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Apple Of Discord
An apple of discord is the core, kernel, or crux of an argument, or a small matter that could lead to a bigger dispute. It is a reference to the Golden Apple of Discord ( grc, ) in the story of the ''Judgement of Paris'' which, according to Greek mythology, was what the goddess Eris (, "Strife") tossed in the midst of the feast of the gods at the wedding of Peleus and Thetis as a prize of beauty, thus sparking a vanity-fueled dispute among Hera, Athena, and Aphrodite that eventually led to the Trojan War. Derivative uses Because of this, the Roman goddess corresponding to the Greek Eris was named "Discordia". Also, in German and in Dutch, the words are used a lot more often colloquially than in English, though in German the colloquial form is not ' ( "Apple of Discord") but ' ( "Quarrel-apple") and rarely '; the Dutch is ' ( "strife-apple"). In the Eixample district of Barcelona, there is a block nicknamed in Spanish ' ( ca, Illa de la Discòrdia). The reason for this u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eixample
The Eixample (; ) is a district of Barcelona between the old city (Ciutat Vella) and what were once surrounding small towns (Sants, Gràcia, Sant Andreu, etc.), constructed in the 19th and early 20th centuries. Its population was 262,000 at the last census (2005). Architecture and design The Eixample is characterized by long straight streets, a strict grid pattern crossed by wide avenues, and square blocks with chamfered corners (named ''illes'' in Catalan, ''manzanas'' in Spanish). This was a visionary, pioneering design by Ildefons Cerdà, who considered traffic and transport along with sunlight and ventilation in coming up with his characteristic octagonal blocks, where the streets broaden at every intersection making for greater visibility, better ventilation and (today) some short-term parking areas. It also provided an area for horse-drawn wagons and carriages to easily turn around. The grid pattern remains as a hallmark of Barcelona, but many of his other provisions we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammatical Number
In linguistics, grammatical number is a grammatical category of nouns, pronouns, adjectives and verb agreement that expresses count distinctions (such as "one", "two" or "three or more"). English and other languages present number categories of singular or plural, both of which are cited by using the hash sign (#) or by the numero signs "No." and "Nos." respectively. Some languages also have a dual, trial and paucal number or other arrangements. The count distinctions typically, but not always, correspond to the actual count of the referents of the marked noun or pronoun. The word "number" is also used in linguistics to describe the distinction between certain grammatical aspects that indicate the number of times an event occurs, such as the semelfactive aspect, the iterative aspect, etc. For that use of the term, see "Grammatical aspect". Overview Most languages of the world have formal means to express differences of number. One widespread distinction, found in English and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dative
In grammar, the dative case (abbreviated , or sometimes when it is a core argument) is a grammatical case used in some languages to indicate the recipient or beneficiary of an action, as in "Maria Jacobo potum dedit", Latin for "Maria gave Jacob a drink". In this example, the dative marks what would be considered the indirect object of a verb in English. Sometimes the dative has functions unrelated to giving. In Scottish Gaelic and Irish, the term ''dative case'' is used in traditional grammars to refer to the prepositional case-marking of nouns following simple prepositions and the definite article. In Georgian and Hindustani (Hindi-Urdu), the dative case can also mark the subject of a sentence.Bhatt, Rajesh (2003). Experiencer subjects. Handout from MIT course “Structure of the Modern Indo-Aryan Languages”. This is called the dative construction. In Hindi, the dative construction is not limited to only certain verbs or tenses and it can be used with any verb in any tense or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Mulleras
Casa Mulleras is a house in Barcelona, Spain, located on the Passeig de Gràcia in the Eixample district. Originally built in 1868, it was remodelled in a Neoclassical style by Enric Sagnier between 1906 and 1911. The house forms part of a row of buildings known as the ''Illa de la Discòrdia'' (or ''Mansana de la Discòrdia'', the "Block of Discord"). The ''Illa de la Discòrdia'' derives its name from its clashing architectural styles, and while the block is best known for its '' Modernista'' architecture (most notably Antoni Gaudí's Casa Batlló of 1906), the more sober Neoclassical style of Casa Mulleras contrasts sharply with its more opulent neighbours. History The Ramon Comas house was originally built by Pau Martorell in 1868. In 1906 it was acquired by Ramon Mulleras who commissioned Enric Sagnier to renovate the facade. While Sagnier's architectural portfolio included buildings designed in a variety of styles, including Gothic Revival and the Modernista style, he re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enric Sagnier
Enric Sagnier i Villavecchia (; 1858 in Barcelona – 1931) was a Spanish architect. Although now not as well known as his contemporaries Antoni Gaudí, Lluís Domènech i Montaner and Josep Puig i Cadafalch, he was responsible for a number of landmark buildings, was very prolific, and could turn his hand to many styles, including neo-Gothic, neo-Baroque and Modernista. He qualified as an architect in 1882, and one of his earliest works, together with Josep Domènech i Estapà, was the Palau de Justícia in Barcelona. Other well-known buildings by him in Barcelona are the Caixa de Pensions building in the Via Laietana, the New Customs House (Duana) and the church on the Tibidabo. Life and character Enric Sagnier was born in Barcelona on 21 March 1858, the son of Lluís Sagnier i Nadal, president of the Caixa d’Estalvis i Mont de Pietat de Barcelona (a bank), and Clementina Villavecchia Busquets. His father was an outstanding Classics scholar, who translated Xenophon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Amatller
