Apple Records Discography
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Apple Records Discography
This is the discography of Apple Records, a record label formed by the Beatles in 1968. During its early years, the label enjoyed a fair degree of commercial success, most notably with Mary Hopkin and Badfinger, as well as discovering acts such as James Taylor and Billy Preston who would go on to greater success with other labels. However, by the mid-1970s, Apple had become little more than an outlet for the Beatles' solo recordings (although, as the solo Beatles were actually still under contract to EMI, the Apple label was, in truth, only a cosmetic addition to their releases). After EMI's contract with the Beatles ended in 1976, the Apple label was finally wound up. The label was reactivated in the 1990s with many of the original Apple albums being reissued on compact disc, and the company now oversees new Beatles releases such as the '' Anthology'' and '' 1'' albums as well as the 2009 Beatles remastering programme. In 2010, Apple set about remastering and reissuing its b ...
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Discography
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.Roy Shuker. Popular Music: The Key Concepts'. Routledge, 2005. 80. A discography can also refer to the recordings catalogue of an individual artist, group, or orchestra. This is distinct from a sessionography, which is a catalogue of recording sessions, rather than a catalogue of the records, in whatever medium, that are made from those recordings. The two are sometimes confused, especially in jazz, as specific release dates for jazz records are often difficult to ascertain, and session dates are substituted as a means of organiz ...
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Hey Jude
"Hey Jude" is a song by the English rock band the Beatles that was released as a non-album single in August 1968. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The single was the Beatles' first release on their Apple record label and one of the "First Four" singles by Apple's roster of artists, marking the label's public launch. "Hey Jude" was a number-one hit in many countries around the world and became the year's top-selling single in the UK, the US, Australia and Canada. Its nine-week run at number one on the ''Billboard'' Hot 100 tied the all-time record in 1968 for the longest run at the top of the US charts, a record it held for nine years. It has sold approximately eight million copies and is frequently included on music critics' lists of the greatest songs of all time. The writing and recording of "Hey Jude" coincided with a period of upheaval in the Beatles. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort ...
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Back In The USSR
"Back in the U.S.S.R." is a song by the English rock band the Beatles and the first track of the 1968 double album ''The Beatles'' (also known as the "White Album"). Written by Paul McCartney and credited to the Lennon–McCartney partnership, the song is a parody of Chuck Berry's " Back in the U.S.A." and the Beach Boys' "California Girls". The lyrics subvert Berry's patriotic sentiments about the United States, as the narrator expresses relief upon returning home to the Soviet Union, formally the Union of Soviet Socialist Republics (USSR). The Beatles recorded "Back in the U.S.S.R." as a three-piece after Ringo Starr temporarily left the group, in protest at McCartney's criticism of his drumming and the tensions that typified the sessions for the White Album. Instead, the other Beatles created a composite drum track from numerous takes. McCartney's singing was based on Jerry Lee Lewis, while the bridge features a Beach Boys–style celebration of girls from various parts of th ...
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Maybe Tomorrow (The Iveys Song)
"Maybe Tomorrow" is a song composed and sung by guitarist Tom Evans of The Iveys, which was released as the group's first worldwide single on Apple Records. It also served as the title track for the album '' Maybe Tomorrow'', and it was also included on the Badfinger album ''Magic Christian Music'' released in 1970. History The Iveys were seen as a promising young Beatle-esque band by Apple Records, and the first single was chosen carefully. Ultimately, "Maybe Tomorrow" was chosen, in part because of the lush string orchestration added by producer Tony Visconti, and it was designated as Apple 5—the first single released by Apple after its initial, much-publicized release of four nearly-simultaneous singles at its launch. Paul McCartney personally assured The Iveys that the song would be a hit. However, the song flopped in the UK and only reached number 67 in the '' Billboard'' US charts. Despite that, it surprisingly reached number 1 in the Netherlands and was a major hit in m ...
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The Iveys
Badfinger were a Welsh rock band formed in Swansea, who were active from the 1960s to the 1980s. Their best-known lineup consisted of Pete Ham (vocals, guitar), Mike Gibbins (drums), Tom Evans (bass), and Joey Molland (guitar). They are recognised for their influence on the 1970s power pop genre. It is estimated that the band sold 14 million records. The band renamed themselves Badfinger, after the working title for the Beatles' 1967 song "With a Little Help from My Friends" ("Bad Finger Boogie"). From 1968 to 1973, Badfinger recorded five albums for Apple and toured extensively, before they became embroiled in the chaos of Apple's dissolution. Badfinger had four consecutive worldwide hits from 1970 to 1972: " Come and Get It" (written and produced by Paul McCartney, 1970), " No Matter What" (produced by Mal Evans, 1970), " Day After Day" (produced by George Harrison, 1971), and "Baby Blue" (produced by Todd Rundgren, 1972). Their song " Without You" (1970) has been recorded ...
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Yellow Submarine (song)
"Yellow Submarine" is a song by the English rock band the Beatles from their 1966 album ''Revolver''. It was also issued on a double A-side single, paired with "Eleanor Rigby". Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United Kingdom and several other European countries, and in Australia, Canada and New Zealand. It won an Ivor Novello Award for the highest certified sales of any single written by a British songwriter and issued in the UK in 1966. In the US, the song peaked at number two on the ''Billboard'' Hot 100 chart. The Beatles recorded "Yellow Submarine" during a period characterised by experimentation in the recording studio. After taping the basic track and vocals in late May 1966, they held a session to overdub nautical sound effects, party ambience and chorus singing, recalling producer George Martin's previous work with members of the Goons. As ...
