|
Arabian Nights (album)
''Arabian Nights'' is the second studio album recorded by American female vocal trio The Ritchie Family, released in 1976 on the Marlin Records, Marlin label. History The album features the track, "The Best Disco in Town", which peaked at No. 1 on the Dance Club Songs, Hot Dance/Disco chart, No. 17 on the Billboard Hot 100, and No. 12 on the Hot Soul Singles chart. Track listing Personnel *Cheryl Mason Jacks, Cassandra Ann Wooten, Gwendolyn Oliver – vocals *Don Renaldo – strings, horns *Richie Rome – electric piano, acoustic piano *Earl Young (drummer), Earl Young, Charles Collins – drums *Ronnie Baker (musician), Ron Baker, Michael "Sugar Bear" Foreman – bass *Craig Snyder, Norman Harris (musician), Norman Harris, Bobby Eli – guitars *Nick D'Amico – percussion *Larry Washington, – congas *Buddy Turner, Johnny Belmon, Jerry Atkins, James Gitp, Craig Jamerson, William Brown – male vocals Production *Jacques Morali, Richie R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ritchie Family
The Ritchie Family are an American vocal group based in Philadelphia that achieved several hits during the disco era. They have reunited and continue to perform. Their latest single "Whatcha Got" was released in 2021. Background The three original members were not related; the group was a creation of Jacques Morali who also formed the Village People. The group took its name from record producer Richie Rome, who added a T to the name; it originally consisted of three singers: Cassandra Ann Wooten and Gwendolyn Oliver (who eventually married musician Fred Wesley) of the girl group Honey & the Bees, and Cheryl Mason Jacks. Their manager was Jimmy Bishop, a successful Philadelphia radio personality who also managed Barbara Mason. Morali remembered Wooten and Oliver had done some session work for him, and he called them a few years later when he wanted to form a group and the Ritchie Family was born. Following ''Brazil'', they had success with the ''Arabian Nights'' album. Their fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Istanbul (Not Constantinople)
"Istanbul (Not Constantinople)" is a 1953 novelty song, with lyrics by Jimmy Kennedy and music by Nat Simon. It was written on the 500th anniversary of the fall of Constantinople to the Ottomans. The lyrics humorously refer to the official renaming of the city of Constantinople to Istanbul. The song's original release, performed by The Four Lads, was certified as a gold record. Numerous cover versions have been recorded over the years, most famously a 1990 rock version by They Might Be Giants. Musical influences The song is said to be a response to "C-O-N-S-T-A-N-T-I-N-O-P-L-E" recorded in 1928 by Paul Whiteman and His Orchestra. The Four Lads original version "Istanbul (Not Constantinople)" was originally recorded by the Canadian vocal quartet The Four Lads on August 12, 1953. This recording was released by Columbia Records as catalog number 40082. It first reached the ''Billboard'' magazine charts on October 24, 1953, and it peaked at #10. It was the group's first gold record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box Magazine
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1952, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Tarsia
Joseph Dominick Tarsia (September 23, 1934 – November 1, 2022) was an American recording studio owner and engineer from Philadelphia who was credited on many classic pop music tracks, earning him over 150 gold and platinum record awards. He was the founder and owner of the Sigma Sound Studios, which was the recording base of Gamble and Huff's Philadelphia International Records. Tarsia's recordings between the 1960s and 1980s were noteworthy for their clarity and aural definition, achieved years before the digital era. Biography Tarsia took technical courses in high school before taking a position with the research department of Philco Corporation, which lasted for a decade. Later, he became a service technician for various Philadelphia recording studios. He traveled to New York City to mix with top audio engineers. Around 1961, he took an audio engineering position with Cameo Parkway Records. Cameo Parkway's artists included Chubby Checker, Bobby Rydell, The Orlons, The Tymes, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Eli
