Arabic Dance
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Arabic Dance
Arab folk dances ( ar, رقص عربي, raqs ʿarabiyy), also referred to as Oriental dance, Middle-Eastern dance and Eastern dance, are the traditional folk dances of the Arabs in Arab world. Arab dance has many different styles, including the three main types of folklore, classical, and contemporary. It is enjoyed and implemented throughout the Arab region, from North Africa to the Middle East. The term "Arabic dance" is often associated with the belly dance. However, there are many styles of traditional Arab dance and many of them have a long history. These may be folk dances, or dances that were once performed as rituals or as entertainment spectacle, and some may have been performed in the imperial court. Coalescence of oral storytelling, poetry recital, and music has a long-standing tradition in Arab history. Among the best-known of the Arab traditional dances are the belly dance, the ardah, and the dabke. Traditional dancing is still popular among expatriate Arabs an ...
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Dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athlet ...
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Middle East
The Middle East ( ar, الشرق الأوسط, ISO 233: ) is a geopolitical region commonly encompassing Arabian Peninsula, Arabia (including the Arabian Peninsula and Bahrain), Anatolia, Asia Minor (Asian part of Turkey except Hatay Province), East Thrace (European part of Turkey), Egypt, Iran, the Levant (including Syria (region), Ash-Shām and Cyprus), Mesopotamia (modern-day Iraq), and the Socotra Governorate, Socotra Archipelago (a part of Yemen). The term came into widespread usage as a replacement of the term Near East (as opposed to the Far East) beginning in the early 20th century. The term "Middle East" has led to some confusion over its changing definitions, and has been viewed by some to be discriminatory or too Eurocentrism, Eurocentric. The region includes the vast majority of the territories included in the closely associated definition of Western Asia (including Iran), but without the South Caucasus, and additionally includes all of Egypt (not just the Sina ...
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French Campaign In Egypt And Syria
The French campaign in Egypt and Syria (1798–1801) was Napoleon Bonaparte's campaign in the Ottoman territories of Egypt and Syria, proclaimed to defend French trade interests, to establish scientific enterprise in the region. It was the primary purpose of the Mediterranean campaign of 1798, a series of naval engagements that included the capture of Malta and the Greek island Crete, later arriving in the Port of Alexandria. The campaign ended in defeat for Napoleon, leading to the withdrawal of French troops from the region. On the scientific front, the expedition eventually led to the discovery of the Rosetta Stone, creating the field of Egyptology. Despite early victories and an initially successful expedition into Syria, Napoleon and his Armée d'Orient were eventually defeated and forced to withdraw, especially after suffering the defeat of the supporting French fleet at the Battle of the Nile. Preparations and voyage Proposal At the time of the invasion, the ...
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Sacred Dance
Sacred dance is the use of dance in religious ceremonies and rituals, present in most religions throughout history and prehistory. Its connection with the human body and fertility has caused it to be forbidden by some religions; for example, some branches of Christianity and Islam have prohibited dancing. Dance has formed a major element of worship in Hindu temples, with strictly formalized styles such as Bharatanatyam, which require skilled dancers and temple musicians. In the 20th century, sacred dance has been revived by choreographers such as Bernhard Wosien as a means of developing community spirit. Purposes The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses Demeter and Persephone; making the body suitable as a temporary dwelling-place ...
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Lower Social Class
A social class is a grouping of people into a set of hierarchical social categories, the most common being the upper, middle and lower classes. Membership in a social class can for example be dependent on education, wealth, occupation, income, and belonging to a particular subculture or social network. "Class" is a subject of analysis for sociologists, political scientists, anthropologists and social historians. The term has a wide range of sometimes conflicting meanings, and there is no broad consensus on a definition of "class". Some people argue that due to social mobility, class boundaries do not exist. In common parlance, the term "social class" is usually synonymous with "socio-economic class", defined as "people having the same social, economic, cultural, political or educational status", e.g., "the working class"; "an emerging professional class". However, academics distinguish social class from socioeconomic status, using the former to refer to one's relatively stabl ...
