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Apartment House 1776
''Apartment House 1776'' is a 1976 composition by the American composer John Cage, composed for the United States Bicentennial and premiered by six orchestras across the country in 1976. The work was commissioned jointly by the orchestras of Boston, Chicago, Cleveland, Los Angeles, New York, and Philadelphia. In these performances, the work was performed together with Cage's 1975–76 orchestral work ''Renga''. Structure Following Cage's ''Musicircus'' principle (featuring what he called a "multiplicity of centers"), the work calls for four solo vocalists, each representing a different religious tradition in the United States: Protestant, Sephardic, Native American, and African American. The singers, who represent the four religious traditions practiced at the U.S.'s founding in 1776, select authentic songs from their respective traditions and sing them without attempting to match them to those of the other singers. The soloists for the original performances were Helen Schneyer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeanne Lee
Jeanne Lee (January 29, 1939 – October 25, 2000) was an American jazz singer, poet and composer. Best known for a wide range of vocal styles she mastered, Lee collaborated with numerous distinguished composers and performers who included Gunter Hampel, Andrew Cyrille, Ran Blake, Carla Bley, Anthony Braxton, Marion Brown, Archie Shepp, Mal Waldron, and many others. Biography Jeanne Lee was born in New York, United States. Her father, S. Alonzo Lee, was a concert and church singer whose work influenced her at an early age. She was educated at the Walden School (a private school), and subsequently at Bard College, where she studied child psychology,Ben Ratliff, "Jeanne Lee, 61, Jazz Singer Who Embraced Avant-Garde" (obituary) '' |
Shirley Fleming
Shirley Fleming (1929 in New York City – 10 March 2005) was an American music critic and editor. Biography Born in New York City in 1929, she was the daughter of novelist Berry Fleming, who enjoyed popularity during the 1930s and 1940s with a series of successful works, and later in the 1980s with his ''Captain Bennett's Folly''. Shirley grew up in Augusta, Georgia, and maintained a home there throughout her life. She earned both bachelor's and master's degrees from Smith College and was a classically trained violist. From 1967 to 1991, she was the editor of the magazine ''Musical America''. She also served as editor for the publications '' High Fidelity'', '' Hi-Fi Music at Home'', and the ''American Record Guide''. In 1965 she worked as a freelance writer for ''The New York Times'' and later was on that paper's music criticism staff from 1975 to 1978. From 1978 until her death of a stroke on 10 March 2005 she wrote music criticism for the ''New York Post The ''New Yor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Kostelanetz
Richard Cory Kostelanetz (born May 14, 1940) is an American artist, author, and critic. Birth and Education Kostelanetz was born to Boris Kostelanetz and Ethel Cory and is the nephew of the conductor Andre Kostelanetz. He has a B.A. (1962) from Brown University and an M.A. (1966) in American History from Columbia University under Woodrow Wilson, NYS Regents, and International Fellowships; he also studied at King's College London as a Fulbright Scholar during 1964-1965.''Directory of American Scholars'', 6th ed. (Bowker, 1974), Vol. I, p. 350. He is the recipient of grants from the Guggenheim Foundation (1967), Pulitzer Foundation (1965), the DAAD Berliner Kunstlerprogramm (1981–1983), Vogelstein Foundation (1980), Fund for Investigative Journalism (1981), Pollock-Krasner Foundation (2001), CCLM (1981), ASCAP (1983 annually to the present), American Public Radio Program Fund (1984), and the National Endowment for the Arts with ten individual awards (1976, 1978, 1979, 1981, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By John Cage
This is a list of compositions by John Cage (1912–1992), arranged in chronological order by year of composition. List of works Apprenticeship period (1932–36) * ''Greek Ode'', for voice and piano (1932) * ''First Chapter of Ecclesiastes'' (''The Preacher''), for voice and piano (1932, possibly incomplete) * ''Three Easy Pieces'' (1. Round in A minor, 2. Duo in G major, 3. Infinite canon in F minor), for piano (1933) * ''Three Songs for voice and piano'', (1932–33) * '' Sonata for Clarinet'' (1933) * ''Sonata for Two Voices'', for two instruments with specified ranges (1933) * ''Composition for 3 Voices'' for three unspecified instruments (1934) * ''Solo with obbligato accompaniment of two voices in canon, and six short inventions on the subjects of the solo'', for three or more instruments (1934, six inventions revised rchestrated1958) * ''Three pieces'', for two flutes (1935) * ''Quartet'', for any four percussion instruments (1935) * ''Two pieces'', for piano (1935?, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode Records
Mode Records is an American record label in New York City that concentrates on contemporary classical music and other forms of avant-garde music. The label was founded by Brian Brandt in 1984, with a goal of releasing music composed by John Cage. Composers featured include John Cage, Morton Feldman, Iannis Xenakis, Giacinto Scelsi, and Harry Partch. Performers include Steve Lacy, Aki Takahashi, Martine Joste, the Arditti Quartet, and Gerry Hemingway. The label also has a commitment to younger composers with releases featuring Jason Eckardt, Joshua Fineberg, and Lei Liang. An earlier unrelated Mode Records existed for a short time in the 1950s and was involved West Coast jazz. It is now controlled by VSOP. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supply Belcher
