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Areopagus (poetry)
The Areopagus is a proposed 16th-century society or club dedicated to the reformation of English poetry. The club may have involved figures such as Edmund Spenser, Gabriel Harvey, Edward Dyer and Sir Phillip Sidney. The existence of the Areopagus as a formal society was first noted by Henry Richard Fox Bourne in 1862 in his ''Memoir of Sir Philip Sidney''. There is no direct evidence that the group was more than an idea found in the correspondence between Spenser and Harvey, and if it existed its membership is uncertain. Background The first documented meeting between Sir Phillip Sidney and Gabriel Harvey occurred in the summer of 1578 at Audley End. Soon afterwards, Harvey secured a place for his friend Edmund Spenser in the house of the Earl of Leicester, Sidney's uncle, facilitating an acquaintance between the young poets. During Spenser's time with Leicester he also became acquainted with Edward Dyer. Harvey was in correspondence with all three, and classical metre was a frequ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Poetry
French poetry () is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France. French prosody and poetics The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables musique_mesurée.html"_;"title="ee_"musique_mesurée">ee_"musique_mesurée"._The_most_common_Meter_(poetry).html" "title="musique_mesurée".html" ;"title="musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée"">musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée". The most common Meter (poetry)">metric lengths are the ten-syllable line (decasyllable), the eight-syllable li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetics
Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry. History The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" and "productive". In the Western world, the development and evolution of poetics featured three artistic movements concerned with poetical composition: (i) the formalist, (2) the objectivist, and (iii) the Aristotelian. (see the '' Poetics''). Aristotle's ''Poetics'' is the first extant philosophical treatise to focus on literary theory. The work was lost to the Western world for a long time. It was available in the Middle Ages and early Renaissance only through a Latin translation of an Arabic commentary written by Averroes and translated by Hermannus Alemannus in 1256. The accurate Greek-Latin translation made by William of Moerbeke in 1278 was virtually ignored. The Arabic translation departed widely in vocabulary from the original ''P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Sidney
Mary Herbert, Countess of Pembroke (born Sidney, 27 October 1561 – 25 September 1621) was among the first Englishwomen to gain notice for her poetry and her literary patronage. By the age of 39, she was listed with her brother Philip Sidney and with Edmund Spenser and William Shakespeare among the notable authors of the day in John Bodenham's verse miscellany ''Belvidere''. Her play ''Antonius'' is widely seen as reviving interest in soliloquy based on classical models and as a likely source of Samuel Daniel's closet drama ''Cleopatra'' (1594) and of Shakespeare's ''Antony and Cleopatra'' (1607). She was also known for translating Petrarch's "Triumph of Death", for the poetry anthology '' Triumphs'', and above all for a lyrical, metrical translation of the Psalms. Biography Early life Mary Sidney was born on 27 October 1561 at Tickenhill Palace in the parish of Bewdley, Worcestershire. She was one of the seven children – three sons and four daughters – of Sir Henry Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilton Circle
The Wilton Circle were an influential group of 16th-century English poets, led by Mary Sidney. They were based at Wilton House, Wiltshire, which was run by the half-brother of Walter Raleigh. Sidney turned Wilton into a "paradise for poets", and the circle included Edmund Spenser, Michael Drayton, Sir John Davies, Abraham Fraunce, and Samuel Daniel. They are described as "the most important and influential literary circle in English history" and Mary Sidney has been called a "patroness of the muses". See also Areopagus, a similar group centered around Mary's brother, Philip Sidney Philip, also Phillip, is a male given name, derived from the Greek language, Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philip ... References {{poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old English Literature
Old English literature refers to poetry and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman conquest of England, Norman Conquest of 1066, a period often termed Anglo-Saxon England. The 7th-century work ''Cædmon's Hymn'' is often considered as the oldest surviving poem in English, as it appears in an 8th-century copy of Bede's text, the ''Ecclesiastical History of the English People''. Poetry written in the mid 12th century represents some of the latest post-Norman examples of Old English. Adherence to the grammatical rules of Old English is largely inconsistent in 12th-century work, and by the 13th century the grammar and syntax of Old English had almost completely deteriorated, giving way to the much larger Middle English literature, Middle English corpus of literature. In descending order of quantity, Old English literature consists of: sermons and saints' lives; biblical translations; translated Latin works of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Antiquity
Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome known as the Greco-Roman world. It is the period in which both Greek and Roman societies flourished and wielded huge influence throughout much of Europe, North Africa, and Western Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer (8th–7th-century BC), and continues through the emergence of Christianity (1st century AD) and the fall of the Western Roman Empire (5th-century AD). It ends with the decline of classical culture during late antiquity (250–750), a period overlapping with the Early Middle Ages (600–1000). Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Poetry
Italian poetry is a category of Italian literature. Italian poetry has its origins in the thirteenth century and has heavily influenced the poetic traditions of many European languages, including that of English. Features * Italian prosody is accentual and syllabic, much like English. The most common metrical line is the hendecasyllable, which is very similar to English iambic pentameter. Shorter lines like the ''settenario'' are used as well. * The earliest Italian poetry is rhymed. Rhymed forms of Italian poetry include the sonnet (''sonnetto''), terza rima, ottava rima, the canzone and the ballata. Beginning in the sixteenth century, unrhymed hendecasyllabic verse, known as ''verso sciolto'', became a popular alternative (compare blank verse in English). * Feminine rhymes are generally preferred over masculine rhymes. * Apocopic forms (''uom'' for ''uomo'', ''amor'' for ''amore'') and contractions (''spirto'' for ''spirito'') are common. Expanded forms of words which have bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Spenser
Edmund Spenser (; 1552/1553 – 13 January 1599) was an English poet best known for ''The Faerie Queene'', an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse and is often considered one of the greatest poets in the English language. Life Edmund Spenser was born in East Smithfield, London, around the year 1552; however, there is still some ambiguity as to the exact date of his birth. His parenthood is obscure, but he was probably the son of John Spenser, a journeyman clothmaker. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. While at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a short time secretary to John Young, Bishop of Rochester. In 1579, he published ''The Shepheardes Calender'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Shepheardes Calender
''The Shepheardes Calender'' was Edmund Spenser's first major poetic work, published in 1579. In emulation of Virgil's first work, the ''Eclogues'', Spenser wrote this series of pastorals at the commencement of his career. However, Spenser's models were rather the Renaissance eclogues of Mantuanus. The title, like the entire work, is written using deliberately archaic spellings, in order to suggest a connection to medieval literature, and to Geoffrey Chaucer in particular. The poem introduces Colin Clout, a folk character originated by John Skelton, and depicts his life as a shepherd through the twelve months of the year. The ''Calender'' encompasses considerable formal innovations, anticipating the even more virtuosic ''Countess of Pembroke's Arcadia'' (The "Old" ''Arcadia,'' 1580), the classic pastoral romance by Sir Philip Sidney, with whom Spenser was acquainted. It is also remarkable for the extensive commentary or gloss included with the work in its first publication, asc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audley End
Audley End House is a largely early 17th-century country house outside Saffron Walden, Essex, England. It is a prodigy house, known as one of the finest Jacobean houses in England. Audley End is now one-third of its original size, but is still large, with much to enjoy in its architectural features and varied collections. The house shares some similarities with Hatfield House, except that it is stone-clad as opposed to brick.Hadfield, J. (1970). ''The Shell Guide to England''. London: Michael Joseph. It is currently in the stewardship of English Heritage but long remained the family seat of the Barons Braybrooke, heirs to the estate of whom retain a portion of the contents of the house, the estate, and the right to repurchase as an incorporeal hereditament. Audley End railway station is named after the house. History Audley End was the site of Walden Abbey, a Benedictine monastery that was dissolved and granted to the Lord Chancellor Sir Thomas Audley in 1538 by Henry V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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