|
Anya Gallaccio
Anya Gallaccio (born 1963) is a British artist, who creates site-specific, minimalist installations and often works with organic matter (including chocolate, sugar, flowers and ice). Her use of organic materials results in natural processes of transformation and decay, meaning that Gallaccio is unable to predict the end result of her installations. Something which at the start of an exhibition may be pleasurable, such as the scent of flowers or chocolate, would inevitably become increasingly unpleasant over time. The timely and site-specific nature of her work make it notoriously difficult to document. Her work therefore challenges the traditional notion that an art object or sculpture should essentially be a monument within a museum or gallery. Instead her work often lives through the memory of those that saw and experienced it - or the concept of the artwork itself. Early life Born in Paisley, Scotland to TV producer George Gallaccio and actress Maureen Morris. She grew u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paisley, Renfrewshire
Paisley ( ; sco, Paisley, gd, Pàislig ) is a large town situated in the west central Lowlands of Scotland. Located north of the Gleniffer Braes, the town borders the city of Glasgow to the east, and straddles the banks of the White Cart Water, a tributary of the River Clyde. Paisley serves as the administrative centre for the Renfrewshire council area, and is the largest town in the historic county of the same name. It is often cited as "Scotland's largest town" and is the fifth largest settlement in the country, although it does not have city status. The town became prominent in the 12th century, with the establishment of Paisley Abbey, an important religious hub which formerly had control over other local churches. By the 19th century, Paisley was a centre of the weaving industry, giving its name to the Paisley shawl and the Paisley pattern. The town's associations with political radicalism were highlighted by its involvement in the Radical War of 1820, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wapping Hydraulic Power Station
The Wapping Hydraulic Power Station (built 1890) was originally run by the London Hydraulic Power Company in Wapping, London, England. Originally, it operated using steam, and was later converted to use electricity. It was used to power machinery, including lifts, across London. The Tower Subway was used to transfer the power, and steam, to districts south of the river. The surviving complex consists of the engine house, boiler house, water tanks, accumulator tower, reservoir, boiler master's house, seven 1950s throw ram pumps, a 1950s pilot accumulator, a gantry crane, two transformers and switchgear. It is located at Wapping Wall. The building was designated a grade II* listed building in December 1977. After its closure as a pumping station on 30 June 1977, the building was converted by architectural practice Shed 54 and reopened by Jules Wright, as an arts centre An art centre or arts center is distinct from an art gallery or art museum. An arts centre is a functional c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sybil Sassoon
Sybil Rachel Betty Cecile Cholmondeley, Marchioness of Cholmondeley (born Sybil Rachel Betty Cecile Sassoon; 30 January 1894 – 26 December 1989), styled Countess of Rocksavage from 1913 to 1923, was a British socialite, patron of the arts, and Chief Staff Officer in the Women's Royal Naval Service (WRNS) during the Second World War. She belonged to the prominent Sassoon and Rothschild families. Family and life Sassoon was born in London, to a Jewish family. She was the daughter of Sir Edward Sassoon (1856–1912), 2nd Bt., and Baroness Aline Caroline de Rothschild (1865–1909). Her brother was Sir Philip Sassoon. On 6 August 1913, she married George Cholmondeley, Earl of Rocksavage (19 May 1883 – 16 September 1968). He later succeeded as the 5th Marquess of Cholmondeley. They had two sons and one daughter: * Lady Aline Caroline Cholmondeley (5 October 1916 – 30 June 2015) * George ''Hugh'' Cholmondeley, 6th Marquess of Cholmondeley (24 April 1919 – 13 March ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folly
In architecture, a folly is a building constructed primarily for decoration, but suggesting through its appearance some other purpose, or of such extravagant appearance that it transcends the range of usual garden buildings. Eighteenth-century English landscape gardening and French landscape gardening often featured mock Roman temples, symbolising classical virtues. Other 18th-century garden follies represented Chinese temples, Egyptian pyramids, ruined medieval castles or abbeys, or Tatar tents, to represent different continents or historical eras. Sometimes they represented rustic villages, mills, and cottages to symbolise rural virtues. Many follies, particularly during times of famine, such as the Great Famine in Ireland, were built as a form of poor relief, to provide employment for peasants and unemployed artisans. In English, the term began as "a popular name for any costly structure considered to have shown folly in the builder", the ''Oxford English Dictionary' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Cholmondeley, 7th Marquess Of Cholmondeley