Bobby Eli is an American musician, arranger, composer and record producer from Philadelphia. He is a founding member and lead guitarist of Philadelphia studio band MFSB. Overview A multi-instrumentalist, producer, songwriter and arranger, Eli's contributions can be heard on recordings by many artists, including Teddy Pendergrass, The Jacksons, Chris Brown, David Bowie, Jay-Z, Hall and Oates, Patti LaBelle, Elton John, Phyllis Hyman, B.B. King, Billy Paul, Wilson Pickett, George Clinton, The Spinners, The Temptations, The Stylistics, The Trammps, Curtis Mayfield, The Sapphires and Shaggy. He was a regular session player for Gamble & Huff's Philadelphia International label in the 1970s. His credits as a songwriter include million-selling singles, "Love Won't Let Me Wait", by Major Harris (#1 R&B, #5 pop, 1975), which he also produced and arranged; "Just Don't Want To Be Lonely" by the Main Ingredient (#8 R&B, #10 pop, 1974); and Blue Magic's "Sideshow" (#1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Harris (musician)
Norman Ray Harris (October 14, 1947 – March 20, 1987) was an American guitarist, producer, music arranger and songwriter, closely associated with Philly soul. He was a founding member of MFSB, the Philadelphia studio band, and one of the Baker-Harris-Young record production trio. Career Harris was a leading arranger for Kenny Gamble and Leon Huff's Philadelphia International Records label in its early years during the 1970s and played guitar on many recording sessions. He also played with Vince Montana's Salsoul Orchestra when several members of MFSB left after financial disagreements with Gamble-Huff in 1974. He later founded his own production company in the mid-1970s called The Harris Machine. In 1980, he released his only solo album, ''The Harris Machine'', on Philadelphia International. Harris started teaching himself guitar in his teens and began his career in local clubs, often with bassist Ronnie Baker and later drummer Earl Young, and in the house band at the Upt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Baker (musician)
Ronald Baker (1947 – 1990) was an American record producer, bassist, arranger and songwriter. He participated on many Gamble and Huff recordings and was one-third of the production team Baker-Harris-Young. He was one of The Trammps, who are best known for their hit "Disco Inferno", which hit #11 on the Billboard Hot 100 in 1978. In 2016, Baker was posthumously inducted into the Musicians Hall of Fame and Museum The Musicians Hall of Fame and Museum (MHOF) in Nashville honors all musicians regardless of genre or instrument. The MHOF timeline starts with the beginning of recorded music and inductees are nominated by current members of the American Feder .... References 1947 births 1990 deaths 20th-century American bass guitarists MFSB members Salsoul Orchestra members The Trammps members {{US-bass-guitarist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl Young (drummer)
Earl Donald Young (born June 2, 1940) is a Philadelphia-based drummer who rose to prominence in the early 1970s as part of the Philly Soul sound. Young is best known as the founder and leader of The Trammps who had a hit record with "Disco Inferno". Young, along with Ronnie Baker and Norman Harris (the trio best known as Baker-Harris-Young), was the owner of the Golden Fleece record label. Career Young is seen as the inventor of the disco style of rock drumming (in Harold Melvin & The Blue Notes's "The Love I Lost" from 1973), and is often credited with popularizing four-on-the-floor bass drum beats, and as being the first drummer to make extensive and distinctive use of the hi-hat cymbal throughout the playing time of an R&B song. This led to DJs favoring his recordings because they could hear the cymbal quite easily in their headphones as they "cued up" records to be mixed. In the mid-sixties Young played drums on many recordings for the Philadelphia-based record label "ARCT ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Ketèlbey
Albert William Ketèlbey (; born Ketelbey; 9 August 1875 – 26 November 1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works. For many years Ketèlbey worked for a series of music publishers, including Chappell & Co and the Columbia Graphophone Company, making arrangements for smaller orchestras, a period in which he learned to write fluent and popular music. He also found great success writing music for silent films until the advent of talking films in the late 1920s. The composer's early works in conventional classical style were well received, but it was for his light orchestral pieces t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
