Ardagh Hoard
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Ardagh Hoard
The Ardagh Hoard, best known for the Ardagh Chalice, is a hoard of metalwork from the 8th and 9th centuries. Found in 1868 by two young local boys, Jim Quin and Paddy Flanagan, it is now on display in the National Museum of Ireland in Dublin. It consists of the chalice, a much plainer stemmed cup in copper-alloy, and four brooches — three elaborate pseudo-penannular ones, and one a true pennanular brooch of the thistle type; this is the latest object in the hoard, and suggests it may have been deposited around 900 AD. The chalice ranks with the Book of Kells as one of the finest known works of Insular art, indeed of Celtic art in general, and is thought to have been made in the 8th century AD. Elaborate brooches, essentially the same as those worn by important laypeople, appear to have been worn by monastic clergy to fasten vestments of the period. Find The hoard was found in late September 1868 by two boys, Jim Quin and Paddy Flanagan, digging in a potato field on the ...
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National Museum Of Ireland
The National Museum of Ireland ( ga, Ard-Mhúsaem na hÉireann) is Ireland's leading museum institution, with a strong emphasis on national and some international archaeology, Irish history, Irish art, culture, and natural history. It has three branches in Dublin, the archaeology and natural history museums adjacent on Kildare Street and Merrion Square, and a newer Decorative Arts and History branch at the former Collins Barracks, and the Country Life museum in County Mayo. History Predecessors The National Museum of Ireland descends from the amalgamation of parts of the collections of a number of Dublin cultural institutions from the 18th and 19th centuries, including primarily the Royal Dublin Society (RDS) and the Royal Irish Academy (RIA). The earliest parts of the collections are largely geological and mineralogical specimens, which the RDS collected as a means to improve the knowledge and use of such resources in Ireland. The establishment of the museum collections ...
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Ringfort
Ringforts, ring forts or ring fortresses are circular fortified settlements that were mostly built during the Bronze Age up to about the year 1000. They are found in Northern Europe, especially in Ireland. There are also many in South Wales and in Cornwall, where they are called rounds. Ringforts come in many sizes and may be made of stone or earth. Earthen ringforts would have been marked by a circular rampart (a bank and ditch), often with a stakewall. Both stone and earthen ringforts would generally have had at least one building inside. Distribution Ireland In Irish language sources they are known by a number of names: ' (anglicised ''rath'', also Welsh ''rath''), ' (anglicised ''lis''; cognate with Cornish '), ' (anglicised ''cashel''), ' (anglicised ''caher'' or ''cahir''; cognate with Welsh ', Cornish and Breton ') and ' (anglicised ''dun'' or ''doon''; cognate with Welsh and Cornish ').Edwards, Nancy. ''The Archaeology of Early Medieval Ireland''. Routledge, 20 ...
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Cloisonné
Cloisonné () is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonné enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments (''cloisons'' in French) to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the sh ...
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Filigree
Filigree (also less commonly spelled ''filagree'', and formerly written ''filigrann'' or ''filigrene'') is a form of intricate metalwork used in jewellery and other small forms of metalwork. In jewellery, it is usually of gold and silver, made with tiny beads or twisted threads, or both in combination, soldered together or to the surface of an object of the same metal and arranged in artistic motifs. It often suggests lace and remains popular in Indian and other Asian metalwork. It was popular as well in Italian, French and Portuguese metalwork from 1660 to the late 19th century. It should not be confused with ajoure jewellery work, the ajoure technique consisting of drilling holes in objects made of sheet metal. The English word filigree is shortened from the earlier use of ''filigreen'' which derives from Latin "filum" meaning thread and "granum" grain, in the sense of small bead. The Latin words gave ''filigrana'' in Italian which itself became ''filigrane'' in 17th- ...
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Lost-wax Casting
Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method. The oldest known examples of this technique are approximately 6,500-year-old (4550–4450 BC) and attributed to gold artefacts found at Bulgaria's Varna Necropolis. A copper amulet from Mehrgarh, Indus Valley civilization, in Pakistan, is dated to circa 4,000 BC. Cast copper objects, found in the Nahal Mishmar hoard in southern Israel, which belong to the Chalcolithic period (4500–3500 BC), are estimated, from carbon-14 dating, to date to circa 3500 BC. In Other examples from somewhat later periods are from Mesopotamia in the third millennium BC. Lost-wax casting was widespread in Europe until the 18th century, when a piece-moulding process came to predomi ...