Casa Amatller () is a building in the Modernisme style in Barcelona, Catalunya, Spain, designed by renowned Catalan architect Josep Puig i Cadafalch. Along with Casa Batlló and Casa Lleó-Morera, it makes up the three most important buildings in Barcelona's famous Illa de la Discòrdia ("Block of Discord"), noted for its unique, contrasting modern buildings. The building was originally constructed in 1875, then redesigned as a residence for wealthy chocolatier and archaeological enthusiast Antoni Amatller between 1898 and 1900. After his death in 1910, it remained the home of Amatller's daughter until her death in 1960. The continuous ownership by the Amatller family meant that the house's interior of 1900 has remained largely preserved intact to the present day. It now serves as a historic house museum, café, and the Amatller Institute for Hispanic Art, a scholarly study center. The house is regularly open for scheduled tours. Gallery File:Casa Amatller Foyer.JPG, The entr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josep Puig I Cadafalch
Josep Puig i Cadafalch (; Mataró, 17 October 1867 – Barcelona, 21 December 1956) was a Catalan '' Modernista'' architect who designed many significant buildings in Barcelona, and a politician who had a significant role in the development of Catalan institutions. He was the architect of the Casa Martí (also known as " Els Quatre Gats"), which became a place of ideas, projects and social gatherings for such well-known Catalans as Santiago Rusiñol and Ramon Casas. Although Puig's style separated him significantly from his contemporary Gaudí, their relations were neither tense nor problematic, as demonstrated by the participation of both architects in the construction of the Cafe Torino. Another of his significant buildings was the Casa Terrades (also known as "les Punxes"), which is known for its medieval castle style from the north of Europe. Puig was actively involved in politics. He was a Barcelona City Councillor from 1901 to 1903, served in the Spanish Parliament fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Lleó Morera
The Casa Lleó Morera () is a building designed by noted modernisme architect Lluís Domènech i Montaner, located at Passeig de Gràcia 35 in the Eixample district of Barcelona. In 1902 Francesca Morera assigned Lluís Domènech i Montaner to remodel ancient "casa Rocamora", built in 1864. She died in 1904, and the building was named after her son, Albert Lleó i Morera. The building is located on the corner of Carrer del Consell de Cent, and is one of the three important buildings of Barcelona's Illa de la Discòrdia ("Block of Discord"), and it is the only building of the block awarded Barcelona's town council's Arts Building Annual Award (Concurso anual de edificios artísticos), obtained in 1906. The building lost some of its most representative elements, such as the ''tempietto'' on its top (now restored) and the ground floor and mezzanine's architectural sculpture. The building is also known as the residence of Cuban-Catalan photographer Pau Audouard. The building The bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lluís Domènech I Montaner
Lluís Domènech i Montaner (; 21 December 1850 – 27 December 1923) was a Spanish architect who was highly influential on '' Modernisme català'', the Catalan Art Nouveau/Jugendstil movement. He was also a Catalan politician. Born in Barcelona, he initially studied physics and natural sciences, but soon switched to architecture. He was registered as an architect in Barcelona in 1873. He also held a 45-year tenure as a professor and director at the Escola d'Arquitectura, Barcelona's school of architecture, and wrote extensively on architecture in essays, technical books and articles in newspapers and journals. His most famous buildings, the Hospital de Sant Pau and Palau de la Música Catalana in Barcelona, have been collectively designated as a UNESCO World Heritage Site. As an architect, 45-year professor of architecture and prolific writer on architecture, Domènech i Montaner played an important role in defining the ''Modernisme arquitectonic'' in Catalonia. This style has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Batlló
() is a building in the center of Barcelona. It was designed by Antoni Gaudí, and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. Gaudí's assistants Domènec Sugrañes i Gras, Josep Canaleta and Joan Rubió also contributed to the renovation project. The local name for the building is ' (House of Bones), as it has a visceral, skeletal organic quality. It is located on the in the Eixample district, and forms part of a row of houses known as the ' (or ', the "Block of Discord"), which consists of four buildings by noted ' architects of Barcelona. Like everything Gaudí designed, is only identifiable as or Art Nouveau in the broadest sense. The ground floor, in particular, has unusual tracery, irregular oval windows and flowing sculpted stone work. There are few straight lines, and much of the façade is decorated with a colorful mosaic made of broken ceramic t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoni Gaudí
Antoni Gaudí i Cornet (; ; 25 June 1852 – 10 June 1926) was a Catalan architect from Spain known as the greatest exponent of Catalan Modernism. Gaudí's works have a highly individualized, ''sui generis'' style. Most are located in Barcelona, including his main work, the church of the Sagrada Família. Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations and integrated into his architecture such crafts as ceramics, stained glass, wrought ironwork forging and carpentry. He also introduced new techniques in the treatment of materials, such as ''trencadís'' which used waste ceramic pieces. Under the influence of neo-Gothic art and Oriental techniques, Gaudí became part of the ''Modernista'' movement which was reaching its peak in the late 19th and early 20th centuries. His work transcended mainstream ''Modernisme'', culminating in an organic style inspired by natural forms. Gaudí rarely dre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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