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Black Dyke Mills Band
Black Dyke Band, formerly John Foster & Son Black Dyke Mills Band, is one of the oldest and best-known brass bands in the world. It originated as multiple community bands founded by John Foster at his family's textile mill in Queensbury, West Yorkshire in the mid-19th century. The ensemble has become prominent in competitive band championships and through recordings for film and television. The band is well-known for recording the soundtrack to the BBC gardening makeover series ''Ground Force'' in 1997, and appeared in the Christmas edition of Victoria Wood's sitcom ''Dinnerladies'' in 1999. In 1999 they played on the Academy Award-nominated song "That'll Do" from '' Babe: Pig in the City''. They have featured on recordings and live appearances by acts including The Beatles, Paul McCartney and Tori Amos. In 2014, the band won the National Brass Band Championships of Great Britain for a record 23rd time, and the British Open Championship for another record 30th time. They have ...
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Sour Milk Sea
"Sour Milk Sea" is a song by English rock singer Jackie Lomax that was released as his debut single on the Beatles' Apple record label in August 1968. It was written by George Harrison during the Beatles' stay in Rishikesh, India, and given to Lomax to help launch Apple Records. The recording is a rarity among non-Beatles songs since it features three members of the band – Harrison, who also produced the track, Ringo Starr and Paul McCartney. Performed in the hard rock style, the song also includes musical contributions from Eric Clapton and session pianist Nicky Hopkins, and was the first of many Harrison productions for artists signed to the Beatles' record label. Harrison wrote "Sour Milk Sea" to promote Transcendental Meditation, which the Beatles had been studying in Rishikesh with Maharishi Mahesh Yogi. In the lyrics, Harrison espouses meditation as a remedy for worldly cares. The group recorded a demo of the song while considering material for their 1968 double album ' ...
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Jackie Lomax
John Richard Lomax (10 May 1944 – 15 September 2013) was an English guitarist and singer-songwriter. He is best known for his association with George Harrison, who produced Lomax's recordings for the Beatles' Apple record label in the late 1960s. John Richard Lomax was born in 1944 in Wallasey, Cheshire. He was a member of Dee and the Dynamites, The Undertakers, The Lomax Alliance, Heavy Jelly and Badger. He worked with The Tea Bags, George Harrison, Eric Clapton, Jeff Beck, Leon Russell and Nicky Hopkins. Career 1962–1970 In January 1962, Jackie Lomax left Dee and the Dynamites to join the Merseybeat band The Undertakers. They followed The Beatles' route through local venues before setting out for Hamburg, Germany, and securing a recording contract. They signed with Pye Records and released four singles, but they managed only one week on the UK Singles Chart with "Just a Little Bit" (#49 in 1964). In 1965 they decided to try their luck in the United States. Lomax spe ...
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Turn! Turn! Turn!
"Turn! Turn! Turn!", or "Turn! Turn! Turn! (To Everything There Is a Season)", is a song written by Pete Seeger in the late 1950s and first recorded in 1959. The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a Season" on folk group the Limeliters' album ''Folk Matinee'', and then some months later on Seeger's own ''The Bitter and the Sweet''. The song became an international hit in late 1965 when it was adapted by the American folk rock group the Byrds. The single entered the U.S. chart at number 80 on October 23, 1965, before reaching number one on the ''Billboard'' Hot 100 chart on December 4, 1965. In Canada, it reached number 3 on November 29, 1965, and also peaked at number 26 on the UK Singles Chart. Lyrics The lyrics are taken almost verbatim from the book o ...
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Those Were The Days (song)
"Those Were the Days" is a song credited to Gene Raskin, who put a new English lyric to the Russian romance song " Дорогой длинною" (literally "By the long road"), composed by Boris Fomin (1900–1948) with words by the poet Konstantin Podrevsky. It deals with reminiscence upon youth and romantic idealism. It also deals with tavern activities, which include drinking, singing and dancing. Mary Hopkin's 1968 debut single of "Those Were the Days", which was produced by Paul McCartney of the Beatles, and arranged by Richard Hewson, became a number one hit on the UK Singles Chart and on the Canadian ''RPM'' Magazine charts. The song also reached number two on the ''Billboard'' Hot 100, behind "Hey Jude" by the Beatles. It was number one in the first edition of the French National Hit Parade launched by the Centre d'Information et de Documentation du Disque. The song was featured on her debut album ''Post Card''. Early history Georgian singer Tamara Tsereteli (1900†...
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But Beautiful (song)
"But Beautiful" is a popular song with music written by Jimmy Van Heusen, the lyrics by Johnny Burke. The song was published in 1947. One of five songs written by Burke and Van Heusen featured in the Paramount Pictures movie ''Road to Rio'' (1947), it was introduced by Bing Crosby and is also associated with his leading lady Dorothy Lamour. The song was a hit in 1948 for Frank Sinatra (reaching the No.14 spot), Bing Crosby (#20), Margaret Whiting (#21) and Art Lund (#25). The original key is G major and has the form A-B1-A-B2. Chick Corea recorded a piano solo version of it in the original key of G major, but it has been recorded in many different keys, including F major (later Sinatra), C major (Bill Evans and Stan Getz), D major (Tony Bennett and Lady Gaga), Billie Holiday (B-flat major) and Nat King Cole (E major). It is usually performed as a ballad. Other versions *Tex Beneke released a version in 1947 with Garry Stevens on vocal. *Tony Bennett on his first album with the g ...
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