Supply Belcher (March 29, 1751 – June 9, 1836) was an American composer, singer, and compiler of tune books. He was one of the so-called Yankee tunesmiths or First New England School, a group of mostly self-taught composers who created sacred vocal music for local choirs. He was active first in Lexington, Massachusetts, then eventually moved to Farmington, Maine. Like most of his colleagues, Belcher could not make music his main occupation, and worked as tax assessor, schoolmaster, town clerk, and so on; nevertheless he was considerably well known for his musical activities, and even dubbed 'the Handell icof Maine' by a local newspaper. Most of his works survive in ''The Harmony of Maine'', a collection Belcher published himself in Boston in 1794. Life Belcher was born in Stoughton, Massachusetts. In the early 1770s he moved to Boston to embark on a merchant's career, but returned to Stoughton just a few years later. He was a private during the Revolutionary War, part of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Law (composer)
Andrew Law (1749–1821) was an American composer, preacher and singing teacher. He was born in Milford, Connecticut Milford is a coastal city in New Haven County, Connecticut, United States, located between New Haven and Bridgeport. The population was 50,558 at the 2020 United States Census. The city includes the village of Devon and the borough of Woodmon .... Law wrote mostly simple hymn tunes and arranged tunes of other composers. In 1781, he was granted the first authorial copyright in the United States, though there is some debate about which work the grant applied to. His works include ''Select Harmony'' (1778), a ''Collection of Best Tunes and Anthems'' (1779), and ''The Art of Singing'' ''in Three Parts'' (1792–96). He was among the first American composers to put the melody in the soprano instead of the tenor part, and was also one of the first Americans to write about music. Andrew Law was a pioneer of the FASOLA ( Shape note) system of musical notation which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob French
Jacob French (July 15, 1754 – May 1817) was a singing master and one of the first American composers, sometimes called Yankee tunesmiths. "A student of William Billings, French adopted Billings' innovative approach to psalmody ... His music tends to be more complex in its structure, rhythm, and counterpoint than most of his contemporaries." "Along with William Billings, he is regarded as one of the finest composer of anthems in the New England tradition." French's ''Farewell Anthem'' appears in ''Southern Harmony'', 1835, as well as ''The Sacred Harp'' from 1844 to the present. He was born in Stoughton, Massachusetts. His brother, Edward, also composed a few tunes. Some of French's choral music was adapted by American composer John Cage for his ''Apartment House 1776'' and subsequently arranged for string quartet as part of ''44 Harmonies'' by violinist Irvine Arditti. These were recorded and issued by Mode Records Mode Records is an American record label in New York City tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Lyon (composer)
James Lyon (July 1, 1735 – October 12, 1794) was an American composer of the colonial and Federal eras in New England. Life James Lyon was born in Newark, New Jersey on July 1, 1735. It is known that his father was Zopher Lyon, but that he was orphaned at an early age. In 1750, Isaac Lyon and John Crane became James' guardians, until the age of twenty-one. Lyon then attended college at Nassau Hall, and afterwards obtained a master's degree from College of Philadelphia. Lyon became a Presbyterian minister, and left from Philadelphia for Nova Scotia, but he was unable to support his family, and subsequently accepted a job at the new settlement of Machias, Maine. After his first year there, the parish invited him to remain at a raised salary and he remained there with a few interruptions, until his death on October 12, 1794. Music The first evidence of Lyon composing was during his college days at the commencement of 1759 at Nassau Hall, when President Samuel Davies delivered an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Billings
William Billings (October 7, 1746 – September 26, 1800) is regarded as the first American choral composer and leading member of the First New England School. Life William Billings was born in Boston, Massachusetts. At the age of 14, the death of his father stopped Billings' formal schooling. In order to help support his family, young Billings trained as a tanner. He possibly received musical instruction from John Barry, one of the choir members at the New South Church, but for the most part he was self-taught. Billings had an unusual appearance and a strong addiction to snuff. His contemporary wrote that Billings "was a singular man, of moderate size, short of one leg, with one eye, without any address & with an uncommon negligence of person. Still, he spake & sung & thought as a man above the common abilities." Billings' wife died on March 26, 1795, leaving him with six children under the age of 18. He died in poverty in Boston on September 26, 1800. His funeral was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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