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Aoi No Ue (play)
''Aoi no Ue'' (葵上, Lady Aoi) is a Muromachi period Japanese Noh play based on the character Lady Aoi from the Heian period novel '' The Tale of Genji''. It is an example of the fourth category of "miscellaneous" Noh plays. ''Aoi no Ue'' was the first of many Noh plays based on ''The Tale of Genji''. It is sometimes attributed to Zeami Motokiyo or to his son-in-law Zenchiku; the extant version of the text is likely a reworking of a version written for the troupe of a contemporary, Inuō. Play In the backstory, Prince Genji, who was married to his wife Lady Aoi at a young age, has taken a mistress, Lady Rokujo. Lady Rokujo had been married to the crown prince, but his death had left a much less powerful widow. Rokujo had previously destroyed another mistress of Genji through a jealous apparition. Following an episode in which she is humiliated in public by Lady Aoi, Rokujo is enraged to discover that Aoi is pregnant. Genji begins ignoring Rokujo, and in her jealousy her livin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami Motokiyo
(c. 1363 – c. 1443), also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a love affair with him. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mixed a variety of Classical and Modern themes in his writing, and made use of Japanese and Chinese traditions. He incorporated numerous themes of Zen Buddhism into his works and lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Rokujo
The word ''lady'' is a term for a girl or woman, with various connotations. Once used to describe only women of a high social class or status, the equivalent of lord, now it may refer to any adult woman, as gentleman can be used for men. Informal use is sometimes euphemistic ("lady of the night" for prostitute) or, in American slang, condescending in direct address (equivalent to "mister" or "man"). "Lady" is also a formal title in the United Kingdom. "Lady" is used before the family name of a woman with a title of nobility or honorary title ''suo jure'' (in her own right), or the wife of a lord, a baronet, Scottish feudal baron, laird, or a knight, and also before the first name of the daughter of a duke, marquess, or earl. Etymology The word comes from Old English '; the first part of the word is a mutated form of ', "loaf, bread", also seen in the corresponding ', "lord". The second part is usually taken to be from the root ''dig-'', "to knead", seen also in dough; the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Plays
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and '' nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of two Noh plays with one ''kyōgen'' piece has become common today. Optionally, the ritual performance ''Okina'' may be presented in the very beginning of ''nōgaku'' presentation. Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lady Aoi
''The Lady Aoi'' is a play written by Yukio Mishima in 1954 which appears in his ''Five Modern Noh Plays''. It modernizes the noh drama ''Aoi no Ue''. English Version Donald Keene has translated this play into English. Notable productions Bahram Beyzai produced this play in Persian in Tehran Tehran (; fa, تهران ) is the largest city in Tehran Province and the capital of Iran. With a population of around 9 million in the city and around 16 million in the larger metropolitan area of Greater Tehran, Tehran is the most popul ... in 1998. References Plays by Yukio Mishima 1954 plays {{1950s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freud
Sigmund Freud ( , ; born Sigismund Schlomo Freud; 6 May 1856 – 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for evaluating and treating pathologies explained as originating in conflicts in the psyche, through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902. Freud lived and worked in Vienna, having set up his clinical practice there in 1886. In 1938, Freud left Austria to escape Nazi persecution. He died in exile in the United Kingdom in 1939. In founding psychoanalysis, Freud developed therapeutic techniques such as the use of free association and discovered transference, establishing its central role in the analytic proces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yukio Mishima
, born , was a Japanese author, poet, playwright, actor, model, Shintoist, Nationalism, nationalist, and founder of the , an unarmed civilian militia. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968, but the award went to his countryman and benefactor Yasunari Kawabata. His works include the novels and , and the autobiographical essay . Mishima's work is characterized by "its luxurious vocabulary and decadent metaphors, its fusion of Japanese literature, traditional Japanese and modern Western literature, Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death", according to author Andrew Rankin. Mishima's political activities made him a controversial figure, which he remains in modern Japan. From his mid-30s, Mishima's Right-wing politics, right-wing ideology was increasingly revealed. He was proud of the traditional culture and spirit of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Turner
