Archduke Leopold William Of Austria
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Archduke Leopold William Of Austria
Archduke Leopold Wilhelm of Austria (5 January 1614 – 20 November 1662), younger brother of Emperor Ferdinand III, was an Austrian soldier, administrator and patron of the arts. He held a number of military commands, with limited success, and served as Governor of the Spanish Netherlands, before returning to Vienna in 1656. Despite being nominated as Holy Roman Emperor after Ferdinand's death in 1657, he stood aside in favour of his nephew Leopold I. His main interest was in art, and he patronised artists including David Teniers the Younger, Frans Snyders, Peter Snayers, Daniel Seghers, Peter Franchoys, Frans Wouters, Jan van den Hoecke and Pieter Thijs. His collection of 17th century Venetian and Dutch paintings are now held by the Kunsthistorisches Museum in Vienna. Life Born at Wiener Neustadt on 5 January, 1614, he was the sixth of seven children born to Emperor Ferdinand II (1578-1637) and his first wife, Maria Anna of Bavaria (1574–1616). His elder brother became ...
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Pieter Thijs
Pieter Thijs, Peter Thijs or Pieter Thys (Antwerp, 1624 – Antwerp, 1677) was a Flemish painter of portraits as well as religious and history paintings. He was a very successful artist who worked for the courts in Brussels and The Hague as well as for many religious institutions. His work was close to the courtly and elegant style of Anthony van Dyck and his followers.Sanzsalazar, J. (2009). Una nueva pintura de Peter Thijs identificada en la Colegiata de Santa Gertrudis de Nivelles (Valonia).Archivo Español de Arte, 82(325): 79-86 Life Pieter Thijs was born in a modest family as the son of a baker. Thijs had three masters. He trained with Artus Deurwerdeers as a cabinet painter, in the style practiced in the workshop of Frans Francken the Younger, the father-in-law of Deurwerdeers. It is only after moving to the workshop of Anthony van Dyck that Thijs learned portrait and history painting and started copying the great masters. He is considered to be van Dyck's last pupil. ...
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Grand Master Of The Teutonic Order
The Grand Master of the Teutonic Order (german: Hochmeister des Deutschen Ordens; la, Magister generalis Ordo Teutonicus) is the supreme head of the Teutonic Order. It is equivalent to the grand master of other military orders and the superior general in non-military Roman Catholic religious orders. ''Hochmeister'', literally "high master", is only used in reference to the Teutonic Order, as ''Großmeister'' ("grand master") is used in German to refer to the leaders of other orders of knighthood. An early version of the full title in Latin was ''Magister Hospitalis Sanctae Mariae Alemannorum Hierosolymitani''. Since 1216, the full title ''Magister Hospitalis Domus Sanctae Mariae Teutonicorum Hierosolymitani'' ("Master of the Hospital House of the Blessed Virgin Mary of the Germans of Jerusalem") was used. The offices of ''Hochmeister'' and ''Deutschmeister'' (''Magister Germaniae'') were united in 1525. The title of ''Magister Germaniae'' had been introduced in 1219 as th ...
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Archduke Leopold Wilhelm Of Austria By David Teniers D
Archduke (feminine: Archduchess; German: ''Erzherzog'', feminine form: ''Erzherzogin'') was the title borne from 1358 by the Habsburg rulers of the Archduchy of Austria, and later by all senior members of that dynasty. It denotes a rank within the former Holy Roman Empire (962–1806), which was below that of Emperor and King, roughly equal to Grand Duke, but above that of a Prince and Duke. The territory ruled by an Archduke or Archduchess was called an Archduchy. All remaining Archduchies ceased to exist in 1918. The current head of the House of Habsburg is Karl von Habsburg. Terminology The English word is first recorded in 1530, derived from Middle French ', a 15th-century derivation from Medieval Latin ', from Latin ''-'' (Greek ) meaning "authority" or "primary" (see '' arch-'') and ' "duke" (literally "leader"). "Archduke" (german: Erzherzog; nl, Aartshertog) is a title distinct from "Grand Duke" (french: Grand-Duc; lb, Groussherzog; german: Großherzog; nl, Groother ...
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Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term ''Kunsthistorisches Museum'' applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide. Emperor Franz Joseph I of Austria-Hungary opened the facility around 1891 at the same time as the Natural History Museum, Vienna which has a similar design and is directly across Maria-Theresien-Platz. The two buildings were constructed between 1871 and 1891 according to plans by Gottfried Semper and Baron Karl von Hasenauer. The emperor commissioned the two Ringstraße museums to create a suitable home for the Habsburgs' formidable art collection and to make it accessible to the general public. The buildings are rectangular in shape, with symmetrical ...
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Dutch Golden Age Painting
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south. The upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art had to reinvent itself almost entirely, a task in which it was very largely successful. The painting of religious subjects declined very sharply, but a large new market for all kinds of secular subjects grew up. Although Dutch painting of the Golden Age is included in the general European period of Baroque painting, and often shows many o ...
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Venetian Painting
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.Gardner, p. 679. By chance, the main phases of Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, when Venetian painters enjoyed great success around Europe, as Baroque painting turned to Rococo. This had ended c ...
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Jan Van Den Hoecke
Jan van den Hoecke ( – 1651) was a Flemish painter, draughtsman and designer of wall tapestries. He was one of the principal assistants in Rubens' studio in the 1630s. He later traveled to Italy where he resided for a decade in Rome. He subsequently worked as a court painter in Vienna and Brussels. Jan van den Hoecke was a versatile artist who created portraits as well as history and allegorical paintings.Matthias Depoorter, ''Jan van den Hoecke''
at Barok in Vlaanderen


