|
Archibald Hartrick
Archibald Standish Hartrick (7 August 1864 – 1 February 1950) was a Scottish painter known for the quality of his lithographic work. His works covered urban scenes, landscapes and figure painting and he was a founder member of the Senefelder Club. Life and work Hartrick was born in Bangalore, the son of an officer in the British Army. The family moved to Scotland when Hartrick was two years old. His father died shortly afterwards and in due course his mother married Charles Blatherwick, a doctor and keen amateur watercolourist who had been involved in the establishment of the Royal Scottish Society of Painters in Watercolour. After attending Fettes College, Hartrick studied medicine at Edinburgh University before studying art at the Slade School of Art in London and then at both the Academie Julian and the Atelier Cormon in Paris. Hartrick spent the summer of 1886 at Pont-Aven with Paul Gauguin. In Paris he had become friends with Vincent van Gogh and Toulouse-Lautr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slade School Of Art
The UCL Slade School of Fine Art (informally The Slade) is the art school of University College London (UCL) and is based in London, England. It has been ranked as the UK's top art and design educational institution. The school is organised as a department of UCL's Faculty of Arts and Humanities. History The school traces its roots back to 1868 when lawyer and philanthropist Felix Slade (1788–1868) bequeathed funds to establish three Chairs in Fine Art, to be based at Oxford University, Cambridge University and University College London, where six studentships were endowed. Distinguished past teachers include Henry Tonks, Wilson Steer, Randolph Schwabe, William Coldstream, Andrew Forge, Lucian Freud, Phyllida Barlow, John Hilliard, Bruce McLean, Alfred Gerrard. Edward Allington was Professor of Fine Art and Head of Graduate Sculpture until his death in 2017. Two of its most important periods were immediately before, and immediately after, the turn of the twentieth c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Jones (artist-poet)
Walter David Jones CH, CBE (1 November 1895 – 28 October 1974) was a painter and modernist poet of partly Welsh background. As a painter he worked mainly in watercolour on portraits and animal, landscape, legendary and religious subjects. He was also a wood-engraver and inscription painter. In 1965, Kenneth Clark took him to be the best living British painter, while both T. S. Eliot and W. H. Auden put his poetry among the best written in their century. Jones's work gains form from his Christian faith and Welsh heritage. Biography Early life Jones was born at Arabin Road, Brockley, Kent, now a suburb of South East London, and later lived in nearby Howson Road. His father, James Jones, was born in Flintshire in north Wales, to a Welsh-speaking family, but he was discouraged from speaking Welsh by his father, who believed that habitual use of the language might hold his child back in a career. James Jones moved to London to work as a printer's overseer for the ''Christian Heral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central School Of Art
The Central School of Art and Design was a public school of fine and applied arts in London, England. It offered foundation and degree level courses. It was established in 1896 by the London County Council as the Central School of Arts and Crafts. Central became part of the London Institute in 1986, and in 1989 merged with Saint Martin's School of Art to form Central Saint Martins College of Arts and Design. History The Central School of Arts and Crafts was established in 1896 by the London County Council. It grew directly from the Arts and Crafts movement of William Morris and John Ruskin. The first principal – from 1896 to 1900 as co-principal with George Frampton – was the architect William Richard Lethaby, from 1896 until 1912; a blue plaque in his memory was erected in 1957. He was succeeded in 1912 by Fred Burridge. The school was at first housed in Morley Hall, rented from the Regent Street Polytechnic. In 1908 it moved to purpose-built premises in Southampton Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camberwell School Of Art
Camberwell College of Arts is a public tertiary art school in Camberwell, in London, England. It is one of the six constituent colleges of the University of the Arts London. It offers further and higher education programmes, including postgraduate and PhD awards. The college has retained single degree options within Fine Art, offering specialist Bachelor of Arts courses in painting, sculpture, photography and drawing. It also runs graduate and postgraduate courses in art conservation and fine art as well as design courses such as graphic design, illustration and 3D design. It was established as the Camberwell School of Arts and Crafts in 1898, and adopted its present name in 1989. History The history of the College is closely linked with that of the South London Gallery, with which the College shares its site. The manager of the South London Working Men's College in 1868, William Rossiter, purchased the freehold of Portland House on which the College now stands in 1889. The re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tresham
