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Archicembalo
The archicembalo (or arcicembalo, ) was a musical instrument described by Nicola Vicentino in 1555. This was a harpsichord built with many extra keys and strings, enabling experimentation in microtonality and just intonation. Construction The archicembalo had two manuals, but unlike those on a normal harpsichord these two keyboards were used to provide extra pitches rather than a timbral difference. Both manuals contained all of the usual white and black keys, but in addition each black key was divided into two parts so that a distinction could be made between a sharp or flat note. The lower manual also included black keys between B and C, and between E and F. In total, 36 keys were available in any octave, each of which was tuned to a different pitch, as shown in the diagram of thlower manual Tuning There were two systems of tuning the archicembalo considered by Vicentino: # The most important was the extended quarter-comma meantone temperament—which, given such a wide g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archicembalo En Cents
The archicembalo (or arcicembalo, ) was a musical instrument described by Nicola Vicentino in 1555. This was a harpsichord built with many extra keys and strings, enabling experimentation in microtonality and just intonation. Construction The archicembalo had two manuals, but unlike those on a normal harpsichord these two keyboards were used to provide extra pitches rather than a timbral difference. Both manuals contained all of the usual white and black keys, but in addition each black key was divided into two parts so that a distinction could be made between a sharp or flat note. The lower manual also included black keys between B and C, and between E and F. In total, 36 keys were available in any octave, each of which was tuned to a different pitch, as shown in the diagram of thlower manual Tuning There were two systems of tuning the archicembalo considered by Vicentino: # The most important was the extended quarter-comma meantone temperament—which, given such a wide g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Vicentino
Nicola Vicentino (1511 – 1575 or 1576) was an Italian music theorist and composer of the Renaissance. He was one of the most progressive musicians of the age, inventing, among other things, a microtonal keyboard. Life Little is known of his early life. Born in Vicenza, he may have studied with Adrian Willaert in Venice, which was close by, and he acquired an early interest in the contemporary humanistic revival, including the study of ancient Greek music theory and performance practice (about which little was known, but was then being uncovered, through the work of scholars such as Girolamo Mei and Giangiorgio Trissino). At some time in the 1530s or early 1540s, he went to Ferrara, which was to become the center for experimental secular music in Italy from the middle to the end of the 16th century. Apparently, he served as a music tutor to the Duke of Ferrara and some of his family members in the House of Este, and some of Vincentino's music was sung at the court of Ferra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microtonality
Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave. In other words, a microtone may be thought of as a note that falls between the keys of a piano tuned in equal temperament. In ''Revising the musical equal temperament,'' Haye Hinrichsen defines equal temperament as “the frequency ratios of all intervals are invariant under transposition (translational shifts along the keyboard), i.e., to be constant. The standard twelve-tone ''equal temperament'' (ET), which was originally invented in ancient China and rediscovered in Europe in the 16th century, is determined by two additional conditions. Firstly the octave is divided into twelve semitones. Secondly the octave, the most fundamental of all intervals, is postulated to be pure (beatless), as described by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luzzasco Luzzaschi
Luzzasco Luzzaschi (c. 1545 – 10 September 1607) was an Italian composer, organist, and teacher of the late Renaissance. He was born and died in Ferrara, and despite evidence of travels to Rome it is assumed that Luzzaschi spent the majority of his life in his native city. He was a skilled representative of the late Italian madrigal style, along with Palestrina, Wert, Monte, Lassus, Marenzio, Gesualdo and others. Biography As a pupil of Cipriano de Rore, Luzzaschi developed his craft and eventually came to be an influential pedagogue himself. Anthony Newcomb writes: In 1564, Luzzaschi was appointed as principal organist to the d'Este court. His facility as a keyboard player must have been paramount, for his competence on Nicola Vicentino's microtonal archicembalo was actively documented throughout his career. Luzzaschi is widely remembered due to his association with the famous ''Concerto delle donne'', a private female vocal ensemble founded by Alfonso II, Duke of Fer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meantone Temperament
Meantone temperament is a musical temperament, that is a tuning system, obtained by narrowing the fifths so that their ratio is slightly less than 3:2 (making them ''narrower'' than a perfect fifth), in order to push the thirds closer to pure. Meantone temperaments are constructed the same way as Pythagorean tuning, as a stack of equal fifths, but it is a ''temperament'' in that the fifths are not pure. Notable meantone temperaments Equal temperament, obtained by making all semitones the same size, each equal to one-twelfth of an octave (with ratio the 12th root of 2 to one (:1), narrows the fifths by about 2 cents or 1/12 of a Pythagorean comma, and produces thirds that are only slightly better than in Pythagorean tuning. Equal temperament is roughly the same as 1/11 comma meantone tuning. Quarter-comma meantone, which tempers the fifths by 1/4 of a syntonic comma, is the best known type of meantone temperament, and the term ''meantone temperament'' is often used to refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude V , a form of brainstem stroke syndrome
{{disambig, geo ...
Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher traditionally called just "Claude" in English * Madame Claude, French brothel keeper Fernande Grudet (1923–2015) Places * Claude, Texas, a city * Claude, West Virginia, an unincorporated community Other uses * Allied reporting name of the Mitsubishi A5M Japanese carrier-based fighter aircraft * Claude (alligator), an albino alligator at the California Academy of Sciences See also * Claude's syndrome Claude's syndrome is a form of brainstem stroke syndrome characterized by the presence of an ipsilateral oculomotor nerve palsy, contralateral hemiparesis, contralateral ataxia, and contralateral hemiplegia of the lower face, tongue, and shoulder. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (professor Of Music)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Rika Maniates
Maria Rika Maniates (March 30, 1937 – October 20, 2011) was a Canadian musicologist who taught at the University of Toronto. She began her career as a lecturer at the University of Toronto Faculty of Music in 1965 and held various positions in the department, such as associate professor and full professor of musicology. Over the course of her career, Maniates was a member of multiple music councils and music societies and was director-at-large of the American Musicological Society. Following her retirement from the University of Toronto in 1995, she was made professor emerita. Maniates examined music in papers delivered to Canada and the United States and contributed to ''The New Grove Dictionary of Music and Musicians'' as well as various musicological journals. Early life Maniates was born on March 30, 1937, in Toronto, Ontario. She was the daughter of Sophia and Euripides Maniates and had four siblings. At age three, Maniates began studying the piano, with Margaret Butler and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Musikforschung
''Die Musikforschung'' is a quarterly peer-reviewed academic journal of musicological which since 1948 is published on behalf of the Gesellschaft für Musikforschung by Bärenreiter. The editors-in-chief are Panja Mücke (Hochschule für Musik und Darstellende Kunst Mannheim), Manuel Gervink (Hochschule für Musik Carl Maria von Weber), and Friedrich Geiger (University of Hamburg). The journal covers music history, theory, and practice. A review section discusses German and foreign-language books and scholarly editions of sheet music. Reports provide summaries of relevant congresses and conferences. Abstracting and indexing The journal is abstracted and indexed in: *Arts and Humanities Citation Index *Current Contents/Arts & Humanities * L'Année philologique *Modern Language Association Database * RILM Abstracts of Music Literature *Scopus Scopus is Elsevier's abstract and citation database launched in 2004. Scopus covers nearly 36,377 titles (22,794 active titles and 13,583 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