Life

Jan van den Hoecke ...
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Frans Wouters
Frans Wouters (1612–1659) was a Flemish Baroque painter who translated the monumental Baroque style of Peter Paul Rubens into the small context of cabinet paintings. He was a court painter to the Roman Emperor and the Prince of Wales and was active as an ambassador and art dealer. Life Frans Wouters was born in Lier, present-day Belgium. He was first apprenticed to Pieter van Avont in Antwerp in 1629 but broke his contract to move to the workshop of Rubens in 1634. He became a master in the Guild of St. Luke the following year.Frans Wouters
at the
He participated, under the direction of Rubens, in the decoration of the city of ...
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Peter Franchoys
Peter, Peeter or Pieter Franchoys or Francois (1606 in Mechelen – 1654 in Mechelen) was a Flemish Baroque painter, who is mainly known for his portraits and religious paintings. Life He studied painting with his father, Lucas Franchoys the Elder, and later, according to the early biographer Cornelis de Bie, with Gerard Seghers in Antwerp. He is subsequently recorded in Brussels, where he worked for the governor of the Southern Netherlands Archduke Leopold Wilhelm of Austria. In 1631 he traveled to France and is recorded in Paris and Fontainebleau. He returned to Mechelen in 1635.Hans Vlieghe. "Franchoys."
Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 April 2014
In 1646 he became a member of the Mechelen ''

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Daniel Seghers
Daniël Seghers or Daniel Seghers (3 December 1590 – 2 November 1661) was a Flemish Jesuit brother and painter who specialized in flower still lifes. He is particularly well known for his contributions to the genre of flower garland painting.Irene Haberland, "Seghers, Daniel," ''Grove Art Online''. Oxford University Press, ccessed 15 February 2015 His paintings were collected enthusiastically by aristocratic patrons and he had numerous followers and imitators.John Rupert Martin, "A Portrait of Rubens by Daniel Seghers," ''Record of the Art Museum, Princeton University'', vol. 17 (1958), pp. 2–20. Life Seghers was born in Antwerp. He moved with his mother to the Dutch Republic, probably Utrecht around 1601, following the death of his father Pieter and the conversion of his mother to Calvinism.
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Peter Snayers
Peter Snayers or Pieter Snayers (1592–1667) was a Flemish painter known for his panoramic battle scenes, depictions of cavalry skirmishes, attacks on villages, coaches and convoys and hunting scenes. (p. 241-243, v.1; plate 92, v.2)Hans Vlieghe, Flemish Art and Architecture 1585–1700', New Haven: Yale University Press (1998): 173. He established his reputation mainly through his topographic battle scenes providing a bird's eye view over the battlefield. He was a regular collaborator of local landscape painters and also Rubens. After starting his career in Antwerp, he moved to Brussels where he worked for the court. He was the principal military iconographer of the court in Brussels and the appointed court painter with the rank of lieutenant-colonel.David Kunzle, ''From Criminal to Courtier: The Soldier in Netherlandish Art 1550–1672'', Brill, 1 Jan 2002, pp. 309–313 Life Snayers was born in Antwerp, where he was baptized on 24 November 1592.
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Frans Snyders
Frans Snyders or Frans Snijders (11 November 1579, Antwerp – 19 August 1657, Antwerp) was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the earliest specialist animaliers and he is credited with initiating a wide variety of new still-life and animal subjects in Antwerp. He was a regular collaborator with leading Antwerp painters such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens.Matthias Depoorter, ''Frans Snijders''
at barokinvlaanderen


Life

Snyders was born in as the son of Jan Snijders, the keeper of a wine inn frequented by artists. According to legend the famous 16th-century paint ...
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