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Interlace (visual Arts)
In the visual arts, interlace is a decorative element found in medieval art. In interlace, bands or portions of other motifs are looped, braided, and knotted in complex geometric patterns, often to fill a space. Interlacing is common in the Migration period art of Northern Europe, in the early medieval Insular art of Ireland and the British Isles, and Norse art of the Early Middle Ages, and in Islamic art. Intricate braided and interlaced patterns, called ''plaits'' in British usage, first appeared in late Roman art in various parts of Europe, in mosaic floors and other media. Coptic manuscripts and textiles of 5th- and 6th-century Christian Egypt are decorated with broad-strand ribbon interlace ornament bearing a "striking resemblance" to the earliest types of knotwork found in the Insular art manuscripts of Ireland and the British Isles.Mitchell et al. 1977, p. 59 History and application Northern Europe Interlace is a key feature of the "Style II" animal style decorati ...
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Thames & Hudson
Thames & Hudson (sometimes T&H for brevity) is a publisher of illustrated books in all visually creative categories: art, architecture, design, photography, fashion, film, and the performing arts. It also publishes books on archaeology, history, and popular culture. Headquartered in London, it has a sister company in New York City, and subsidiaries in Melbourne, Singapore, and Hong Kong. In Paris it has a sister company, Éditions Thames & Hudson, and a subsidiary called Interart which distributes English-language books. The Thames & Hudson group currently employs approximately 150 staff in London and approximately 65 more around the world. The publishing company was founded in 1949 by Walter and Eva Neurath, who aimed to make the world of art and the research of top scholars available to a wider public. The company's name reflects its international presence, particularly in London and New York. It remains an independent, family-owned company, and is one of the largest publish ...
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Gilt-bronze
Ormolu (; from French ''or moulu'', "ground/pounded gold") is the gilding technique of applying finely ground, high-carat gold– mercury amalgam to an object of bronze, and for objects finished in this way. The mercury is driven off in a kiln leaving behind a gold coating. The French refer to this technique as "''bronze doré''"; in English, it is known as "gilt bronze". Around 1830, legislation in France had outlawed the use of mercury for health reasons, though use continued to the 1900s. Craftsmen principally used ormolu for the decorative mountings of furniture, clocks, lighting devices, and porcelain. Process The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of mercuric nitrate is applied to a piece of copper, brass, or bronze; followed by the application of an amalgam of gold and mercury. The item is then exposed to extreme heat until the mercury vaporizes and the gold remains, adhering to the metal obje ...
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Ardagh Chalice From Below
Ardagh (Ardachadh or Ard-achadh, meaning "high field" in Irish; modern Irish: Ardach) may refer to: Places * Ardagh, County Antrim, a townland in County Antrim, Northern Ireland * Ardagh, County Cork * Ardagh, County Donegal * Ardagh, County Limerick ** Ardagh Hoard, found in 1868 * Ardagh, County Londonderry, a townland in County Londonderry, Northern Ireland * Ardagh, County Longford **Ardagh (barony) Ardagh () is a barony in County Longford, Ireland. Etymology Ardagh barony derives its name from the village of Ardagh, County Longford (from ''Árd-achadh'', "high pasture"). Location Ardagh barony is located in eastern County Longford. H ..., in County Longford * Ardagh, County Mayo, south of Ballina * Ardagh, County Sligo; see List of townlands of County Sligo Other uses * Ardagh (surname) * Ardagh Glass Group {{disambiguation, geo ...
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Bishop Of Limerick
The Bishop of Limerick is an episcopal title which takes its name after the city of Limerick in the Province of Munster, Ireland. In the Roman Catholic Church it still continues as a separate title, but in the Church of Ireland it has been united with other bishoprics. History The diocese of Limerick is one of the twenty-four dioceses established at the Synod of Rathbreasail in 1111. After the Reformation, there are parallel apostolic successions: one of the Church of Ireland and the other of the Roman Catholic Church. In the Church of Ireland, Limerick continued as a separate title until 1661 when it was combined with Ardfert and Aghadoe to form the united bishopric of Limerick, Ardfert and Aghadoe. Since 1976, the Church of Ireland see has been part of the united bishopric of Limerick and Killaloe. In the Roman Catholic Church, Limerick still remains as a separate title. The current bishop is the Most Reverend Brendan Leahy, Bishop of the Roman Catholic Diocese of Limer ...
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Viking
Vikings ; non, víkingr is the modern name given to seafaring people originally from Scandinavia (present-day Denmark, Norway and Sweden), who from the late 8th to the late 11th centuries raided, pirated, traded and settled throughout parts of Europe.Roesdahl, pp. 9–22. They also voyaged as far as the Mediterranean Sea, Mediterranean, North Africa, Volga Bulgaria, the Middle East, and Greenland, North America. In some of the countries they raided and settled in, this period is popularly known as the Viking Age, and the term "Viking" also commonly includes the inhabitants of the Scandinavian homelands as a collective whole. The Vikings had a profound impact on the Early Middle Ages, early medieval history of Scandinavia, the History of the British Isles, British Isles, France in the Middle Ages, France, Viking Age in Estonia, Estonia, and Kievan Rus'. Expert sailors and navigators aboard their characteristic longships, Vikings established Norse settlem ...
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