David George Philip Cholmondeley, 7th Marquess of Cholmondeley, (; born 27 June 1960), styled Viscount Malpas from birth until 1968, and subsequently Earl of Rocksavage until 1990, is a British peer and filmmaker who acted as Lord Great Chamberlain of the United Kingdom from 1990 to 2022. Early life and education Lord Cholmondeley is a descendant of Sir Robert Walpole (1676–1745), the first Prime Minister of Great Britain. He is the son of Hugh Cholmondeley, 6th Marquess of Cholmondeley, and Lavinia, Marchioness of Cholmondeley (née Leslie). He is also a descendant of both the Rothschild family and the Sassoon family through his paternal grandmother, Sybil Sassoon. He has three older sisters: the Ladies Rose, Margot (married to Tony Huston), and Caroline (married to Baron Rodolphe d'Erlanger). Like many members of his family, Cholmondeley was educated at Eton College. He later took classes at the Sorbonne in Paris. Career Film industry Lord Cholmondeley is a filmmake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houghton Hall
Houghton Hall ( ) is a country house in the parish of Houghton in Norfolk, England. It is the residence of David Cholmondeley, 7th Marquess of Cholmondeley. It was commissioned by the ''de facto'' first British Prime Minister, Sir Robert Walpole, in 1722, and is a key building in the history of Neo-Palladian architecture in England. It is a Grade I listed building surrounded by of parkland, and is a few miles from Sandringham House. Description The house has a rectangular main block which consists of a rustic basement at ground level, with a ''piano nobile'', bedroom floor and attics above. There are also two lower flanking wings joined to the main block by colonnades. To the south of the house is a detached quadrangular stable block. The exterior is both grand and restrained, constructed of fine-grained, silver-white stone. The Gibbs-designed domes punctuate each corner. In line with Palladian conventions, the interiors are much more colourful, exuberant and opulent th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze (magazine)
''frieze'' is a contemporary art magazine, published eight times a year from London. History ''frieze'' was founded in 1991 by Frieze Art Fair founders Amanda Sharp and Matthew Slotover with artist Tom Gidley. A Damien Hirst butterfly painting was featured in the first ''frieze'' issue. When ''frieze'' began both Sharp and Slotover served as editors, but ceased direct involvement in editorial decisions in 2001. In 2003, the year that Frieze Art Fair was founded, Sharp and Slotover assumed the roles of Publishing Directors of the magazine, and Directors of the fair. Sharp and Slotover maintain the overall direction of both the art fair and the magazine, but editorial decisions are made by the Editor Andrew Durbin and the Deputy Editor Amy Sherlock; Jennifer Higgie is the editor at large. In 2008, for the first time the talks programme at Frieze Art Fair was organised by the magazine editors. In 2016, Endeavor – a Hollywood-based entertainment group – acquired a reported 7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porcelain
Porcelain () is a ceramic material made by heating substances, generally including materials such as kaolinite, in a kiln to temperatures between . The strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and formation of the mineral mullite within the body at these high temperatures. Though definitions vary, porcelain can be divided into three main categories: hard-paste, soft-paste, and bone china. The category that an object belongs to depends on the composition of the paste used to make the body of the porcelain object and the firing conditions. Porcelain slowly evolved in China and was finally achieved (depending on the definition used) at some point about 2,000 to 1,200 years ago; it slowly spread to other East Asian countries, then to Europe, and eventually to the rest of the world. Its manufacturing process is more demanding than that for earthenware and stoneware, the two other main types of pottery, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability. The archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still Life
A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Porcelain")
_-_Bouquet_of_Flowers_in_a_Ceramic_Vase.jpg "Click for more on -> Still Life")