Tresham is a village in Gloucestershire, England. It was transferred back from the county of Avon in 1991, having been in Gloucestershire before 1972. It is now in Stroud District, and forms part of the civil parish of Hillesley and Tresham Hillesley and Tresham is a civil parish in the Stroud District of Gloucestershire, England. It had a population of 591 according to the 2001 census, decreasing to 391 at the 2011 census. The parish contains the villages of Hillesley and Tresham .... It is on the Monarch's Way and near the Cotswold Way (). According to Pevsner, Tresham Church dates from about 1855. Burden Court Farm was originally the home of Charles II's Lord Chief Justice Sir Matthew Hale (1609–76). It was later the home of Lord (Jack) and Lady (Frances) Donaldson. External links Villages in Gloucestershire Stroud District {{Gloucestershire-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New English Art Club
The New English Art Club (NEAC) was founded in London in 1885 as an alternative venue to the Royal Academy. It continues to hold an annual exhibition of paintings and drawings at the Mall Galleries in London, exhibiting works by both members and artists from Britain and abroad whose work has been selected from an annual open submission. History Young English artists returning from studying art in Paris mounted the first exhibition of the New English Art Club in April 1886. Among them were William Laidlay, Thomas Cooper Gotch, Frank Bramley, John Singer Sargent, Philip Wilson Steer, George Clausen and Stanhope Forbes. Another founding member was G. P. Jacomb-Hood. An early name suggested for the group was the 'Society of Anglo-French Painters', which gives some indication of their origins. As a note in the catalogue to their first exhibition explained, 'This Club consists of 50 Members, who are more or less united in their art sympathies. They have associated themselves togethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pall Mall Budget
The ''Pall Mall Budget'' was a weekly magazine published in London from 1868 until 1920. It was a weekly digest of articles from evening newspaper ''The Pall Mall Gazette'' (1865 to 1923). The ''Pall Mall Budget'' was re-launched in 1893 by William Waldorf Astor. C. Lewis Hind was its editor from 1893 to 1895. The full title in 1869, as displayed on the title page of Volume 2 as bound, was ''The PALL MALL BUDGET Being a Weekly Collection of Articles Printed in the PALL MALL GAZETTE from day to day: With a Summary of News.'' References External links ''The Pall Mall Budget''at Hathitrust Digital Library (holdings from 1869 to 1889) News magazines published in the United Kingdom Weekly magazines published in the United Kingdom Defunct magazines published in the United Kingdom Magazines published in London Magazines established in 1868 Magazines disestablished in 1920 Budget A budget is a calculation play, usually but not always financial, for a defined period, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ludgate Monthly
''The Ludgate Monthly'' was a London-based monthly magazine, which published short fiction and articles of general interest. There were 118 issues from May 1891 to February 1901; the magazine then merged with ''The Universal Magazine''. The magazine was published from May 1891 to October 1893 under the title ''The Ludgate Monthly'' for 30 issues, from November 1893 to October 1895 under the title ''The Ludgate Illustrated Magazine'' for 24 issues, from November 1895 to February 1901 under the title ''The Ludgate'' for 64 issues, and was then merged into ''The Universal Magazine''. ''The Ludgate Weekly'' was a spinoff magazine which lasted less than a year (from 5 March to 1 October 1892); the first issue of this weekly had a Conan Doyle stor''The Great Brown-Pericord Motor'' Philip May (the novelist, not the caricaturist Phil May), was the editor of ''The Ludgate Monthly'' from its 1891 inception (selling for three pence per copy) to 1894. The first issue contained stories by R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daily Chronicle
The 'Daily Chronicle' was a British newspaper that was published from 1872 to 1930 when it merged with the ''Daily News (UK), Daily News'' to become the ''News Chronicle''. Foundation The ''Daily Chronicle'' was developed by Edward Lloyd (publisher), Edward Lloyd out of a local newspaper that had started life as the ''Clerkenwell News and Domestic Intelligencer'', set up as a halfpenny 4-page weekly in 1855. Launched after the duties on advertising and published news had been abolished in 1853 and July 1855, this local paper specialised in small personal ads. At first, it carried about three times as much advertising as it did local news. As the formula proved popular, it grew in size and frequency and often changed its name to match. In 1872, it finally changed from the ''London Daily Chronicle and Clerkenwell News'' to plain ''Daily Chronicle''. It was then being published daily in eight pages, half of which were news and half advertising. Edward Lloyd was keenly interested i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black And White (magazine)
''Black and White: A Weekly Illustrated Record and Review'' was a British Victorian-era illustrated weekly periodical founded in 1891 by Charles Norris Williamson. In 1912, it was incorporated with ''The Sphere''. History and contributors Black & White magazine published fiction by Henry James, Bram Stoker, H. G. Wells, Robert Barr, A. E. W. Mason, Jerome K. Jerome and E. Nesbit. Others who wrote for ''Black and White'' included Samuel Bensusan, J. Keighley Snowden, Philip Howard Colomb, Nora Hopper, Henry Dawson Lowry, Robert Wilson Lynd, Theodore Bent, and Barry Pain. In its first year, ''Black and White'' published "A Straggler of '15", a short story by Conan Doyle, and began serializing "The South Seas", a series of letters by Robert Louis Stevenson.ODNB May Sinclair published her first short story, "A Study From Life", in the magazine in November 1895. The periodical carried art by Harry Furniss, Mortimer Menpes, and Richard Caton Woodville; and photography by Hora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