Victor Witter Turner (28 May 1920 – 18 December 1983) was a British cultural anthropologist best known for his work on symbols, rituals, and rites of passage. His work, along with that of Clifford Geertz and others, is often referred to as symbolic and interpretive anthropology. Early life Victor Turner was born in Glasgow, Scotland, son to Norman and Violet Turner. His father was an electrical engineer and his mother a repertory actress, who founded the Scottish National Players. Turner initially studied poetry and classics at University College London. In 1941, Turner was drafted into World War II, and served as a noncombatant until 1944. During his three years of service he met and married Edith Brocklesby Davis, who was serving during the war as a "land girl". Their five children include scientist Robert Turner, poet Frederick Turner, and Rory Turner, an anthropology professor at Goucher College. Turner returned to University College in 1946 with a new focus on anth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miko
A , or shrine maiden,Groemer, 28. is a young priestess who works at a Shinto shrine. were once likely seen as shamans,Picken, 140. but are understood in modern Japanese culture to be an institutionalized role in daily life, trained to perform tasks, ranging from sacred cleansing to performing the sacred dance. Appearance The traditional attire of a is a pair of red (divided, pleated trousers), a white (a predecessor of the kimono), and some white or red hair ribbons. In Shinto, the color white symbolizes purity. The garment put over the during dances is called a . Traditional tools include the , the (offertory -tree branches), and the . also use bells, drums, candles, , and bowls of rice in ceremonies. Definition The Japanese words and ("female shaman" and "shrine maiden" respectively)Kokugo Dai Jiten Dictionary, Revised edition, Shogakukan, 1988. are usually written as a compound of the kanji ("shaman"), and ("woman"). was archaically written (, or "g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zenchiku
was a skilled Japanese Noh actor, troupe leader, and playwright. His plays are particularly characterized by an intricate, allusive, and subtle style inherited from Zeami which convolved yūgen with influences from Zen Buddhism (his Zen master was Ikkyū) and Kegon. Actors should strive for unconscious performance, in which they enters the "circle of emptiness"; such a state of being is the highest level of artistic or religious achievement. He lived, worked, and died in the Nara area of Japan. He was trained by Zeami and his son, Motomasa (died 1432), eventually marrying a daughter of Zeami. At some point he took the artistic name Komparu Ujinobu and then finally Komparu Zenchiku. In 1443, he became the leader of the Kanze acting troupe and thus the second successor to Zeami Motokiyo. Zeami passed on his secret teachings to Zenchiku, apparently prompting Zeami's exiling; this refusal to transmit to his blood descendants also prompted a split between the Komparu school and the Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto Gosho
The is the former palace of the Emperor of Japan. Since the Meiji Restoration in 1869, the Emperors have resided at the Tokyo Imperial Palace, while the preservation of the Kyoto Imperial Palace was ordered in 1877. Today, the grounds are open to the public, and the Imperial Household Agency hosts public tours of the buildings several times a day. The Kyoto Imperial Palace is the latest of the imperial palaces built at or near its site in the northeastern part of the old capital of Heian-kyō (now known as Kyoto) after the abandonment of the larger original Heian Palace that was located to the west of the current palace during the Heian period. The Palace lost much of its function at the time of the Meiji Restoration, when the capital functions were moved to Tokyo in 1869. However, Emperor Taishō and Shōwa still had their enthronement ceremonies at the palace. Layout The Palace is situated in the , a large rectangular enclosure north to south and east to west. It also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Aoi
is a fictional character in '' The Tale of Genji'' (''Genji Monogatari''). Daughter of the Minister of the Left (Tō no Chūjō's sister) and Genji's first principal wife, she marries Genji when she is sixteen and he is only twelve. Proud and distant from her husband, Aoi is constantly aware of the age difference between them and very much hurt by Genji's philandering. For a short while, after giving birth to Genji's son, Yūgiri, and suffering episodes of spirit possession, Aoi becomes appealing in Genji's eyes. The episode of spirit possession itself ('' mono no ke'') is extremely controversial and brings forward two female characters of the tale: Aoi (Genji's wife) and Lady Rokujō (Genji's mistress). The relationship between the two women may be that between victim and aggressor, if one follows the traditional interpretation of spirit possession, or that between accomplices expressing their discontent with the Heian system of polygynous marriage (and with Genji, obviously). Aoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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