1893. Set in Buenos Aires' industrial southside during the severe recession that followed the Panic of 1890, the work is today displayed in the National Museum of Fine Art. Gaining increasing renown, he was invited to direct the Argentine Artists' Fellowship Progr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinaldo Giudici
Reinaldo Giudici (1853, Lenno – 30 August 1921, Buenos Aires) was an Italians, Italian-born Argentine painter, best known for his early Genre art, genre works in the Costumbrismo style. Biography He emigrated to Uruguay with his father when he was eight years old and they settled in Montevideo. There, he studied in the workshop of Juan Manuel Blanes. In 1876, he moved to Buenos Aires, where he was one of the first to attend classes at the newly created "Sociedad Estímulo de Bellas Artes" (SEBA).Brief biography @ the Juan Carlos Castagnino Municipal Museum of Art. In 1878, he received a grant from the Province of Buenos Aires, so he could travel to Italy and complete his studies. He worked with Cesare Maccari, a member of the art movement known as the Macchiaioli but, despite the grant, was forced to return to Argenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo Sívori
Eduardo Sívori (October 13, 1847 – June 5, 1918) was an Argentine artist widely regarded as his country's first realist painter. Life and work Born to Genoese immigrants in Buenos Aires, Sívori had harbored artistic leanings during childhood that, for family reasons, went unfulfilled. Asked by his father to join him on a business trip to Paris in 1874, Sívori took the opportunity to frequent Parisian ateliers. Returning to Buenos Aires, the experience drew him to other local painters, including his brother, Alejandro, José Aguyari and Eduardo Schiaffino, who would later become one of Argentina's best-known symbolist painters. Together, they founded the Society for the Promotion of Fine Arts in 1875, an important early milestone in the development of artisan guilds in Argentina. Sívori earned recognition for his ''Dolce far niente'' ("Sweet Do Nothing"), for which he was awarded a gold medal at the 1880 Continental Art Salon of Buenos Aires. He returned to Paris in 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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