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Arabic Nouns And Adjectives
Arabic nouns and adjectives are declined according to case, state, gender and number. While this is strictly true in Classical Arabic, in colloquial or spoken Arabic, there are a number of simplifications such as loss of certain final vowels and loss of case. A number of derivational processes exist for forming new nouns and adjectives. Adverbs can be formed from adjectives. Noun and adjective inflection (Classical Arabic) Nouns ( ') and adjectives in Classical Arabic are declined according to the following properties: * '' Case'' ( ') (nominative, genitive, and accusative) * ''State'' (indefinite, definite or construct) * ''Gender'' (masculine or feminine): an inherent characteristic of nouns, but part of the declension of adjectives * ''Number'' (singular, dual or plural) Nouns are normally given in their pausal form. For example, ' "king" would be declined as ' "king (nominative singular indefinite)", ' "the king (nominative singular definite)", etc. A feminine noun l ...
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Baladi
Baladi ( ar, بلدي ' relative-adjective 'of town', 'local', 'rural', comparable to English ''folk'', with a lower-class connotation) can refer to an Egyptian musical style, the folk style of Egyptian bellydance (Raqs Baladi), or the Masmoudi Sogheir rhythm, which is frequently used in baladi music. It is also sometimes spelled in English as 'beledi' or 'baladee'. In Egypt, the term ''baladi'' does not only apply to local music and dance, and can also apply to many other things that are considered native, rural, rustic or traditional, for example ' baladi bread' or 'Aish Baladi". It is also applied to kinds of food and mostly to fruits and vegetables coming from rural villages. Baladi music and dance ''Baladi'' means 'of the country' and is a style of Egyptian folk dance from the early 20th century which is still very popular. Thus, ''Egyptian Beledi'' means 'of the country of Egypt'. It came about when farmers moved to the city and began dancing in small spaces. Egyptians ...
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Debke
''Dabke'' ( ar, دبكة also spelled ''dabka'', ''dubki'', ''dabkeh'', plural ''dabkaat'') is a Levantine Arab folk dance. Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and leader of the ''dabke'' heads the line, alternating between facing the audience and the other dancers. In English, it can be transcribed as ''dabka'', ''dabki'', ''dabkeh''. Etymology and history The etymology of 'dabke' is uncertain but is thought to be derived from the Levantine Arabic word ''dabaka'' ( ar, دبكة) meaning "stamping of the feet" or "to make a noise". The dabkeh jumps may have originated in ancient Canaanite fertility rituals related to agriculture, chasing off evil spirits and protecting young plants. According to Lebanese historian Youssef Ibrahim Yazbec, the dabke descends from Phoenician dances thousands of years old. Another theory is that stomping part of dabke started out as a way o ...
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Arab Diaspora
Arab diaspora (also known as MENA diaspora, as a short version for the Middle East and North Africa diaspora) refers to descendants of the Arab people, Arab Emigration, emigrants who, voluntarily or as refugees, emigrated from their native lands to non-Arab countries, primarily in Central America, South America, Europe, North America, and parts of Southeast Asia, the Caribbean, and West Africa. In a more specific view, emigrants from Arab countries, such as Sudan or the Palestinian territories, also make up important national groups of their countries' diaspora in other Arab states, such as the Arab states of the Persian Gulf, Gulf states or Saudi Arabia. Overview Arab expatriates contribute to the circulation of financial and human capital in the region and thus significantly promote regional development. In 2009 Arab countries received a total of US$35.1 billion in remittance in-flows and remittances sent to Jordan, Egypt and Lebanon from other Arab countries are 40 to 190 per ...
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Dabke
''Dabke'' ( ar, دبكة also spelled ''dabka'', ''dubki'', ''dabkeh'', plural ''dabkaat'') is a Levantine Arab folk dance. Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and leader of the ''dabke'' heads the line, alternating between facing the audience and the other dancers. In English, it can be transcribed as ''dabka'', ''dabki'', ''dabkeh''. Etymology and history The etymology of 'dabke' is uncertain but is thought to be derived from the Levantine Arabic word ''dabaka'' ( ar, دبكة) meaning "stamping of the feet" or "to make a noise". The dabkeh jumps may have originated in ancient Canaanite fertility rituals related to agriculture, chasing off evil spirits and protecting young plants. According to Lebanese historian Youssef Ibrahim Yazbec, the dabke descends from Phoenician dances thousands of years old. Another theory is that stomping part of dabke started out as a way o ...
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